For a Few Dollars More - crew, film crew

The entire team, the film crew of the film "For a Few Dollars More"
Per qualche dollaro in più (1965)
Timing: 2:12 (132 min)
For a Few Dollars More - TMDB rating
8.017/10
4384
For a Few Dollars More - Kinopoisk rating
8.143/10
64010
For a Few Dollars More - IMDB rating
8.2/10
299000

Film crew

Director

Producer

Arturo González
Producer

Executive Producer

Alfredo Fraile
Executive Producer

Editor

Eugenio Alabiso
Editor
Giorgio Serrallonga
Editor

Costume Design

Carlo Simi
Costume Design

Stunts

Rick Lester
Stunts
Luis Beltrán
Stunts
Photo Antonio Montoya #35999
Antonio Montoya
Stunts

Stunt Coordinator

Second Unit Director

Julio Ortas
Second Unit Director

Makeup Artist

Amedeo Alessi
Makeup Artist
Juan Farsac
Makeup Artist

Original Music Composer

Photo Ennio Morricone #67343

Ennio Morricone

Ennio Morricone
Original Music Composer

Production Supervisor

Fernando Rossi
Production Supervisor
Norberto Solino
Production Supervisor
Manuel Castedo
Production Supervisor

Director of Photography

Massimo Dallamano
Director of Photography

Musician

Michele Lacerenza
Musician
Nino Culasso
Musician
Cantori Moderni Di Alessandroni
Musician
Bruno Battisti D'Amario
Musician
Maurizio Graf
Musician

Camera Operator

Aldo Ricci
Camera Operator
Eduardo Noé
Camera Operator

Makeup Department Head

Rino Carboni
Makeup Department Head

Assistant Art Director

Carlo Leva

Carlo Leva
Assistant Art Director

Script Supervisor

Mariano Canales
Script Supervisor

Still Photographer

Lothar Winkler
Still Photographer

Production Manager

Ottavio Oppo
Production Manager

Screenplay

Grip

Domenico Parrello
Grip

Special Effects

Giovanni Corridori
Special Effects
Eros Bacciucchi
Special Effects
Manuel Baquero
Special Effects

Story

Fulvio Morsella
Story

Assistant Director

Photo Fernando Di Leo #74108

Fernando Di Leo

Fernando Di Leo
Assistant Director
Photo Tonino Valerii #79613

Tonino Valerii

Tonino Valerii
Assistant Director
Julio Sempere
Assistant Director

Second Unit Director of Photography

Julio Ortas
Second Unit Director of Photography

First Assistant Camera

Isidro Muro
First Assistant Camera

Additional Writing

Photo Sergio Donati #71005

Sergio Donati

Sergio Donati
Additional Writing
Photo Fernando Di Leo #74108

Fernando Di Leo

Fernando Di Leo
Additional Writing

Conductor

Assistant Makeup Artist

Isabel Mellado
Assistant Makeup Artist

Sound

Oscar De Arcangelis
Sound
Guido Ortenzi
Sound

Production Secretary

Antonio Palombi
Production Secretary

Local Casting

Luis Beltrán
Local Casting

Supervising Editor

Adriana Novelli
Supervising Editor

Title Designer

Assistant Camera

Mario Lommi
Assistant Camera

Continuity

Maria Luisa Rosen
Continuity

Music Director

Bruno Nicolai
Music Director

Assistant Decorator

Rafael Ferri
Assistant Decorator

Presenter

Arturo González
Presenter

Settings

Carlo Simi
Settings
Ángel Cabero
Settings
Montoro
Settings

What's left behind the scenes

  • Originally, Sergio Leone wanted Lee Marvin to play Douglas Mortimer.
  • The character Aldo Sambrella is named Coheilio. This is an English transcription of the Spanish word “cuchillo,” which means “knife”.
  • According to Lee Van Cleef, he drew his revolver from its holster faster than Clint Eastwood.
  • The Man with No Name calls himself Monco. From Italian, “Monco” translates to “one-handed,” which is quite logical considering the character’s habit of fighting, drinking, smoking, etc., with his left hand, while his right hand is always on the pistol hidden under his poncho.
  • The phrase “Alive or dead, you’re coming with me!” and the trick of putting a pistol in a holster were used in the RoboCop film.
  • Henry Fonda and Jack Palance both auditioned for the role of Colonel Douglas Mortimer.
  • This film is the second in the “Dollars Trilogy” and features a second main antagonist – the “bad” guy.
  • Despite the fact that Eastwood's poncho was never washed during the production of the Dollar Trilogy, it was periodically darned and patched. In the final scene of this film, Eastwood's character is shot several times with a Winchester, and consequently, several holes remain in the poncho. In this film, Clint wears the poncho backwards, and the patches covering the bullet holes are clearly visible in some scenes.
  • At the beginning of the film, in the scene on the platform, the character of Lee Van Cleef tears down a poster of Guy, on which two zeros have been added. However, when the same poster is slipped under the door of the saloon, the drawn zeros are no longer present.
  • Gian Maria Volonté did not speak English, and he required an interpreter on set.
  • For the film, the set designer Carlo Simi built the town of El Paso in Spain. Director and screenwriter Sergio Leone later filmed it in his 1966 Western, "The Good, the Bad and the Ugly." The town still stands today and is now known as "Mini-Hollywood."
  • Lee Van Cleef was going through a not very easy and successful period in his life due to his excessive fondness for alcohol. He earned a living by painting and was very grateful for the offer to star in this film, after which his acting career began to improve again.
  • The entire film was shot without sound, so Clint Eastwood and Lee Van Cleef returned to Italy after filming to record their lines, and sound effects were added to the film.
  • Screenwriter and director Sergio Leone offered the role of Colonel Mortimer to actor Henry Fonda, but he declined the offer. Leone approached Charles Bronson with the same offer, which did not interest him, and Lee Marvin, who also refused because he had just agreed to participate in Elliot Silverstein's Western "Cat Ballou" (1965). Only after that did Leone turn to Lee Van Cleef, who had not appeared in films since the Western "How the West Was Won" (John Ford, Henry Hathaway, George Marshall, Richard Thorpe, 1962), although he had been working on television. The actor initially thought he was being offered a role in a few scenes and was very surprised to find that this was not the case.
  • Ennio Morricone began working on the film's music even before filming began, receiving detailed instructions from Sergio Leone, who often shot his films directly to the music.
  • Screenwriter and director Sergio Leone did not want to film a sequel to the Western "A Fistful of Dollars" (1964), but the "Jolly Film" studio refused to pay for the filming of "A Fistful of Dollars" until he agreed to make a sequel.
  • During filming, Sergio Leone constantly felt that Gian Maria Volonté was acting too "theatrically," and he repeatedly filmed numerous takes of the same scene simply to tire out the actor and exhaust him. Once, Volonté even left the set in anger, but filming was taking place in the middle of the desert, he couldn't leave, so he returned to filming, but vowed never to appear in Westerns again.
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