Gremlins 2: The New Batch - crew, film crew
The entire team, the film crew of the film "Gremlins 2: The New Batch"
Gremlins 2: The New Batch (1990)
Timing:
1:46 (106 min)
6.523/10
2868
2868
6.852/10
22842
22842
6.5/10
120000
120000
Film crew
Director
Producer
Michael Finnell
Producer
Executive Producer
Writer
Charles S. Haas
Writer
Casting
Marion Dougherty
Casting
Glenn Daniels
Casting
Editor
Kent Beyda
Editor
Special Effects Supervisor
Ken Pepiot
Special Effects Supervisor
Art Direction
Joseph P. Lucky
Art Direction
Costume Design
Production Design
James H. Spencer
Production Design
Stunt Coordinator
Mike H. McGaughy
Stunt Coordinator
Second Unit Director
James H. Spencer
Second Unit Director
Set Decoration
Makeup Artist
Michael Germain
Makeup Artist
Sound Re-Recording Mixer
Rick Kline
Sound Re-Recording Mixer
Robert J. Litt
Sound Re-Recording Mixer
Elliot Tyson
Sound Re-Recording Mixer
Original Music Composer
Unit Production Manager
Phil Rawlins
Unit Production Manager
Co-Producer
Orchestrator
Alexander Courage
Orchestrator
Second Assistant Director
B. Scott Senechal
Second Assistant Director
Director of Photography
John Hora
Director of Photography
Camera Operator
William L. Asman
Camera Operator
Costumer
Robert Stewart
Costumer
Stephanie Meltzer
Costumer
Mary Elizabeth Still
Costumer
Assistant Art Director
Lauren Cory
Assistant Art Director
Property Master
Gregg H. Bilson
Property Master
Visual Effects Supervisor
Dennis Michelson
Visual Effects Supervisor
Craig Barron
Visual Effects Supervisor
Supervising Sound Editor
Vanessa Theme Ament
Supervising Sound Editor
Script Supervisor
P.R. Tooke
Script Supervisor
Hairstylist
Christine Lee
Hairstylist
Still Photographer
Andrew Cooper
Still Photographer
First Assistant Director
Victor Hsu
First Assistant Director
Chief Lighting Technician
Randy Glass
Chief Lighting Technician
Set Designer
John Berger
Set Designer
Greg Papalia
Set Designer
Dawn Snyder
Set Designer
Assistant Editor
Wilt Henderson
Assistant Editor
Thomas Calderon
Assistant Editor
Foley Editor
Christopher Flick
Foley Editor
Solange S. Schwalbe
Foley Editor
Key Grip
Peter Wagner
Key Grip
Special Effects
Albert Delgado
Special Effects
Larz Anderson
Special Effects
Robert S. Henderson
Special Effects
Thomas R. Homsher
Special Effects
Danny Lester
Special Effects
Wayne Rose
Special Effects
Characters
Music Editor
Kenneth Hall
Music Editor
Production Sound Mixer
Ken King
Production Sound Mixer
Douglas Vaughan
Production Sound Mixer
First Assistant Camera
Norman Cattell
First Assistant Camera
Visual Effects Coordinator
Mike Chambers
Visual Effects Coordinator
Visual Effects
Christopher Duddy
Visual Effects
Animation Director
ADR Editor
Stephen Purvis
ADR Editor
Sound Recordist
Jack Keller
Sound Recordist
Second Assistant Camera
David Tolsky
Second Assistant Camera
Frederick Hamm
Second Assistant Camera
Modeling
Thierry Coup
Modeling
Sound Editor
Teresa Eckton
Sound Editor
George Simpson
Sound Editor
David Williams
Sound Editor
Warren Hamilton Jr.
Sound Editor
Michael J. Benavente
Sound Editor
Sound Effects
David E. Stone
Sound Effects
Creature Design
Chris Walas
Creature Design
Production Illustrator
Tom Southwell
Production Illustrator
What's left behind the scenes
- Filmmakers inserted a scene of the end of the world into the film when it was discovered that CNN had such footage in its own archives with strict instructions to employees not to broadcast it "until convincing confirmation is received that the end of the world has actually arrived."
- In a scene that was cut from the film during editing, the gremlins release all the animals from the laboratory. During filming, the monkeys in the laboratory set were so frightened by the gremlin puppets that they refused to come out of their cages, even despite the pleas of the trainers.
- The film “Gremlins” (Joe Dante, 1984) turned out, to the surprise of its creators, to be so successful that Warner Bros. immediately demanded a sequel. However, Dante had had enough of gremlins and refused. Work on the film continued regardless, and the studio bosses began to approach various screenwriters and directors. Possible script options included sending the gremlins to Los Angeles and even to Mars. All of these ideas failed, and they had to go back to Dante and beg him. He agreed on the condition that he would have complete creative freedom. The studio accepted his condition, and Dante even received a larger budget for filming than before.
- In one scene, Dante interrupts the projection as a prank, creating the illusion that the gremlins have infiltrated the projection booth, preventing viewers from enjoying the entertaining spectacle.
- When a flying Gremlin flies straight through a wall, instead of a simple hole, the Batman symbol appears.
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