Dead Man - crew, film crew
The entire team, the film crew of the film "Dead Man"
Dead Man (1995)
Timing:
2:1 (121 min)
7.305/10
1686
1686
7.863/10
97966
97966
7.5/10
109000
109000
Film crew
Director
Producer
Demetra J. MacBride
Producer
Casting
Ellen Lewis
Casting
Laura Rosenthal
Casting
Editor
Art Direction
Ted Berner
Art Direction
Costume Design
Stunts
Erik Stabenau
Stunts
Tori Bridges
Stunts
Production Design
Bob Ziembicki
Production Design
Stunt Coordinator
Al Jones
Stunt Coordinator
Set Decoration
Dayna Lee
Set Decoration
Makeup Artist
Patty York
Makeup Artist
Neal Martz
Makeup Artist
Key Makeup Artist
Neal Martz
Key Makeup Artist
Sound Re-Recording Mixer
Héctor Cordero
Sound Re-Recording Mixer
Keith Culbertson
Sound Re-Recording Mixer
Hextro
Sound Re-Recording Mixer
Original Music Composer
Co-Producer
Karen Koch
Co-Producer
Second Assistant Director
Jude Gorjanc
Second Assistant Director
Director of Photography
Steadicam Operator
David Luckenbach
Steadicam Operator
Bob Gorelick
Steadicam Operator
Kirk R. Gardner
Steadicam Operator
Jeff Mart
Steadicam Operator
Sound Effects Editor
Eugene Gearty
Sound Effects Editor
Magdaline Volaitis
Sound Effects Editor
Property Master
John Pattison
Property Master
Visual Effects Supervisor
Randall Balsmeyer
Visual Effects Supervisor
Jon Farhat
Visual Effects Supervisor
Supervising Sound Editor
Robert Hein
Supervising Sound Editor
Electrician
Todd Heater
Electrician
Jon Hokanson
Electrician
James Brisbin
Electrician
Hairstylist
Scott W. Farley
Hairstylist
Clare M. Corsick
Hairstylist
Special Effects Coordinator
Lou Carlucci
Special Effects Coordinator
Joe Fordham
Special Effects Coordinator
Still Photographer
Christine Parry
Still Photographer
Sound Mixer
Drew Kunin
Sound Mixer
Visual Effects Producer
Steven T Puri
Visual Effects Producer
First Assistant Director
Todd Pfeiffer
First Assistant Director
Animation
Marc Rubone
Animation
Production Manager
Beth DePatie
Production Manager
Boom Operator
Mark Goodermote
Boom Operator
Screenplay
Set Designer
Mae Brunken
Set Designer
Stephen M. Vernarelli
Set Designer
Foley Artist
Marko Costanzo
Foley Artist
Construction Coordinator
Bill Holmquist
Construction Coordinator
Art Department Coordinator
Elizabeth A. Beckman
Art Department Coordinator
Dialogue Editor
Sylvia Menno
Dialogue Editor
Best Boy Grip
Byron McCulloch
Best Boy Grip
Foley Editor
Kam Chan
Foley Editor
Frank Kern
Foley Editor
Key Grip
Robert K. Feldmann
Key Grip
Grip
Eric Budlong
Grip
Tony J. Pirri
Grip
Bobby L. Smith
Grip
Dolly Grip
Kenny Davis
Dolly Grip
Assistant Property Master
Suzanne Lapick
Assistant Property Master
Edie Douglass
Assistant Property Master
Key Hair Stylist
Scott W. Farley
Key Hair Stylist
Leadman
Richard Lambert
Leadman
Second Second Assistant Director
Constance L. Hoy
Second Second Assistant Director
Carpenter
Walt Mikolwski
Carpenter
Mark Borg
Carpenter
Mark Balda
Carpenter
Jack Orlando
Carpenter
Michael Blair
Carpenter
James Stephenson
Carpenter
Construction Foreman
Arthur Allyn
Construction Foreman
Foley Supervisor
Bruce Pross
Foley Supervisor
Special Effects Makeup Artist
Tom Irvin
Special Effects Makeup Artist
Nori Honda
Special Effects Makeup Artist
Gaffer
Christopher Porter
Gaffer
Prosthetic Makeup Artist
Richard Alonzo
Prosthetic Makeup Artist
ADR Mixer
Mark DeSimone
ADR Mixer
Second Unit Director of Photography
Chris Lombardi
Second Unit Director of Photography
Storyboard Artist
Brick Mason
Storyboard Artist
First Assistant Camera
Pim Tjujerman
First Assistant Camera
Special Effects Assistant
John C. Carlucci
Special Effects Assistant
Digital Compositor
Mimi Abers
Digital Compositor
