Infernal Affairs - crew, film crew
The entire team, the film crew of the film "Infernal Affairs"
無間道 (2002)
Timing:
1:41 (101 min)
7.8/10
1837
1837
6.092/10
1057
1057
0/10
0
0
Film crew
Director
Producer
Editor
Curran Pang
Editor
Art Direction
Choo Sung Pong
Art Direction
Wong Ching Ching
Art Direction
Costume Design
Stunt Coordinator
Dion Lam Dik-On
Stunt Coordinator
Makeup Artist
Cheng Yu-Lai
Makeup Artist
Sound Re-Recording Mixer
Kinson Tsang King-Cheung
Sound Re-Recording Mixer
George Lee Yiu-Keung
Sound Re-Recording Mixer
Original Music Composer
Director of Photography
Lai Yiu-Fai
Director of Photography
Steadicam Operator
Raymond Lam
Steadicam Operator
Sound Effects Editor
Felix Chung Sze-Ming
Sound Effects Editor
Visual Effects Supervisor
Eddy Wong
Visual Effects Supervisor
Victor Wong
Visual Effects Supervisor
Hairstylist
Lau Wai-Hing
Hairstylist
Sound Mixer
Bernard Chin Wing-Lai
Sound Mixer
Production Manager
Screenplay
Foley Artist
Kwong Wai-Hung
Foley Artist
Sound Designer
Kinson Tsang King-Cheung
Sound Designer
Dialogue Editor
George Lee Yiu-Keung
Dialogue Editor
Gaffer
Wong Chi-Ming
Gaffer
Music
Music Editor
Felix Chung Sze-Ming
Music Editor
Focus Puller
Cho Man-Keung
Focus Puller
Wing Chung Kwan
Focus Puller
Ho Kin-Kwong
Focus Puller
Theme Song Performance
What's left behind the scenes
- While the characters are waiting for the elevator, the floor indicator skips the number 4. In China and Hong Kong, the number four is considered unlucky due to the similar pronunciation of the words for 'four' and 'death'.
- An alternative ending to the film, released on DVD for Western markets, was filmed specifically for distribution in China. Censors in that country disliked the political subtext of the original film's ending.
- In Cantonese, the name of Dr. Li Sum-Yi sounds the same as 'your psychiatrist'.
- An alternative ending to the film, released on DVD for Western markets, was filmed specifically for release in China. Censors disliked the political subtext of the original ending.
- To ensure approximately equal screen time for the main characters, Andy Lau demanded the removal of many of his scenes from the film.
- Gordon Lam was offered two roles – the one ultimately played by Chapman To, and the role of a police inspector, which he chose. However, he was given a fake script, where the inspector was a regular policeman, not a 'mole'. Lam played him as such, and only on the day of filming the final scene on the roof was he given the real script, detailing his character as an undercover agent, a 'mole' within the police.
- When the characters are waiting for the elevator, the floor indicator skips the number 4. In China and Hong Kong, the number four is considered unlucky due to the similarity in pronunciation between the words for “four” and “death.”
- Gordon Lam was offered two roles to choose from – the role eventually played by Chapman To, and the role of a police inspector, which he chose. However, he was given a fake script; in it, the inspector was a regular police officer, not an “undercover agent.” Lam played it that way, and only on the day of filming the final scene on the roof was he given the real script, where his character was written as an undercover agent embedded in the police force.
Did you like the film?
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