The Crow - crew, film crew

The entire team, the film crew of the film "The Crow"
The Crow (1994)
Timing: 1:42 (102 min)
The Crow - TMDB rating
7.516/10
4471
The Crow - Kinopoisk rating
7.879/10
147727
The Crow - IMDB rating
7.5/10
230000

Film crew

Director

Producer

Photo Edward R. Pressman #70325
Edward R. Pressman
Producer
Jeff Most
Producer

Executive Producer

Robert L. Rosen
Executive Producer
Sherman L. Baldwin
Executive Producer

Casting

Billy Hopkins
Casting

Editor

Dov Hoenig
Editor
M. Scott Smith
Editor

Art Direction

Simon Murton
Art Direction

Costume Design

Photo Arianne Phillips #69366
Arianne Phillips
Costume Design

Stunts

Simone Boisseree
Stunts
Bobby Bass
Stunts
Ronnie Rondell Jr.
Stunts
Photo Jeff Cadiente #25856
Jeff Cadiente
Stunts
Photo Sandy Berumen #12394
Sandy Berumen
Stunts
Photo Erik Rondell #16387
Erik Rondell
Stunts
Charlie Estepp
Stunts

Production Design

Alex McDowell
Production Design

Stunt Coordinator

Photo Jeff Imada #14549

Jeff Imada

Jeff Imada
Stunt Coordinator

Second Unit Director

Andrew Mason
Second Unit Director

Set Decoration

Marthe Pineau
Set Decoration

Makeup Artist

Sharon Ilson
Makeup Artist
Herita Jones
Makeup Artist

Original Music Composer

Photo Graeme Revell #70984

Graeme Revell

Graeme Revell
Original Music Composer

Unit Production Manager

Photo Grant Hill #12343Photo Grant Hill #12344Photo Grant Hill #12345

Grant Hill

Grant Hill
Unit Production Manager
Ric Rondell
Unit Production Manager

Co-Producer

Caldecot Chubb
Co-Producer
James A. Janowitz
Co-Producer

Associate Producer

Photo Grant Hill #12343Photo Grant Hill #12344Photo Grant Hill #12345

Grant Hill

Grant Hill
Associate Producer
Gregory A. Gale
Associate Producer

Second Assistant Director

Randall LaFollette
Second Assistant Director

Stunt Double

Fight Choreographer

Photo Brandon Lee #61195Photo Brandon Lee #61196Photo Brandon Lee #61197Photo Brandon Lee #61198

Brandon Lee

Brandon Lee
Fight Choreographer
Photo Jeff Imada #14549

Jeff Imada

Jeff Imada
Fight Choreographer

Director of Photography

Photo Dariusz Wolski #348

Dariusz Wolski

Dariusz Wolski
Director of Photography

Camera Operator

David Crone
Camera Operator
Ken Arlidge
Camera Operator

Costumer

Marina Marit
Costumer
Roberta Bilé
Costumer

Assistant Art Director

Geoffrey S. Grimsman
Assistant Art Director

Property Master

Edward 'Tantar' LeViseur
Property Master
Daniel Kuttner
Property Master

Visual Effects Supervisor

Andrew Mason
Visual Effects Supervisor

Supervising Sound Editor

Photo John Miceli #61208Photo John Miceli #61209
John Miceli
Supervising Sound Editor
Dave McMoyler
Supervising Sound Editor

Script Supervisor

Cornelia 'Nini' Rogan
Script Supervisor

Set Costumer

Pauline White-Kassulke
Set Costumer
Amy Lilley
Set Costumer

Hairstylist

Michelle Johnson
Hairstylist
Mary Hedges Lampert
Hairstylist

Still Photographer

Robert Zuckerman
Still Photographer

Sound Mixer

Bud Alper
Sound Mixer

First Assistant Director

Steve E. Andrews
First Assistant Director

Boom Operator

Gene Ashbrook
Boom Operator

Screenplay

Photo David J. Schow #73626
David J. Schow
Screenplay
John Shirley
Screenplay

Set Designer

William Barclay
Set Designer

First Assistant Editor

Matthew Booth
First Assistant Editor
Richard Alderete
First Assistant Editor

Additional Editor

Craig Wood
Additional Editor
Sonny Baskin
Additional Editor

Sound Designer

Brian McPherson
Sound Designer

Construction Coordinator

Jeffrey Schlatter
Construction Coordinator

Foley Editor

Robert Batha
Foley Editor

Assistant Property Master

Charlene Hamer
Assistant Property Master

Leadman

John D. Kretschmer
Leadman

Seamstress

C.J. Harris
Seamstress

Carpenter

James Martishius
Carpenter

Construction Foreman

Thomas Michael Ryan
Construction Foreman

Music Supervisor

Jolene Cherry
Music Supervisor

Special Effects Makeup Artist

Lance Anderson
Special Effects Makeup Artist
Scott Coulter
Special Effects Makeup Artist

Gaffer

Photo Claudio Miranda #7567
Claudio Miranda
Gaffer

Video Assist Operator

Charles Laughon
Video Assist Operator
Mark C. McManus
Video Assist Operator

Storyboard Artist

Peter Pound
Storyboard Artist
Hanna Strauss
Storyboard Artist

First Assistant Camera

John Verardi
First Assistant Camera
Frederick Hackler
First Assistant Camera
John Cambria
First Assistant Camera

