Gremlins - crew, film crew

The entire team, the film crew of the film "Gremlins"
Gremlins (1984)
Timing: 1:46 (106 min)
Gremlins - TMDB rating
7.141/10
6927
Gremlins - Kinopoisk rating
7.361/10
84356
Gremlins - IMDB rating
7.3/10
273000

Film crew

Director

Producer

Photo Michael Finnell #74477
Michael Finnell
Producer

Executive Producer

Photo Frank Marshall #7178

Frank Marshall

Frank Marshall
Executive Producer

Writer

Casting

Susan Arnold
Casting

Editor

Stunts

Mike H. McGaughy
Stunts
Rudy Doucette
Stunts
Rosemary Johnston
Stunts
Gene McLaughlin
Stunts

Production Design

James H. Spencer
Production Design

Stunt Coordinator

Mike H. McGaughy
Stunt Coordinator
Photo Terry Leonard #10913

Terry Leonard

Terry Leonard
Stunt Coordinator

Set Decoration

Jackie Carr
Set Decoration

Makeup Artist

Greg LaCava
Makeup Artist

Sound Re-Recording Mixer

Bill Varney
Sound Re-Recording Mixer
Steve Maslow
Sound Re-Recording Mixer

Kevin O'Connell

Kevin O’Connell
Sound Re-Recording Mixer

Original Music Composer

Photo Jerry Goldsmith #20734

Jerry Goldsmith

Jerry Goldsmith
Original Music Composer
Noel Regney
Original Music Composer

Unit Production Manager

Phil Rawlins
Unit Production Manager

Orchestrator

Alexander Courage
Orchestrator

Second Assistant Director

Carol Green
Second Assistant Director

Director of Photography

Photo John Hora #74478
John Hora
Director of Photography

Camera Operator

Michael A. Jones
Camera Operator

Costume Supervisor

Linda Matthews
Costume Supervisor
Norman A. Burza
Costume Supervisor

Property Master

Marty Wunderlich
Property Master

Supervising Sound Editor

Photo Mark Mangini #7945

Mark Mangini

Mark A. Mangini
Supervising Sound Editor
Richard L. Anderson
Supervising Sound Editor

