The Importance of Being Earnest - crew, film crew
The entire team, the film crew of the film "The Importance of Being Earnest"
The Importance of Being Earnest (2002)
Timing:
1:37 (97 min)
6.846/10
457
457
7.413/10
13895
13895
6.8/10
26000
26000
Film crew
Director
Producer
Barnaby Thompson
Producer
Executive Producer
Uri Fruchtmann
Executive Producer
Casting
Celestia Fox
Casting
Editor
Art Direction
Paul Ghirardani
Art Direction
Costume Design
Maurizio Millenotti
Costume Design
Production Design
Luciana Arrighi
Production Design
Set Decoration
Ian Whittaker
Set Decoration
Makeup Artist
Joe Hopker
Makeup Artist
Pat Hay
Makeup Artist
Sound Re-Recording Mixer
Adrian Rhodes
Sound Re-Recording Mixer
Matthew Gough
Sound Re-Recording Mixer
Original Music Composer
Charlie Mole
Original Music Composer
Co-Producer
David Brown
Co-Producer
Director of Photography
Tony Pierce-Roberts
Director of Photography
Hairstylist
Paula Price
Hairstylist
Charmaine Fuller
Hairstylist
Jamie Pritchard
Hairstylist
Screenplay
Foley Editor
Ben Barker
Foley Editor
ADR Mixer
Mark DeSimone
ADR Mixer
Makeup & Hair
Peter Swords King
Makeup & Hair
Susan Parkinson
Makeup & Hair
Barbara Taylor
Makeup & Hair
Renata Gilbert
Makeup & Hair
Dianne Millar
Makeup & Hair
ADR Recordist
Colin Cooper
ADR Recordist
Theatre Play
What's left behind the scenes
- A film adaptation of the play of the same name by Oscar Wilde.
- Finty Williams, who played Lady Bracknell as a young dancer, is the daughter of Judi Dench, who played the older Lady Bracknell.
- Producers paid £50,000 to use West Wycombe as Jack's country house.
- During the film's final scene – the revelation of John Worthing's origins – sheet music of Edvard Grieg's compositions lies on the piano music stand in his living room.
- The scenes in which Rupert Everett slaps Colin Firth on the buttocks and kisses him on the cheek were improvised. However, director Oliver Parker liked Colin Firth’s stunned reactions in both instances so much that he decided to keep them.
- The scenes with Ernest's bill at the Savoy and the creditors who came to Jack's village are taken from material that Wilde cut from the play just before its publication.
- Producers paid £50,000 for the use of West Wycombe as Jack’s country house.
Did you like the film?
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