Don't Look Now - crew, film crew

The entire team, the film crew of the film "Don't Look Now"
Don't Look Now (1973)
Timing: 1:50 (110 min)
Don
6.923/10
991
Don
6.85/10
9700
Don
7.1/10
68000

Film crew

Director

Producer

Peter Katz
Producer

Executive Producer

Anthony B. Unger
Executive Producer

Casting

Miriam Brickman
Casting
Ugo Mariotti
Casting

Editor

Art Direction

Giovanni Soccol
Art Direction

Costume Design

Photo Marit Allen #73555

Marit Allen

Marit Allen
Costume Design
Andrea Galer
Costume Design

Makeup Artist

Giancarlo Del Brocco
Makeup Artist

Original Music Composer

Photo Pino Donaggio #26823
Pino Donaggio
Original Music Composer

Associate Producer

Frederick Muller
Associate Producer

Set Dresser

Francesco Chianese
Set Dresser

Director of Photography

Photo Anthony B. Richmond #73596

Anthony B. Richmond

Anthony B. Richmond
Director of Photography

Hairstylist

Barry Richardson
Hairstylist

Screenplay

Chris Bryant
Screenplay

Assistant Director

Francesco Cinieri
Assistant Director

Sound Recordist

Peter T. Davies
Sound Recordist

Hairdresser

Maria Luisa Garbini
Hairdresser

Unit Manager

Franco Coduti
Unit Manager

Sound Editor

Rodney Holland
Sound Editor

Original Film Writer

What's left behind the scenes

  • Donald Sutherland and Julie Christie improvised most of their scenes together.
  • The 'bedroom' scene between John and Laura was decided to be added by the director at the very last moment. According to Roeg, otherwise it might have seemed as if the couple did nothing but argue.
  • Italian actor Renato Scarpa, who played the menacing Inspector Longhi, did not speak English. He simply recited the lines that were written for him, without having any idea what they meant.
  • To add believability to the actors' performances in certain scenes, Roeg simply provoked them. Sutherland tried to perform a scene in a church without stunt doubles, and was naively convinced that he was being offered a pole for support. But instead of helping, director Roeg pushed the pole further away from the scaffolding where assistants were securing the actor.
  • The author, Daphne du Maurier, who rarely approved of film adaptations of her works, approved of the film, though she expressed regret that Julie Christie had not been able to star in all films based on her books.
  • Italian producer Hugo Mariatti, a long-time friend of Rough, helped find a composer for the film. The composer, Pino Donaggio, a 32-year-old promising musician from Venice who was temporarily out of work at the time, readily agreed to help create the thriller. The music, according to the director's vision, was to be one of the key artistic tools of the film. Donaggio is known for his hit "You Don't Have To Say You Love Me" and his work in cinema with Tinto Brass. After the release of Rough's film, another master of thrillers, Brian De Palma, noticed the Venetian and invited him to collaborate on "Carrie".
  • In the original story by du Maurier, the Baxters meet twin sisters, but it proved impossible to find twin actresses of that age.
  • The director decided to add the 'bedroom' scene between John and Laura at the very last moment. According to Rogue, otherwise it might have seemed as though the couple only did nothing but argue.
  • Italian producer Hugo Mariatti, a long-time friend of Rogue, helped find a composer for the film. The composer, Pino Donaggio, a 32-year-old promising but currently inactive musician from Venice, readily agreed to help create the thriller. The music, according to the director's vision, was to be one of the key artistic devices of the film. Donaggio is known for his hit “You Don't Have To Say You Love Me” and his work in films with Tinto Brass. After the release of Rogue's film, another master of thrillers – Brian De Palma – noticed the Venetian, inviting him to collaborate on “Carrie”.
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