The Good Son - crew, film crew
The entire team, the film crew of the film "The Good Son"
The Good Son (1993)
Timing:
1:27 (87 min)
6.753/10
908
908
7.452/10
18846
18846
6.4/10
44765
44765
Film crew
Director
Producer
Mary Ann Page
Producer
Executive Producer
Ezra Swerdlow
Executive Producer
Daniel Rogosin
Executive Producer
Casting
Deborah Aquila
Casting
Editor
Art Direction
Rusty Smith
Art Direction
Costume Design
Cynthia Flynt
Costume Design
Stunts
Kenny Bates
Stunts
Gene Harrison
Stunts
Edward Conna
Stunts
Spiro Razatos
Stunts
Glory Fioramonti
Stunts
Michael Cassidy
Stunts
Noon Orsatti
Stunts
Nick Brett
Stunts
Production Design
Bill Groom
Production Design
Stunt Coordinator
Second Unit Director
Set Decoration
Makeup Artist
Bernadette Mazur
Makeup Artist
Sound Re-Recording Mixer
Tom Fleischman
Sound Re-Recording Mixer
Original Music Composer
Unit Production Manager
Thomas John Kane
Unit Production Manager
Co-Producer
Michael E. Steele
Co-Producer
Orchestrator
Emilie A. Bernstein
Orchestrator
Set Dresser
Paul Richards
Set Dresser
Ray Fisher
Set Dresser
Second Assistant Director
Barbara M. Ravis
Second Assistant Director
Director of Photography
John Lindley
Director of Photography
Pilot
Robert 'Bobby Z' Zajonc
Pilot
Camera Operator
Peter Norman
Camera Operator
Steadicam Operator
Larry McConkey
Steadicam Operator
David Crone
Steadicam Operator
Sound Effects Editor
Richard King
Sound Effects Editor
Assistant Art Director
Sarah Knowles
Assistant Art Director
Keith Neely
Assistant Art Director
Property Master
David Gulick
Property Master
Supervising Sound Editor
Stan Bochner
Supervising Sound Editor
Script Supervisor
Samantha Timmerman
Script Supervisor
Electrician
Lon Caracappa
Electrician
Donna Vega
Electrician
Set Costumer
Debbie Holbrook
Set Costumer
Supervising ADR Editor
Harriet Fidlow
Supervising ADR Editor
Hairstylist
Francesca Paris
Hairstylist
Special Effects Coordinator
David Neil Trifunovich
Special Effects Coordinator
Still Photographer
Kerry Hayes
Still Photographer
Van Redin
Still Photographer
Sound Mixer
Susumu Tokunow
Sound Mixer
First Assistant Director
Michael E. Steele
First Assistant Director
Assistant Costume Designer
Juliet Polcsa
Assistant Costume Designer
Boom Operator
Anna R. Delanzo
Boom Operator
Screenplay
Ian McEwan
Screenplay
First Assistant Editor
Doron Shauly
First Assistant Editor
Foley Artist
Brian Vancho
Foley Artist
Construction Coordinator
Joe Wood
Construction Coordinator
Dialogue Editor
Jeff Kliment
Dialogue Editor
Best Boy Grip
Dennis Zoppe
Best Boy Grip
Key Grip
Bobby Huber
Key Grip
Grip
William M. Weberg
Grip
Tony Campenni
Grip
Leadman
Gerald DeTitta
Leadman
Special Effects
Lisa Shaftel
Special Effects
Casting Assistant
Julie Lichter
Casting Assistant
Foley Supervisor
Elisha Birnbaum
Foley Supervisor
Gaffer
Marc Rogers
Gaffer
Second Unit Director of Photography
Kenneth Zunder
Second Unit Director of Photography
Storyboard Artist
Len Morganti
Storyboard Artist
First Assistant Camera
Eric Swanek
First Assistant Camera
Unit Publicist
Brigitte Prochaska
Unit Publicist
Scoring Mixer
Dan Wallin
Scoring Mixer
ADR Editor
Marjorie Deutsch
ADR Editor
Extras Casting
Raquel Osborne
Extras Casting
Supervising Music Editor
Kathy Durning
Supervising Music Editor
Wardrobe Supervisor
Elizabeth Feldbauer
Wardrobe Supervisor
Second Assistant Camera
Andy Harris
Second Assistant Camera
Assistant Sound Editor
Harry Peck Bolles
Assistant Sound Editor
David Wahnon
Assistant Sound Editor
Gerald Donlan
Assistant Sound Editor
James H. Nau
Assistant Sound Editor
Hairdresser
Anthony Veader
Hairdresser
Second Unit First Assistant Director
K.C. Colwell
Second Unit First Assistant Director
Sound Editor
Richard P. Cirincione
Sound Editor
Louis Cerborino
Sound Editor
Ira Spiegel
Sound Editor
Stuart Stanley
Sound Editor
Stuart Emanuel
Sound Editor
Color Timer
Phil Hetos
Color Timer
Negative Cutter
Gary Burritt
Negative Cutter
What's left behind the scenes
- Initially, when the project was in development in 1988, the role of Henry Evans was intended for Michael Clesic.
- Michael Lehmann was originally approved as the film's director, but was removed from the project due to serious disagreements and conflicts with Macaulay Culkin's father.
- The scene for the final climax was filmed on the Palisade Head cliffs, located near the town of Silver Bay, Minnesota, and overlooking Lake Superior. The script called for everything to take place on the Atlantic Ocean shore, but thorough searches there for a suitable cliff proved unsuccessful. The top of the cliff is approximately 55 meters above the water, however, a three-meter artificial peak made of plastic and wood was built on top of it specifically for the film's shooting so that the actors would not be restricted in their movements during this key scene. To simulate ocean waves below, an entire flotilla of motorboats was used to create foam while remaining out of the camera's view.
- Filming period: November 19, 1992 – March 25, 1993.
- In 1995, 33 seconds of screen time were cut from the scene where Henry throws a mannequin onto the road for the British video release. The uncut version was not released until 2002.
- In the final scene of the battle on the cliff, when Henry and Mark are hanging by Susan’s hands, and Mark’s hand begins to slip, in one shot he holds her hand, and with a change of shot, he is holding her wrist, and with another change of shot, he is holding her hand again.
Did you like the film?
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