Quigley Down Under - crew, film crew

The entire team, the film crew of the film "Quigley Down Under"
Quigley Down Under (1990)
Timing: 1:59 (119 min)
Quigley Down Under - TMDB rating
6.7/10
362
Quigley Down Under - Kinopoisk rating
6.806/10
775
Quigley Down Under - IMDB rating
6.9/10
23878

Film crew

Director

Producer

Stanley O'Toole
Producer
Alexandra Rose
Producer

Editor

Peter Burgess
Editor

Art Direction

Ian Gracie
Art Direction

Stunts

Johnny Raaen
Stunts
Rocky McDonald
Stunts
Spike Cherrie
Stunts
Linda Megier
Stunts
Lloyd Ventry
Stunts

Production Design

Ross Major
Production Design

Stunt Coordinator

Guy Norris
Stunt Coordinator

Set Decoration

Brian Dusting
Set Decoration
Brian Edmonds
Set Decoration

Original Music Composer

Photo Basil Poledouris #70412

Basil Poledouris

Basil Poledouris
Original Music Composer

Director of Photography

David Eggby
Director of Photography

Steadicam Operator

Harry Panagiotidis
Steadicam Operator

Still Photographer

Barry Peake
Still Photographer

Screenplay

John Hill
Screenplay

Focus Puller

Derry Field
Focus Puller

Second Unit Director of Photography

Photo Ross Berryman #73543

Ross Berryman

Ross Berryman
Second Unit Director of Photography

Clapper Loader

Adrien Seffrin
Clapper Loader

Continuity

Judy Whitehead
Continuity

What's left behind the scenes

  • The film was intended to be a sequel to "The Hunter" with Steve McQueen, but the actor soon fell ill, and the project was cancelled. Throughout the 1980s, the project was revived several times with different stars. Harrison Ford was offered the lead role, but he turned it down because he found the character too similar to Indiana Jones. In 1985, the role of Quigley was first offered to Tom Selleck, but he had to decline due to a busy schedule filming the series "Magnum, P.I." When the series ended in 1988, Selleck inquired whether the role of Quigley was still available, and then accepted it.
  • Alan Rickman agreed to star in the film because filming took place in Australia, and he had always wanted to visit there.
  • Three rifles were created for the film, one for shooting, another as a club, and the last – in case something happened to one of the first two. After filming ended, Tom Selleck asked permission to keep the weapons for himself. Many years later, he sold two of the rifles at auction for charity, and donated the third, along with its leather case and knife, to a museum.
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