Conan the Destroyer - crew, film crew

The entire team, the film crew of the film "Conan the Destroyer"
Conan the Destroyer (1984)
Timing: 1:43 (103 min)
Conan the Destroyer - TMDB rating
6.091/10
1422
Conan the Destroyer - Kinopoisk rating
6.647/10
24755
Conan the Destroyer - IMDB rating
5.9/10
90000

Film crew

Director

Producer

Raffaella De Laurentiis
Producer
Photo Edward R. Pressman #70325
Edward R. Pressman
Producer

Executive Producer

Stephen F. Kesten
Executive Producer

Casting

Johanna Ray
Casting

Editor

Frank J. Urioste
Editor

Special Effects Supervisor

John K. Stirber
Special Effects Supervisor

Art Direction

Kevin Phipps
Art Direction
José María Alarcón
Art Direction

Costume Design

John Bloomfield
Costume Design

Stunts

Production Design

Pier Luigi Basile
Production Design

Stunt Coordinator

Photo Vic Armstrong #22957

Vic Armstrong

Vic Armstrong
Stunt Coordinator

Makeup Artist

Luigi Rocchetti
Makeup Artist

Sound Re-Recording Mixer

Wayne Artman
Sound Re-Recording Mixer

Original Music Composer

Photo Basil Poledouris #70412

Basil Poledouris

Basil Poledouris
Original Music Composer

Unit Production Manager

Stephen F. Kesten
Unit Production Manager

Production Supervisor

Anuar Badin
Production Supervisor

Orchestrator

Greig McRitchie
Orchestrator

Set Dresser

Giorgio Desideri
Set Dresser

Director of Photography

Photo Jack Cardiff #67330

Jack Cardiff

Jack Cardiff
Director of Photography

Musician

Angelo Giovagnoli
Musician

Camera Operator

Neil Binney
Camera Operator

Property Master

Graham Sumner
Property Master

Supervising Sound Editor

Milton C. Burrow
Supervising Sound Editor

Script Supervisor

Pamela Carlton
Script Supervisor

Electrician

Roy Furness
Electrician

Still Photographer

George Whitear
Still Photographer

Sound Mixer

Manuel Topete
Sound Mixer

Driver

Arturo Curiel
Driver

Screenplay

Photo Stanley Mann #87510
Stanley Mann
Screenplay

Set Decoration Buyer

Moises Pineda
Set Decoration Buyer

Assistant Editor

Mark Eggenweiler
Assistant Editor

Key Grip

Apache
Key Grip

Ager/Dyer

Mary Etta Lang
Ager/Dyer

Location Manager

Juan Clemente Prosper
Location Manager

Key Hair Stylist

Mirella De Rossi
Key Hair Stylist

Painter

Sante Barelli
Painter

Story

Characters

Casting Assistant

Photo Nina Axelrod #74826Photo Nina Axelrod #74827

Nina Axelrod

Nina Axelrod
Casting Assistant

Special Effects Technician

Antonio Balandín
Special Effects Technician

Sculptor

Andrew Holder
Sculptor

Gaffer

Frank Heeney
Gaffer

Focus Puller

Roger McDonald
Focus Puller

Storyboard Artist

Maurice Zuberano
Storyboard Artist

Standby Painter

Ron Downing
Standby Painter

Conductor

Production Assistant

Mason Cardiff
Production Assistant

Unit Publicist

Anne Strick
Unit Publicist

Visual Effects Coordinator

Charles L. Finance
Visual Effects Coordinator

Production Secretary

Debbie Peterson
Production Secretary

Conceptual Design

Photo William Stout #70677

William Stout

William Stout
Conceptual Design

Production Office Assistant

Photo Craig Campobasso #87509

Craig Campobasso

Craig Campobasso
Production Office Assistant

Best Boy Electric

John Matthews
Best Boy Electric

Assistant Accountant

Eduardo De La Grana
Assistant Accountant

Supervising Music Editor

Daniel Allan Carlin
Supervising Music Editor

Wardrobe Supervisor

Thomas Casterline
Wardrobe Supervisor

Assistant Sound Editor

Jeff Jones
Assistant Sound Editor

Sound Editor

Ray Alba
Sound Editor

Draughtsman

Giles Masters
Draughtsman
Steve Cooper
Draughtsman

Clapper Loader

David Tondeur
Clapper Loader

Creature Design

Negative Cutter

Donah Bassett
Negative Cutter

Music Consultant

Gilbert Marouani
Music Consultant

Apprentice Sound Editor

Shelley Brown
Apprentice Sound Editor

Production Illustrator

Tanya Lowe
Production Illustrator

Technical Advisor

L. Sprague De Camp
Technical Advisor

Presenter

What's left behind the scenes

  • For Olivia d'Abo, the role of Princess Jenna was her debut.
  • The third, concluding film of the Conan trilogy was supposed to be "Conan the Conqueror" in 1987, based on Howard's story "The Hour of the Dragon," where Conan becomes king of Aquilonia. However, Schwarzenegger was unable to participate in this film as he was busy with "Predator," and Kevin Sorbo, who was chosen as a replacement, did not want to play someone else's role. As a result, the intended trilogy remained unfinished. The script was rewritten, replacing Conan with another of Howard's characters – Kull of Atlantis, and the film was titled "Kull the Conqueror" (1997).
  • The filmmakers found it difficult to find a horse for Wilt Chamberlain (1946-1999). The actor was so tall that when he sat in the saddle, his legs touched the ground. Eventually, a horse suitable for riders of such height was found in Spain and brought to Mexico.
