Saltburn - crew, film crew
The entire team, the film crew of the film "Saltburn"
Saltburn (2023)
Timing:
2:11 (131 min)
6.955/10
2872
2872
7.044/10
75877
75877
7/10
263000
263000
Film crew
Director
Producer
Executive Producer
Tim Wellspring
Executive Producer
Writer
Casting
Editor
Victoria Boydell
Editor
Art Direction
Neneh Lucia
Art Direction
Supervising Art Director
Costume Design
Sophie Canale
Costume Design
Stunts
Aldonio Danny Frietas
Stunts
Luke Tumber
Stunts
Production Design
Suzie Davies
Production Design
Stunt Coordinator
Roy Taylor
Stunt Coordinator
Set Decoration
Charlotte Dirickx
Set Decoration
Stunt Driver
Nikita Mitchell
Stunt Driver
Makeup Artist
Charlene Williams
Makeup Artist
Emma Trachtenberg
Makeup Artist
Nabeel Hussain
Makeup Artist
Tara Shakespeare
Makeup Artist
Key Makeup Artist
Natalie Fox
Key Makeup Artist
Eleanor Toms
Key Makeup Artist
Sound Re-Recording Mixer
Adam Scrivener
Sound Re-Recording Mixer
Federico Costantini
Sound Re-Recording Mixer
Jasper Thorn
Sound Re-Recording Mixer
Original Music Composer
Anthony B. Willis
Original Music Composer
Unit Production Manager
Tim Wellspring
Unit Production Manager
Jannika Öberg
Unit Production Manager
Co-Producer
Bronte Payne
Co-Producer
Set Dresser
Ludo Gordon
Set Dresser
Jake Garrett
Set Dresser
Oliver Haden
Set Dresser
Second Assistant Director
Robert Madden
Second Assistant Director
Eileen Yip
Second Assistant Director
David Sowerby
Second Assistant Director
Director of Photography
Steadicam Operator
Ossie McLean
Steadicam Operator
Costumer
Brian Perkins
Costumer
Costume Supervisor
Claudia Sarbu
Costume Supervisor
Assistant Art Director
Philippa Brocklehurst
Assistant Art Director
Elena Real-Davies
Assistant Art Director
Visual Effects Supervisor
Dillan Nicholls
Visual Effects Supervisor
Supervising Sound Editor
Eilam Hoffman
Supervising Sound Editor
Nina Hartstone
Supervising Sound Editor
Electrician
Stuart Hurley
Electrician
Hairstylist
Charlene Williams
Hairstylist
Emma Trachtenberg
Hairstylist
Nabeel Hussain
Hairstylist
Still Photographer
Chiabella James
Still Photographer
Sound Mixer
Nina Rice
Sound Mixer
First Assistant Director
Andy Madden
First Assistant Director
Assistant Costume Designer
Charlotte-Rose Armstrong
Assistant Costume Designer
Chief Lighting Technician
David Sinfield
Chief Lighting Technician
Driver
Bez Javadi
Driver
Production Manager
Jannika Öberg
Production Manager
Boom Operator
Costume Designer
Sophie Canale
Costume Designer
Foley Artist
Sue Harding
Foley Artist
Sound Designer
Adam Armitage
Sound Designer
Location Scout
Katrina Day
Location Scout
Dialogue Editor
Louise Burton
Dialogue Editor
Assistant Editor
Rhianna Shah
Assistant Editor
Lighting Technician
Andrew Purdy
Lighting Technician
Bradley Wilson
Lighting Technician
Foley Editor
Rob Davidson
Foley Editor
First Assistant "A" Camera
Jorge Sánchez
First Assistant "A" Camera
Key Grip
David Appleby
Key Grip
Location Manager
David Powell
Location Manager
Philippa Sutcliffe
Location Manager
Grip
Jack Flemming
Grip
Key Hair Stylist
Natalie Fox
Key Hair Stylist
Eleanor Toms
Key Hair Stylist
Assistant Location Manager
Alice Doughty
Assistant Location Manager
Jennifer Kinnear
Assistant Location Manager
Ed Burrell
Assistant Location Manager
Ariel Murray-Simmons
Assistant Location Manager
Set Production Assistant
Ben Gerry
Set Production Assistant
Location Assistant
Jacob Crow
Location Assistant
Joanna Ellis
Location Assistant
Assistant Set Decoration
Polina Kalentsits
Assistant Set Decoration
Music Supervisor
Kirsten Lane
Music Supervisor
Foley Supervisor
Special Effects Technician
Rory McVicker
Special Effects Technician
Hair Designer
Siân Miller
Hair Designer
Makeup Designer
Siân Miller
Makeup Designer
Special Effects Makeup Artist
Casting Associate
Rose Powell
Casting Associate
Gaffer
Ian Sinfield
Gaffer
"A" Camera Operator
Ossie McLean
"A" Camera Operator
Standby Art Director
Caroline Harper
Standby Art Director
