Dawn of the Dead - crew, film crew

The entire team, the film crew of the film "Dawn of the Dead"
Dawn of the Dead (1978)
Timing: 2:7 (127 min)
Dawn of the Dead - TMDB rating
7.485/10
2272
Dawn of the Dead - Kinopoisk rating
7.068/10
17224
Dawn of the Dead - IMDB rating
7.8/10
136000

Film crew

Director

Producer

Alfredo Cuomo
Producer

Casting

Photo John Amplas #123320Photo John Amplas #123321Photo John Amplas #123322
John Amplas
Casting

Editor

Costume Design

Josie Caruso
Costume Design

Stunts

Taso N. Stavrakis
Stunts
Photo Marty Schiff #124792Photo Marty Schiff #124793
Marty Schiff
Stunts
Joe Shelby
Stunts
Trudy Gray
Stunts

Set Decoration

Josie Caruso
Set Decoration
Barbara Lifsher
Set Decoration

Stunt Driver

Benjamin Meade
Stunt Driver
Leonard DeStefans
Stunt Driver
John Konter
Stunt Driver
Carl Scott
Stunt Driver
Trudy Gray
Stunt Driver

Makeup Artist

Photo Tom Savini #27381Photo Tom Savini #27382

Tom Savini

Tom Savini
Makeup Artist
Greg Besnak
Makeup Artist

Sound Re-Recording Mixer

Rick Dior
Sound Re-Recording Mixer

Original Music Composer

Agostino Marangolo
Original Music Composer
Massimo Morante
Original Music Composer
Fabio Pignatelli
Original Music Composer
Photo Claudio Simonetti #76053
Claudio Simonetti
Original Music Composer

Co-Producer

Stunt Double

Photo Tom Savini #27381Photo Tom Savini #27382

Tom Savini

Tom Savini
Stunt Double
Taso N. Stavrakis
Stunt Double

Director of Photography

Michael Gornick
Director of Photography

Costumer

Michèle Martin
Costumer

Electrician

Tom Wholey
Electrician

Still Photographer

Katherine Kolbert
Still Photographer

Production Manager

Zilla Clinton
Production Manager

Boom Operator

Robert Williams
Boom Operator

Graphic Designer

Joseph Eberle
Graphic Designer

Screenplay

Assistant Editor

Kenneth Davidow
Assistant Editor

Lighting Technician

Carl Augenstein
Lighting Technician

Key Grip

Nicholas Mastandrea
Key Grip
Cliff Forrest
Key Grip

Grip

Photo Clayton McKinnon #124786
Clayton McKinnon
Grip
Leonard Lies
Grip
Dan Bertha
Grip
Bradley Drumheller
Grip
Ken Nagin
Grip
Daniel Silk
Grip

Special Effects

Gary Zeller
Special Effects

Casting Assistant

Michael Lies
Casting Assistant
Ellen Hopkins
Casting Assistant

Special Effects Makeup Artist

Photo Tom Savini #27381Photo Tom Savini #27382

Tom Savini

Tom Savini
Special Effects Makeup Artist

Assistant Director

Photo Christine Forrest #123318
Christine Forrest
Assistant Director

Music

Production Assistant

Donna Siegel
Production Assistant

Assistant Makeup Artist

Photo John Amplas #123320Photo John Amplas #123321Photo John Amplas #123322
John Amplas
Assistant Makeup Artist
Nancy Allen
Assistant Makeup Artist
Photo Jeannie Jefferies #124796
Jeannie Jefferies
Assistant Makeup Artist
Joseph A. Campayno
Assistant Makeup Artist
Photo Joseph Pilato #25958

Joseph Pilato

Joseph Pilato
Assistant Makeup Artist
Photo Randy Kovitz #54854
Randy Kovitz
Assistant Makeup Artist
Ted Bank
Assistant Makeup Artist
Joe Shelby
Assistant Makeup Artist

Script Consultant

Photo Dario Argento #74581Photo Dario Argento #74582Photo Dario Argento #74583

Dario Argento

Dario Argento
Script Consultant

Sound

Photo Tony Buba #124789Photo Tony Buba #124790
Tony Buba
Sound

Visual Effects

Arthur J. Canestro
Visual Effects

Sound Recordist

Photo Tony Buba #124789Photo Tony Buba #124790
Tony Buba
Sound Recordist

Unit Manager

Jay Stover
Unit Manager

Production Driver

Frank A. Serrao
Production Driver

Assistant Camera

Tom Dubensky
Assistant Camera

Continuity

Photo John Rice #124787
John Rice
Continuity

Presenter

Photo Billy
Billy 'Silver Dollar' Baxter
Presenter

What's left behind the scenes

  • The film's budget was $1,500,000: Dario Argento provided half, the director himself invested $25,000 and asked a friend for permission to use a large supermarket in Pennsylvania from 10 pm to 6 am. In exchange for funding, Argento had the right to use his version of the film, which runs 170 minutes in its entirety, for distribution in Europe.
  • The department store in Monroeville, Pennsylvania, where the film was shot, never had a gun department. Romero filmed the corresponding scenes in a gun shop in Pittsburgh. The "apartments" that the film's characters made for themselves, as well as the scenes with the elevator shaft, were also filmed in Pittsburgh.
  • Filming at the department store took place during the winter of 1976-1977 with a three-week break for the "Christmas shopping season," during which other scenes were filmed, in particular scenes in the television studio.
  • Director George A. Romero appeared at the beginning of the film as the director of a television program, and his future wife, Christine Forrest, as his assistant (her parents also appeared in the film as zombies).
  • Special effects artist Tom Savini played the leader of the bikers in the film.
  • Many of the bikers featured in the film were actual members of the local Pagans Motorcycle Club.
  • The helicopter scenes were filmed on the ground, with the background painted blue or black.
  • The car used in the scenes of driving through the department store was a 1977 Volkswagen Scirocco, and the helicopter was a Bell Jet Ranger II.
  • Gaylen Ross, who played Fran, refused to scream on camera, believing that her character was a strong and determined woman, and that any screaming would discredit her. Romero did not try to persuade her.
  • Censors threatened to give the film an 'X' rating if Romero didn't cut out the most graphic scenes. Romero refused to 'cut' the film. Ultimately, citing the lack of pornography in the film, he managed to convince the distributors, and the film was officially released without an age restriction, although trailers and posters still stated that it was not intended for children under 17.
  • The film had an alternative ending in which both Peter and Fran commit suicide, but Romero felt it would be too bleak, and on the advice of Christine Forrest, he "allowed" the main characters to survive.
  • The idea for the film dates back to an incident in 1974 when a friend of Romero and one of its investors decided to show him his shopping mall in Monroeville – a few kilometers from Pittsburgh. While touring the mall, Romero came up with the idea that such a building could well serve as a shelter in the event of a disaster. This center ultimately served as a key element of the film.
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