  • The director of "Conan the Barbarian" (1982), John Milius, was busy and unable to shoot the film. Leading studio executives took a more active role than in the first film of the franchise, and, according to Arnold Schwarzenegger, they made a number of serious mistakes. Riding the wave of success of Steven Spielberg's "E.T. the Extra-Terrestrial" (1982), Universal decided that the film would gross more if it were made into a family-friendly film. Schwarzenegger strongly objected, but his opinion was not heeded. Director Richard Fleischer (1916-2006) agreed with Schwarzenegger, but was forced to go along with Universal's desire to make a sequel in the style of a comic book. The sequel grossed more than the first film in the franchise, but box office results in the US were not as impressive as Schwarzenegger and Fleischer had feared. Schwarzenegger expressed similar concerns later, when the Terminator in James Cameron's "Terminator 2: Judgment Day" (1991) was forbidden from killing anyone. After that, Schwarzenegger and Dino De Laurentiis (1919-2010) decided to end the franchise, and Schwarzenegger has since only starred in films about contemporary times.
  • The swords cost $10,000 each.
  • Wilt Chamberlain and Grace Jones performed 90% of their own stunts. Once, while working with a pole, Jones accidentally sent two stuntmen to the hospital; preparing for the role in this film took her a year and a half.
  • The movements of the dagota's (monster's) hands, eyes, mouth, and torso were controlled by six people.
  • When creating the city of Shadizar, filmmakers built a small model of it and placed it in front of the camera.
  • The role of Malak was initially reserved for actor David L. Lander (1947-2020), however, due to his deteriorating health (he was diagnosed with multiple sclerosis) and difficulties in his relationship with director Richard Fleischer (1916-2006), the actor was replaced by Tracey Walter.
  • To create the impression of steam coming from the mouth while breathing in cold weather, the actors held small pieces of dry ice wrapped in a light cloth in their mouths (as it is not recommended to touch dry ice directly).
  • The character of Zula was originally conceived by screenwriter Roy Thomas as a Black warrior. “Zula” is a real male name in Africa, as the inhabitants of the Black Kingdoms are considered the ancestors of Black Africans. Producers decided it was a female character because the name ends in “a,” so they secured Grace Jones and designed costumes for her. When Roy Thomas noticed the mistake, it was too late – both for financial reasons and because a contract had already been signed with Grace Jones – so he had to change the character's gender in the script.
  • During the fight scene between Zula and Bombatta, Grace Jones actually bit Wilt Chamberlain on the ear. Blood was genuinely running down his neck, and his surprised, offended expression was completely sincere and not at all acted. This was Jones's first role in a film, and she had never performed stunts on screen before.
  • Wilt Chamberlain and Grace Jones performed 90% of their own stunts. Once, while working with a pole, Jones accidentally sent two stuntmen to the hospital; preparation for the role took her a year and a half.
  • The character named Zula was originally conceived by screenwriter Roy Thomas as a Black warrior. Producers decided it was a woman, as the name ends in "a," so they enlisted Grace Jones and designed costumes for her. When Roy Thomas noticed that a mistake had been made, it was too late – both for financial reasons and because a contract with Grace had already been signed.
  • For Olivia d’Abo, the role of Princess Jenna was her debut.
  • In 1987, “Conan the Conqueror,” based on Howard’s story “The Hour of the Dragon,” was intended to be the third and final film in the Conan trilogy, where Conan becomes king of Aquilonia. However, Schwarzenegger was unable to participate in this film as he was busy with “Predator,” and Kevin Sorbo, who was chosen as a replacement, did not want to play someone else’s role. As a result, the planned trilogy remained unfinished. The script was reworked, replacing Conan with another of Howard’s heroes – Kull of Atlantis – and the film was titled “Kull the Conqueror” (1997).
  • The character named Zula was originally conceived by screenwriter Roy Thomas as a Black warrior. Producers decided it was a woman, as the name ends in “a,” so they secured Grace Jones and designed costumes for her. By the time Roy Thomas noticed the mistake, it was too late – both for financial reasons and because Grace already had a contract.
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