Seeking a Friend for the End of the World - crew, film crew
The entire team, the film crew of the film "Seeking a Friend for the End of the World"
Seeking a Friend for the End of the World (2012)
Timing:
1:41 (101 min)
6.561/10
1970
1970
Film crew
Director
Producer
Mark Roybal
Producer
Joy Gorman Wettels
Producer
Executive Producer
Nathan Kahane
Executive Producer
Casting
Jeanne McCarthy
Casting
Nicole Abellara Hallman
Casting
Editor
Zene Baker
Editor
Costume Design
Dayna Pink
Costume Design
Kristin M. Burke
Costume Design
Stunts
Production Design
Chris L. Spellman
Production Design
Stunt Coordinator
Gary J. Wayton
Stunt Coordinator
Set Decoration
Kathy Lucas
Set Decoration
Makeup Artist
David LeRoy Anderson
Makeup Artist
Original Music Composer
Jonathan Sadoff
Original Music Composer
Set Dresser
Sean Lira
Set Dresser
Director of Photography
Camera Operator
Alan Jacoby
Camera Operator
Paul Horn
Camera Operator
Steadicam Operator
Matthew A. Petrosky
Steadicam Operator
Costume Supervisor
Makeup Department Head
Jeanne Van Phue
Makeup Department Head
Sound Effects Editor
Trevor Metz
Sound Effects Editor
Property Master
Gay Perello
Property Master
Visual Effects Supervisor
John Ryan
Visual Effects Supervisor
Supervising Sound Editor
Perry Robertson
Supervising Sound Editor
Script Supervisor
Jan Rudolph
Script Supervisor
Supervising Dialogue Editor
Richard Dwan Jr.
Supervising Dialogue Editor
Special Effects Coordinator
Donald Frazee
Special Effects Coordinator
Visual Effects Producer
J. David Everhart
Visual Effects Producer
First Assistant Director
John McKeown
First Assistant Director
Assistant Costume Designer
Leighton Bowers
Assistant Costume Designer
Chief Lighting Technician
Jonathon Bradley
Chief Lighting Technician
Production Manager
Sharon C. Dietz
Production Manager
Boom Operator
Ken Strain
Boom Operator
Timothy P. Salmon
Boom Operator
Brian Wittle
Boom Operator
Screenplay
Construction Coordinator
Randy L. Childs
Construction Coordinator
Art Department Coordinator
Cynthia Kershaw
Art Department Coordinator
First Assistant Sound Editor
Kevin Zimmerman
First Assistant Sound Editor
Art Department Assistant
Dori Hana Scherer
Art Department Assistant
Lighting Technician
Shane Buttle
Lighting Technician
Ronald De Torres
Lighting Technician
Key Grip
John Joseph Minardi
Key Grip
Dolly Grip
George Santo Pietro
Dolly Grip
Adam C. Eichhorst
Dolly Grip
Key Hair Stylist
Peter Tothpal
Key Hair Stylist
Roxane Griffin
Key Hair Stylist
Angela Gurule
Key Hair Stylist
Casting Assistant
Eve Streger
Casting Assistant
Music
Jonathan Sadoff
Music
Music Editor
Jon Mooney
Music Editor
Video Assist Operator
Greg Mitchell
Video Assist Operator
Unit Publicist
Kym Langlie
Unit Publicist
Best Boy Electric
Matthew Coleman
Best Boy Electric
Animal Coordinator
Sarah Clifford
Animal Coordinator
Sound Editor
Richard Dwan Jr.
Sound Editor
Dolby Consultant
James Wright
Dolby Consultant
Digital Intermediate
Mark Sahagun
Digital Intermediate
Denise Woodgerd
Digital Intermediate
Foley
Noel Vought
Foley
Nick Neutra
Foley
What's left behind the scenes
- The story of an “unexpected romance blossoming between two strangers during an impromptu journey” is a familiar development for director Lorene Scafaria, as if it were the opening scene of her previous screenplay, “Five Minutes to Live” (2008).
- There are no ocean beaches at the foot of cliffs like the one Penny and Dodge visited in the New Jersey/Delaware region. The film was supposedly to be shot on the East Coast of the USA, but it is clearly filmed in California.
- The film marked Lorene Scafaria's directorial debut.
- Filming began in May 2011 in Los Angeles shortly before the end of the world predicted by American sect leader Harold Camping, scheduled for May 21st.
- When the killer shot through the windshield, it remained with a bullet hole and cracks around it. Later in the film, the same truck is shown, but the windshield is without cracks, as good as new.
- Dodge pulls out the vinyl album "Scott," Scott Walker's first solo album. He takes the record out and puts it on the player, and the song "The Sun Ain't Gonna Shine Anymore" begins to play. This recording is by "The Walker Brothers," and it wasn't on the album that was being shown previously.
- As Dodge listens to the recording, the power goes out, and the sound of the recording can be heard slowing down. On the receiver shown in the film, the sound should have cut out immediately.
- During the dialogue between Dodge and Penny, when they are sitting back-to-back in jail, their heads change position, especially Dodge's, either between the bars or directly in line with them.
- When Dodge and Penny walk up to Olivia's house, Penny breaks a window. They then enter the house, and it is visible that the window in the background is not broken. A few seconds later, the window in the frame is broken again.
- When Dodge and Penny get into the car that Speck lent them, the radio is tuned to 107.2 – US radio stations are divided into 200kHz bands and are located on odd frequencies. The correct frequency would have been 107.1 or 107.3.
- The Cessna airplane that Father Dodge is flying in is not designed for flights long enough to take Penny to the United Kingdom.
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Auditions in India
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