Daniel Leung
Digital Compositor
On Set Dresser
Kevin Hughes
On Set Dresser
Greensman
Michael Bennett
Greensman
Kenneth Stellar
Greensman
Assistant Makeup Artist
Todd Kleitsch
Assistant Makeup Artist
Prosthetics
David Dupuis
Prosthetics
Leon Laderach
Prosthetics
Visual Effects Coordinator
Anne Putnam Kolbe
Visual Effects Coordinator
Scenic Artist
George A. Fleming
Scenic Artist
Craig Anthony Muzio
Scenic Artist
Cheyenne Ali
Scenic Artist
Kenneth Sylvester
Scenic Artist
Philip Cheyenne Ali
Scenic Artist
Best Boy Electric
Michael Palmer
Best Boy Electric
Art Department Production Assistant
Shari Hilliard
Art Department Production Assistant
Sound Recordist
Coll Anderson
Sound Recordist
Stacey Tanner
Sound Recordist
Second Assistant Camera
Lisa K. Ferguson
Second Assistant Camera
Assistant Sound Editor
Dan Evans Farkas
Assistant Sound Editor
Julie Lindner
Assistant Sound Editor
Rotoscoping Artist
Marc Rubone
Rotoscoping Artist
Swing
Tony Gibson
Swing
Karen M. Clark
Swing
John A. Foote
Swing
Special Effects Manager
Mark Habegger
Special Effects Manager
Compositing Artist
Joe Garert
Compositing Artist
Ken Smith
Compositing Artist
Apprentice Sound Editor
Kimberly R. McCord-Wilson
Apprentice Sound Editor
Head Carpenter
Terry Kempf
Head Carpenter
Makeup Effects Designer
Tom Irvin
Makeup Effects Designer
What's left behind the scenes
- Actor Gary Farmer also appeared as Nobody in Jarmusch's film *Ghost Dog: The Way of the Samurai* (1999).
- Many lines and character names were borrowed from the works of writer William Blake, such as the phrase “Some are born to sweet delight and some born to the endless night.” The same phrase appears in The Doors’ song “End of the Night.”
- The roots of the synthesis of word and image in the film lie with the poet William Blake, who was simultaneously a poet and illustrator of his books.
- While preparing to film 'Dead Man,' Jarmusch conducted extensive historical research – the film’s authentic Native American settlements and industrial cities looked exactly as they did in those years.
- Jim Jarmusch spent a long time searching for film stock with the shades of black and white he needed.
- Throughout the film, characters speak in several Native American dialects – Blackfoot, Cree, and Makah.
- Johnny Depp supplemented the project's budget with his own money in order to complete filming.
- Jarmusch financed part of the filming with his own funds.
- The Indian village to which Nobody brings Blake was built specifically for the filming, but with complete historical accuracy.
- The character of Tel is taken from the poem "The Book of Thel" by William Blake.
- The names of the two police officers killed by Johnny Depp's character, Lee and Marvin, were invented in honor of Lee Marvin.
- Many lines of dialogue and character names were borrowed from the works of William Blake.
- During preparation for filming, Jim Jarmusch conducted research – the film’s depiction of Native American settlements and industrial cities accurately reflected how they looked during those years.
- Jim Jarmusch spent a long time searching for film stock with the black-and-white tones he needed.
- Throughout the film, characters speak in several Native American languages – Blackfoot, Cree, and Makah.
- Part of the budget was covered by Jim Jarmusch's personal funds.
- Johnny Depp contributed his own money to the budget to ensure the film could be completed.
- The names of the two police officers killed by Johnny Depp's character – Lee and Marvin – were given in honor of Lee Marvin.
Did you like the film?
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