ADR Mixer
Mike Tehrani
ADR Mixer
Makeup & Hair
Ria Biggerstaff
Makeup & Hair
Natasha Vincent
Makeup & Hair
Laura Pollock
Makeup & Hair
Emma Trachtenberg
Makeup & Hair
Natasha Vincent
Makeup & Hair
"B" Camera Operator
Jack Mealing
"B" Camera Operator
First Assistant Camera
Sandra Pennington
First Assistant Camera
Post Production Coordinator
Emma Liu
Post Production Coordinator
Emma Liu
Post Production Coordinator
Post Production Supervisor
Polly Duval
Post Production Supervisor
Prosthetics
Waldo Mason
Prosthetics
Production Coordinator
Laura Trythall
Production Coordinator
Assistant Director Trainee
Annlin Chao
Assistant Director Trainee
Finishing Producer
Leigh Myers
Finishing Producer
Second Assistant "A" Camera
Chloe Harwood
Second Assistant "A" Camera
Line Producer
Tim Wellspring
Line Producer
Unit Manager
Jake Kilmister
Unit Manager
Post-Production Manager
Marisa Clayton
Post-Production Manager
Wigmaker
Ray Marston
Wigmaker
Title Designer
Dean Wares
Title Designer
Prosthetic Designer
Waldo Mason
Prosthetic Designer
Siân Miller
Prosthetic Designer
What's left behind the scenes
- During filming, Rosamund Pike lived at the Saltburn estate.
- The body of Barry Keoghan, who played Oliver, was used as the basis for creating the Minotaur statue.
- As part of preparation for filming, Barry Keoghan spent a weekend with Michael McNulty (the director, screenwriter, editor, actor, and producer). The preparation included practicing a Liverpudlian accent and consuming a large amount of beer.
- During rehearsals, Rosamund Pike and Carey Mulligan came up with a conversation between their characters themselves. The director, screenwriter, and producer Emerald Fennell liked the improvisation so much that she decided to include it in the script. In a similar vein, Pike jokingly told Fennell that her character thinks the song “Common People” by the British band “Pulp” was written about her. This joke also sparked some improvisations.
- Venice’s hair, played by Alison Oliver, was deliberately damaged by bleaching, as the filmmakers decided it better suited the image of a socialite from that period (summer 2007). Oliver was offered a wig, but she chose to sacrifice her hair for authenticity.
- Felix (played by Jacob Elordi) and his sister have similar tattoos – stars from their family crest. The inscription “Carpe Diem,” or “Seize the day,” on Felix is also taken from the crest.
- Felix, played by Jacob Elordi, has an eyebrow piercing. Emerald Fennell insisted on this detail, having seen similar piercings on men in nightclubs in 2007, the year some of the film's events take place. The piercing was fake. Fennell faced significant pressure from the studio regarding this piercing, with management demanding its removal, but Fennell stood her ground. It ended with a compromise: Elordi’s character wore the piercing at Oxford but removed it when he returned home, supposedly because his mother disapproved.
- In preparation for filming, Jacob Elordi read Evelyn Waugh’s 1944 novel, *Brideshead Revisited*, at the suggestion of Emerald Fennell.
- According to Carey Mulligan, Emerald Fennell initially offered her a different role than the one she ultimately played. Mulligan read the script and realized she wanted to portray a different character than the one offered, and Fennell accommodated her.
- According to Barry Keoghan, he was more embarrassed about dancing on camera than about dancing naked.
- As part of preparation for filming, Barry Keoghan spent a weekend with Michael McNulty (the director, screenwriter, editor, actor, and producer). Preparation included practicing a Liverpool accent and consuming a large amount of beer.
- Director Emerald Fennell lent some items from her own wardrobe to the film's cast, pieces she wore in 2006 and 2007, specifically a women's jacket by Alexander McQueen that she sported while at Oxford, and which Rosamund Pike's character wears in the film.