Script Supervisor

Kenneth Gilbert
Script Supervisor

Hairstylist

Cheri Ruff
Hairstylist

Still Photographer

Ralph Nelson Jr.
Still Photographer

First Assistant Director

James Quinn
First Assistant Director

Boom Operator

Douglas Vaughan
Boom Operator

Set Designer

William F. Matthews
Set Designer

Foley Artist

Joan Rowe
Foley Artist

Construction Coordinator

Michael Muscarella
Construction Coordinator

Dialogue Editor

Stephen Purvis
Dialogue Editor

Assistant Editor

Tom Finan
Assistant Editor

Best Boy Grip

Robert Miller
Best Boy Grip

Transportation Coordinator

Robert Neilson
Transportation Coordinator

Key Grip

Richard Moran
Key Grip

Dolly Grip

William Kenney
Dolly Grip

Assistant Property Master

Bruce Edwin Gregory
Assistant Property Master

Special Effects

Bob MacDonald Jr.
Special Effects

Gaffer

Norman Harris
Gaffer

Music Editor

Kenneth Hall
Music Editor

Production Sound Mixer

Ken King
Production Sound Mixer

First Assistant Camera

Norman Cattell
First Assistant Camera

Unit Publicist

Rob Harris
Unit Publicist

Production Secretary

Karen Shaw
Production Secretary

Best Boy Electric

Ron Kenyon
Best Boy Electric

Second Assistant Camera

Lex Rawlins
Second Assistant Camera

Assistant Sound Editor

Tim Mangini
Assistant Sound Editor

Matte Painter

Rocco Gioffre
Matte Painter

Transportation Captain

Dave Robling
Transportation Captain

Animal Coordinator

Ray Berwick
Animal Coordinator

Sound Editor

Warren Hamilton Jr.
Sound Editor
David E. Stone
Sound Editor

Creature Design

Chris Walas
Creature Design

Color Timer

Robert Raring
Color Timer

Negative Cutter

Donah Bassett
Negative Cutter

Presenter

What's left behind the scenes

  • Steven Spielberg broke his leg and ended up playing the episodic role of an inventor in a wheelchair.
  • The gremlin leader hides in a toy store, specifically behind an E.T. alien doll from Steven Spielberg's film of the same name.
  • One of the gremlins watching 'Snow White' has Mickey Mouse's round ears.
  • The 'Rockin' Ricky Rialto' poster, flashing on the screen before the opening credits, parodies Indiana Jones.
  • The table in the children's room is cluttered with old comics, while the children themselves are watching cheap science fiction from the 50s – director Joe Dante couldn't resist alluding to the main love of his childhood.
  • The scene of the gremlin attacking with a chainsaw was conceived during filming at the behest of Joe Dante and Zak Gilligan, fans of Tobe Hooper's horror film 'The Texas Chain Saw Massacre'.
  • The city sets were the same as those used in Robert Zemeckis's science fiction comedy "Back to the Future" (1985). They were filmed near the "Universal Studios" building.
  • Initially, Stripe and Gizmo were the same character, but then producer Steven Spielberg began insisting on making one of the gremlins good, so that the audience could empathize with him.
  • After viewing the still-not-fully-edited footage, the studio executives told director Joe Dante and producer Steven Spielberg that they believed there were too many gremlins in the film. In response, Spielberg suggested removing all the gremlins from the plot altogether and calling the film "People."
  • Special effects artist Chris Wallace suggested using puppets instead of stop-motion animation. As a compromise, the studio executives proposed filming a monkey in a suitable costume. They decided to test the idea in Joe Dante's office, where the animal "lost it," destroying the room and making a mess. As a result, it was decided to use puppets after all.
  • Zach Galligan (who played Billy) later recounted that computer graphics didn't exist at the time, so all the gremlins were animatronic puppets costing between $30,000 and $40,000. When everyone left for the day, the trunk of the car had to be opened so security could make sure no one was trying to smuggle a puppet off the set.
  • The script contained practically no lines for the gremlins or Mogwai. Almost all of their lines consisted of fragments of what they had just heard or were the result of reacting to sudden sounds.
  • It was especially difficult to work with the Gizmo puppets, as they were smaller and broke more often. A scene was specifically added to the script in which the gremlins hang Gizmo on the wall and throw darts at him. This idea was taken from the film’s creative team’s list of “The Most Horrible Things to Do to Gizmo.”
  • Chris Columbus's script went through several revisions before it was approved. In the original version, the gremlins kill a dog, decapitate a woman, and throw her down the stairs. These episodes weren't even filmed because director Joe Dante and Warner Bros. needed a film geared towards a family audience.
  • After watching Tim Burton's short films (which he shot early in his career), executive producer Steven Spielberg began to consider making him the director of a film, but ultimately abandoned the idea because Burton had not yet directed a feature-length film at that time.
  • The reason for introducing the rule excluding bright lighting in the film was that it was 1984, and director Joe Dante and Steven Spielberg's production company, 'Amblin Entertainment,' were unable to convincingly and realistically show the Gremlin puppets, as the level of special effects in cinema at that time left much to be desired. This problem was masked by dim lighting in the frame – a trick regularly used in science fiction films. Three years earlier, Dante had already used this technique in the horror film 'The Howl' (1980), where the creatures were deliberately shown in darkness that concealed the shortcomings of the special effects.
  • These creatures were conceived by Chris Columbus, a graduate of the New York private film and acting institute who lived in Manhattan at the time. As he later recounted, the area was quite pleasant during the day, but at night hordes of mice and rats would appear.
  • Howie Mandel, who provided the voice for Gizmo, had previously voiced children in comedic projects. Mandel's voice largely contributed to the authenticity of Gizmo's character. Before filming the singing scene with Gizmo, many professionals were auditioned, including an opera singer. Ultimately, a girl heard by Jerry Goldsmith, who composed the film's music, in her own synagogue sang for Gizmo.
  • Gizmo's facial expressions sometimes changed because the puppet was created in several copies with different faces, and the puppets were swapped when necessary. Each puppet had corresponding equipment in its head responsible for the movement of the mouth.
  • The scene of the gremlin attack with a chainsaw was conceived during filming at the decision of Joe Dante and Zak Galligan, fans of Tobe Hooper's horror film "The Texas Chain Saw Massacre".
  • The teacher, played by Glynn Turman, was originally supposed to die with dozens of syringes stuck in his face. At the request of Steven Spielberg, this scene was reshot and showed the death of this character with only one syringe in the buttock.
  • One of the gremlins watching "Snow White" has round Mickey Mouse ears.
  • The poster for 'Rockin'' Ricky Rialto', which flashed on the screen before the opening credits, parodies Indiana Jones.
  • The reason for introducing the rule excluding bright lighting in the film was that it was 1984, and director Joe Dante and Steven Spielberg’s production company, Amblin Entertainment, were unable to convincingly and qualitatively depict the Gremlin puppets, as the level of special effects in cinema at that time left much to be desired. This problem was camouflaged by using dim lighting in the frame. This is a trick frequently used in science fiction films. Three years earlier, Dante had already used it in the horror film 'The Howl' (1980), where the creatures were deliberately shown in darkness, which concealed the shortcomings of the special effects.
  • The scene of the Gremlin attack with a chainsaw was conceived during filming at the behest of Joe Dante and Zach Galligan, fans of Tobe Hooper’s horror film 'The Texas Chain Saw Massacre'.
Did you like the film?

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