Special Effects Assistant

Scott Coulter
Special Effects Assistant

Assistant Hairstylist

Rita Troy
Assistant Hairstylist
Shelly Hutchins
Assistant Hairstylist

Assistant Makeup Artist

Sandra S. Orsolyak
Assistant Makeup Artist
Tyger Tate
Assistant Makeup Artist

Camera Loader

Ken Hudson
Camera Loader
Marilou Vetter
Camera Loader

Wardrobe Supervisor

Darryl Levine
Wardrobe Supervisor

Second Assistant Camera

George Hesse
Second Assistant Camera
Michael Satrazemis
Second Assistant Camera

Comic Book

James O'Barr
Comic Book

Animal Wrangler

Gary Gero
Animal Wrangler

Assistant Decorator

David K. Riebel
Assistant Decorator

What's left behind the scenes

  • The role of Shelly was offered to Cameron Diaz, but she did not like the script.
  • Brandon Lee suffered an injury during filming that led to his death. Footage of this accident was destroyed.
  • All scenes with Michael Berryman as Skull Cowboy were cut.
  • The poem Eric quotes as he bursts into the store is Edgar Allan Poe's "The Raven".
  • The director wanted Iggy Pop to play 'Funboy' and created the character specifically for him, but he was unable to film due to his schedule. However, Iggy did appear in the sequel.
  • Brandon Lee was killed by actor Michael Masse, who played one of the villains (Funboy), with a .44 caliber pistol. A stuck dummy cartridge in the barrel was not noticed by the crew and was ejected when a blank was fired.
  • Something sinister was happening on the set of "The Crow": one actor received severe burns, another seriously injured his hand, a journalist writing about the film was involved in a car accident, and the set designer went insane.
  • The screenplay was based on the comic book of the same name by James O'Barr, filled with the dark poetry of post-punk imagination. The book's protagonist arrives from oblivion to avenge his death and the murder of his girlfriend. The plot was born in the author's mind three years after his beloved died in a car accident. The book then lay in a drawer for another seven years before finding a publisher. When it finally appeared in stores, it immediately became a bestseller.
  • Following Brandon Lee's death, producers Robert L. Rosen and Edward R. Pressman decided to complete the project after all. The film was finished using computer technology. In 1994, it was finally released, with the opening lines reading: “Dedicated to Brandon and Eliza…” (For Brendon and Eliza).
  • Brandon Lee was shot at 12:30 AM with a .44 caliber revolver.
  • Filming began on February 1, 1993, in Wilmington, and it was also Brandon’s 28th birthday.
  • River Phoenix and Christian Slater were initially considered for the role of Eric.
  • The film was originally conceived as a musical, with Michael Jackson attached to star in the lead role. However, Alex Proyas, being a fan of O'Barr's comics, insisted on being allowed to film as closely to the original source material as possible.
  • James O'Barr wanted Johnny Depp to play Eric Draven.
  • The final part of the scene in Albrich's apartment was improvised by Brandon Lee and Ernie Hudson.
  • Director Alex Proyas initially wanted to shoot the entire film in "black and white," closer to the comic book, and only use color in scenes of Draven's flashback memories with a high-contrast theme, but the studio executives did not allow him to experiment with this approach. This forced Proyas to shoot most of the film in a monochromatic color scheme mixed with red and dark gray.
  • The character of Ernie Hudson, Officer Albrich, is named after Joy Division band member Bernard Sumner.
  • The car chase in the film was shot using miniatures.
  • The process of applying makeup to Brandon Lee took about an hour.
  • Only five real crows were used during production – mainly for close-ups and scenes with large flocks of birds.
  • The order in which Eric kills his enemies is the same as the order in which they first attacked him.
  • Eric kills his tormentors with the items they lived by; for example, Tin Tin with his own knives, Fanboy dies from a heroin overdose, and T-Bird explodes with his own ammunition.
  • The following scenes were filmed after Brandon Lee's death: Draven enters the apartment after digging himself out of the grave. Footage of Lee walking down the alley in the rain was digitally inserted into the scene where he enters the house. Computer technology added dripping water to the ceiling of the house to make it look natural. The scene of Lee falling out the window was created by compositing Brandon's face onto a stunt double's body. The scene where Draven applies makeup was done with a stunt double. The face in the broken mirror was Brandon's, while the hands applying the makeup were the stunt double’s. The scene where Eric walks with a crow on his shoulder was also composited – the stunt double’s body and Brandon’s face, visible in the lightning flash. When Sarah enters the apartment, we do not see Lee’s face because it is a double.
  • Alternate versions of the film: The original film includes a scene where Eric fights Fanboy before killing him. In the Australian version, all instances of the word "fuck" have been cut, including in dialogue where it is frequently used.
  • During the shootout scene, one of the bandits falls out of the window with a chair. It can be noticed that he is tied up with ropes.
  • The incendiary device that Eric places between T-Bird's knees is a white phosphorus grenade. When it explodes, it burns at 2500 degrees Fahrenheit.
  • Brandon Lee was injured during filming, leading to his death. Footage of this accident was destroyed. Chad Stahelski, a stuntman and friend of Brandon, finished filming the remaining scenes after his death.
  • Director Alex Proyas initially wanted to shoot the entire film in "black and white" closer to a comic book style and only use color in flashback scenes of Draven with a high-contrast theme, but the studio executives did not allow him to experiment with this approach. This forced Proyas to film most of the film in a monochromatic color scheme mixed with red and dark gray.
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