Kurt E. Soderling - Works

Armageddon
Armageddon (1998)

Position: Aerial Director of Photography
Titanic
Titanic (1997)

Position: Camera Operator
Men in Black
Men in Black (1997)

Position: Visual Effects Camera
Pearl Harbor
Pearl Harbor (2001)

Position: Camera Operator
Meet the Fockers
Meet the Fockers (2004)

Position: Aerial Director of Photography, Visual Effects Camera
The Amazing Spider-Man
The Amazing Spider-Man (2012)

Position: Aerial Director of Photography
Bandits
Bandits (2001)

Position: Aerial Director of Photography
Seabiscuit
Seabiscuit (2003)

Position: Helicopter Camera
Déjà Vu
Déjà Vu (2006)

Position: Helicopter Camera
The Hitcher (2007)

Position: Aerial Director of Photography
Crimson Tide
Crimson Tide (1995)

Position: Aerial Camera
The Core
The Core (2003)

Position: Aerial Director of Photography
The Edge
The Edge (1997)

Position: Aerial Camera
Dante's Peak
Dante's Peak (1997)

Position: Visual Effects Camera
Waterworld
Waterworld (1995)

Position: Aerial Camera, Visual Effects Camera
Sphere
Sphere (1998)

Position: Aerial Camera, Visual Effects Camera
It Could Happen to You
It Could Happen to You (1994)

Position: Aerial Camera
The Birdcage
The Birdcage (1996)

Position: Visual Effects Camera, Aerial Director of Photography
U.S. Marshals
U.S. Marshals (1998)

Position: Aerial Director of Photography, Visual Effects Camera
Queen of the Damned (2002)

Position: Aerial Director of Photography
The Unborn
The Unborn (2009)

Position: Aerial Director of Photography
Dhoom 3
Dhoom 3 (2013)

Position: Director of Photography
Phantom (2013)

Position: Aerial Director of Photography
Outlaw Posse (2024)

Position: Director of Photography
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