Hellraiser - crew, film crew
The entire team, the film crew of the film "Hellraiser"
Hellraiser (1987)
Timing:
1:34 (94 min)
6.876/10
2792
2792
7.042/10
42636
42636
6.9/10
153000
153000
Film crew
Director
Producer
Christopher Figg
Producer
Executive Producer
David Saunders
Executive Producer
Christopher Webster
Executive Producer
Writer
Casting
Sheila Trezise
Casting
Editor
Richard Marden
Editor
Art Direction
Jocelyn James
Art Direction
Costume Design
Joanna Johnston
Costume Design
Jane Wildgoose
Costume Design
Stunts
Bill Weston
Stunts
Production Design
Michael Buchanan
Production Design
Makeup Artist
Sally Sutton
Makeup Artist
Original Music Composer
Associate Producer
Selwyn Roberts
Associate Producer
Orchestrator
Second Assistant Director
Waldo Roeg
Second Assistant Director
Director of Photography
Robin Vidgeon
Director of Photography
Camera Operator
David Worley
Camera Operator
Tim Field
Camera Operator
Sound Effects Editor
Property Master
Ron Allett
Property Master
Script Supervisor
Ene Watts
Script Supervisor
Electrician
Ray Wardley
Electrician
Andrew C. Hebden
Electrician
Hairstylist
Aileen Seaton
Hairstylist
Sound Mixer
John Midgley
Sound Mixer
First Assistant Director
Selwyn Roberts
First Assistant Director
Animation
Nick Xypnitos
Animation
Boom Operator
Clive Osborne
Boom Operator
Novel
First Assistant Editor
Roy Birchley
First Assistant Editor
Location Manager
Jane Studd
Location Manager
Grip
Gary Hutchings
Grip
Carpenter
John Potter
Carpenter
Painter
Colin Lovering
Painter
Music Supervisor
Anne Atkins Young
Music Supervisor
Makeup Supervisor
Geoffrey Portass
Makeup Supervisor
Casting Assistant
Kelly K. Learman
Casting Assistant
Third Assistant Director
Rupert Ryle-Hodges
Third Assistant Director
Gaffer
Steve Foster
Gaffer
Conductor
Paul Francis Witt
Conductor
Stand In
Alan Harris
Stand In
Kathy Sinclair
Stand In
Unit Publicist
Steve Jones
Unit Publicist
Production Coordinator
Clare St. John
Production Coordinator
Visual Effects
Richard Dimbleby
Visual Effects
Wardrobe Supervisor
Daryl Bristow
Wardrobe Supervisor
Title Designer
Richard Morrison
Title Designer
Makeup Effects
Paul Catling
Makeup Effects
John Cormican
Makeup Effects
Stuart Conran
Makeup Effects
Dave Elsey
Makeup Effects
Julian Caldow
Makeup Effects
Cliff Wallace
Makeup Effects
Nigel Booth
Makeup Effects
Dave Keen
Makeup Effects
William Petty
Makeup Effects
Simon Sayce
Makeup Effects
Roy Puddefoot
Makeup Effects
Ian Rolph
Makeup Effects
Jim Sandys
Makeup Effects
Dave Chagouri
Makeup Effects
Jason Reed
Makeup Effects
Makeup Effects Designer
Digital Compositors
Don Lee
Digital Compositors
Music Programmer
Tom Calderaro
Music Programmer
What's left behind the scenes
- The original title of the painting was “Sadomasochists From Beyond The Grave.”
- Doug Bradley, who played the Cenobite, spent six hours in makeup before appearing on set, with hundreds of pins affixed to his head.
- Before filming, Doug Bradley was offered a choice of two minor roles – a furniture mover or the “pinhead” Cenobite. The budding actor thought it was, of course, more important for a young actor to have his face on screen, but he still chose the role of the Cenobite. And he didn't regret it.
- The role of Larry Cotton was initially offered to Lance Henriksen, but he declined.
- This was Clive Barker’s directorial debut. His book “The Hellbound Heart,” on which the film is based, consists of only 60 pages.
- Frank Cotton in his human form and Frank as the "resurrected" are played by different actors.
- Doug Bradley is a friend and classmate of Clive Barker.
- Several comics were released based on the film, and plastic models of the Cenobites were produced.
- It should be noted that there was no Pinhead in the original literary source; his functions were performed by a creature called "The Engineer" – a strange being with a human body and a cluster of light instead of a head. However, at the very beginning of the novella, there is a description of several Cenobites, and one of them – a woman – looks like this: "Every inch of the head was tattooed with a complex pattern, at each intersection of horizontal and vertical lines a pin with a precious stone gleamed, piercing the bone through and through."
- Initially, the film's soundtrack was recorded by the well-known English industrial band Coil, but despite protests from Clive Barker, a long-time acquaintance of the band, the producers at New Line Cinema did not accept their compositions for their own reasons.
- There are two versions of the film — a full and an abridged one. Especially bloody scenes were cut and shortened in it.
- Hell in the film is represented as a network of corridors and labyrinths.
- Cenobite is a church term, denoting a resident of a monastic community. The word is of Greek origin. Barker describes the Cenobites as 'theologians of the Order of the Flesh or the Cutters.' Cenobites can only penetrate our reality through a special spatio-temporal rift – a 'schism' – which can be opened and closed using special devices. The Puzzle Box is such a device for creating a 'rift,' first made by a toy maker named Philip Lemarchand in 1784 at the behest and design of the Duke de Lille (an aristocrat practicing dark magic).
- Barker revised the original screenplay under the influence of Tony Randel and Peter Atkins, who were filming the sequel. This concerns the scene in which Kirsty takes the Puzzle Box from Julia, killed by the Cenobites' hooks. It was necessary to introduce an element connecting the series – a mattress with Julia's blood.
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