Hide and Seek - crew, film crew

The entire team, the film crew of the film "Hide and Seek"
Hide and Seek (2005)
Timing: 1:41 (101 min)
Hide and Seek - TMDB rating
6.331/10
1677
Hide and Seek - Kinopoisk rating
7.046/10
58567
Hide and Seek - IMDB rating
6/10
92000

Film crew

Director

Producer

Executive Producer

Joseph M. Caracciolo Jr.
Executive Producer

Editor

Art Direction

Dennis Bradford
Art Direction
Emily Beck
Art Direction

Costume Design

Aude Bronson-Howard
Costume Design

Stunts

Production Design

Steven J. Jordan
Production Design

Stunt Coordinator

Photo G. A. Aguilar #9744
G. A. Aguilar
Stunt Coordinator

Set Decoration

Makeup Artist

Ilona Herman
Makeup Artist

Sound Re-Recording Mixer

Photo Paul Massey #353
Paul Massey
Sound Re-Recording Mixer
Photo Doug Hemphill #11589
Doug Hemphill
Sound Re-Recording Mixer

Original Music Composer

Photo John Ottman #24841

John Ottman

John Ottman
Original Music Composer
Barney McAll
Original Music Composer

Unit Production Manager

Dana Robin
Unit Production Manager

Production Supervisor

Joe Hartwick Jr.
Production Supervisor

Second Assistant Director

Deanna Leslie
Second Assistant Director
Patrick Mangan
Second Assistant Director

Stunt Double

Photo Shawnna Thibodeau #6656
Shawnna Thibodeau
Stunt Double

Director of Photography

Photo Dariusz Wolski #348

Dariusz Wolski

Dariusz Wolski
Director of Photography

Camera Operator

Colin Anderson
Camera Operator
Will Arnot
Camera Operator

Steadicam Operator

Colin Anderson
Steadicam Operator
Will Arnot
Steadicam Operator

Makeup Department Head

John Caglione Jr.
Makeup Department Head

Visual Effects Supervisor

Cosmas Paul Bolger Jr.
Visual Effects Supervisor

Supervising Sound Editor

John A. Larsen
Supervising Sound Editor

Script Supervisor

Catherine Gore
Script Supervisor

Special Effects Coordinator

Steven Kirshoff
Special Effects Coordinator

Still Photographer

K.C. Bailey
Still Photographer

Sound Mixer

Tom Nelson
Sound Mixer

First Assistant Director

Photo Thomas A. Reilly #79871

Thomas A. Reilly

Thomas A. Reilly
First Assistant Director

Screenplay

Ari Schlossberg
Screenplay

Sound Designer

Photo Erik Aadahl #3135Photo Erik Aadahl #283552

Erik Aadahl

Erik Aadahl
Sound Designer

Dialogue Editor

R.J. Kizer
Dialogue Editor
Mildred Iatrou
Dialogue Editor

First Assistant Sound Editor

Warren Hendriks
First Assistant Sound Editor

Key Hair Stylist

Milton Buras
Key Hair Stylist

Production Coordinator

Photo Janice Williams #79872
Janice Williams
Production Coordinator

Sound Editor

Dave Kulczycki
Sound Editor

What's left behind the scenes

  • The film has four alternate endings, and in half of the cinemas it was shown with the original ending, while in the other half – with an alternate one.
  • For the first time in 70 years, 20th Century Fox sent copies of the film to cinemas without a reel containing the final part, which was sent separately. This was done as a precaution to prevent anyone from revealing the ending prematurely. Security guards from the film company personally delivered the copies to the cinemas, and all reels at the company were numbered to eliminate even the possibility of spoilers.
  • Famke Janssen is right-handed. In the film, she holds the gun in her left hand to make it look awkward and clumsy, as the plot dictates she has never held a weapon before.
  • Dakota Fanning chose not to dye her hair auburn for the role and filmed wearing a wig.
  • Auditions were held for the role of Emily, and according to director Jon Polson, he hoped to find a “new Dakota Fanning.” AnnaSophia Robb was among those who auditioned, but the role ultimately went to Fanning.
  • The film crew as a whole, and the props department in particular, went to great lengths to avoid harming the beetle. In the fishing scene, Emily picks up the insect and puts it on the hook. For this scene, the props department specifically made an artificial beetle, but the director found it unnatural. A total of 24 beetles were brought in for the shoot. A live insect was used for the beginning of this scene, carefully attaching a fake pouch with blood and innards to its body with surgical glue. Fanning was specifically shown how to handle the insect and where to insert the hook so as not to harm it. This was done in accordance with the requirements of the American Humane Association.
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