- The maze, which plays such an important role in the plot, does not actually exist. The film's production designer, Susie Davies, specifically enlisted leading expert Adrian Fisher to create it for the film. Given the impossibility of creating the entire maze, it's not surprising that he only built the central part with surrounding passages, while the rest was the product of computer technology.
- Farleigh's hairstyle, as worn by Archie Madekwe, is reminiscent of Corbin Bleu's hairstyle in Kenny Ortega's musical *High School Musical* (2006). Madekwe specifically had extensions put in to achieve a greater resemblance. Barry Keoghan's hairstyle in the first third of the film copies Zac Efron's hairstyle from the same musical, and he also wore extensions.
- Felix's clothing style, as portrayed by Jacob Elordi, bears a resemblance to Prince Harry's style during the period in which the film's events unfold. Costume designer Sophie Canale reviewed old photos of Harry with friends and his then-girlfriend Chelsea Davy, and incorporated some elements of their costumes into her work on Felix and his Oxford friends' outfits.
- Some changes were made to the 'Saltburn' estate for filming—for example, a shared bathroom with a large-sized bathtub was added to the rooms occupied by Felix and Oliver to accommodate Jacob Elordi.
- According to Jacob Elordi, before filming began, he spent a month living in the Chelsea neighborhood of London to observe its affluent residents firsthand, whose lifestyle resembled that of the character he was to play.
- Following the scene where Oliver tells Felix that he still intends to take the exams despite bad news from home, the scene shows him and those present encountering a large group of students (including Felix) with inflatable balloons, and confetti and streamers begin to be thrown at them. This tradition was indeed observed at Oxford, where students would lie in wait with confetti and streamers for their friends after exams. The tradition began in the 1970s. By the mid-2000s, when the film is set, it still existed, but was already fading (due to the significant amount of litter and the cost of cleaning the premises), and today the university administration does not officially recognize the tradition.
- Barry Keoghan approached his work on this film as if he were playing five different characters. He numbered each scene 'Oliver 1', 'Oliver 2', 'Oliver 3', and so on, depending on which Oliver he was supposed to be playing in that scene. The actor kept five notebooks in which he recorded all of his character's mannerisms, gestures, and expressions depending on which version he was at the moment. It often happened that on the same shooting day, Keoghan had to play several different 'versions' of Oliver.
- The scene in which Oliver undresses and masturbates on Felix's grave was conceived by Barry Keoghan himself. Initially, it was supposed that he would remain clothed in this scene and show everything through gestures, but on the day of filming, the actor asked to close the set to outsiders and said he would improvise.
- The original finale was supposed to show Oliver getting out of bed in a robe and pajamas and going to the dining room, where he would be served eggs for breakfast. This would have 'circularized' the entire story and linked the finale to the beginning and Oliver's first breakfast at the estate. Director Emerald Fennell decided that this ending wouldn't work and instead showed a naked Oliver dancing in the estate to the song 'Murder on the Dancefloor' (2001) by Sophie Ellis-Bextor.
- The moment when Rosamund Pike's character discovers Felix dead in the labyrinth is not shown in the film; only her scream, full of pain, is heard. Emerald Fennell didn't intend to show this moment, believing that depicting a mother's pain on screen is unethical. Regardless, Rosamund Pike and Jacob Elordi still played out the scene properly, even knowing it wouldn't make the final cut.
- The number of artificial sounds in the film has been minimized. This was not easy to achieve due to the unusual frame format. The film's creative team had to hide microphones directly on the set – just outside the camera's field of view. In the scene with the grave, for example, microphones were buried in the ground.
- Farley's hairstyle, as performed by Archie Madekwe, is reminiscent of Corbin Bleu's hairstyle in Kenny Ortega's musical "High School Musical" (2006). Madekwe specifically had extensions put in to achieve a greater resemblance. Barry Keoghan's hairstyle in the first third of the film copies Zac Efron's hairstyle from the same musical, and he also had extensions put in.
- Some changes were made for filming at the Saltburn estate – for example, a shared bathroom was added to the rooms occupied by Felix and Oliver, and a large bathtub was installed there to accommodate Jacob Elordi.
- Barry Keoghan approached his work in this film as if he were playing five different characters. He numbered each scene “Oliver 1,” “Oliver 2,” “Oliver 3,” and so on, depending on which Oliver he was supposed to be playing in that scene. The actor kept five notebooks in which he recorded all of his character’s mannerisms, gestures, and expressions depending on which version he was at the time. It often happened that Keoghan had to play several different “versions” of Oliver on the same shooting day.
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