Labyrinth - videos, teasers and stills from filming

All videos, teasers and footage from the filming of the film "Labyrinth"
Labyrinth (1986)
Timing: 1:41 (101 min)
Labyrinth - TMDB rating
7.275/10
2701
Labyrinth - Kinopoisk rating
7.744/10
32501
Labyrinth - IMDB rating
0/10
0
Watch film Labyrinth | Ballroom Scene
Ballroom Scene
English
3:23
Watch film Labyrinth | Blind Beggar Scene
Blind Beggar Scene
English
2:23
Watch film Labyrinth | George Lucas EPK
George Lucas EPK
English
3:28
Watch film Labyrinth | Sarah Rescues Ludo
Sarah Rescues Ludo
English
2:20
Watch film Labyrinth | Fathom Events Spot
Fathom Events Spot
English
0:30
Watch film Labyrinth | Extended Preview
Extended Preview
English
10:14
Watch film Labyrinth | Sarah Says Goodbye
Sarah Says Goodbye
English
2:28
Watch film Labyrinth | Digital Trailer
Digital Trailer
English
1:34
Watch film Labyrinth | Official Trailer
Official Trailer
English
1:25

What's left behind the scenes

  • Michael Jackson or Sting could have played the role of Jareth.
  • The scenes of Jareth juggling crystal balls were filmed without the use of any special camera techniques or visual effects. It wasn't David Bowie who was juggling the crystal balls, but a professional juggler – the film's choreographer.
  • Jennifer Connelly was selected through an open audition organized by George Lucas and Jim Henson. Initially, they were looking for an actress aged 18-19, but none of the candidates satisfied the jury. Then the age requirement was lowered by 2-3 years, and the choice fell on Connelly – Henson later claimed he made his decision as soon as she walked through the door. Bowie, however, said his partner reminded him of a young Elizabeth Taylor.
  • Jareth the Goblin King’s hairstyle was ranked among the ten best film hairstyles by The Contentenders, taking 2nd place in the ranking.
  • Bowie received the script during his 1983 tour of the United States. He liked the idea from the start and actively participated in the film's creation, both as an actor and a musician.
  • Labyrinth was built and filmed at Elstree Studios in Hertfordshire, England. The opening scene was shot in North London's Hampstead Heath. Subsequent footage of Sarah running in the rain through the streets was filmed in Upper Nyack, a suburb of New York. The scenes in the Williams' house were also filmed on sets, and only the porch was actually built for exterior shots.
  • The set for the labyrinth of staircases that Sarah enters upon arriving at Jareth’s castle was based on Escher’s painting “Relativity.” This painting hangs in the heroine’s room. The scenes in this set were filmed using special technical equipment and a stunt double made up to resemble Bowie, and this episode was the most thoroughly storyboarded due to its complexity. The scene where the crystal ball thrown by Jareth lands in Toby’s hands was filmed using reverse motion.
  • The ballroom scene is the only large-scale scene in the film that does not feature a single puppet; however, the filmmakers aimed to show that all the characters present are actually goblins merely playing humans. To this end, costumes and masks were developed. Cheryl (Gates) McFadden was brought in to choreograph the scene. Jennifer herself had never danced before, so she had to take dance lessons.
  • A significant portion of the roles in the film were played by puppets or dolls operated by people from the inside. For example, the filming of the Dance Magic scene involved 45 puppets, 53 puppeteers, a child, Bowie, and 5 frantic chickens. The children were simply told to run and jump as they pleased, with some having strings attached to make their jumps higher, and Charles Owens was brought in to stage Bowie’s movements, bringing a vibrant dynamic to the performance. The most challenging part of the staging was working with Toby, as he was capricious and it was difficult to elicit the desired facial expression.
  • Each doll was created specifically for the film, taking into account the role it was to play. It took over a year to create everything necessary to move the dolls’ bodies, heads, and other parts, but it all came together in the last few weeks before filming began. Many actors had to train to coordinatedly control the characters: for example, to create Hogl’s facial expressions, 18 motors were created, controlled by radio by 4 people who had to ensure that their actions led to a single, realistic result. In addition, a fifth person sat inside.
  • The Hogl doll was considered lost for some time after filming; it was lost in airport baggage, and later found and purchased as unclaimed baggage by a store in Scottsboro, Alabama.
  • Two actors were required to operate the Ludo doll; a small video camera was mounted on the right horn of the doll, allowing them to see what was happening around them on a monitor located inside.
  • The body of the doll depicting the huge metallic robot protecting the goblin city was made of fiberglass, and its height was four and a half meters. The doll was moved by six people, and another controlled other movements.
  • The scenes with the Red Band were filmed in a completely black velvet room, with puppeteers dressed in black; the background was filmed separately from the same point and at the same speed, in order to later combine it into a single scene using special effects. The fairies were controlled in several ways: some had their legs attached to the legs of the puppeteers, their arms were controlled by sticks by other puppeteers, and sometimes four people controlled each individual doll. Due to the different control methods, each doll developed its own unique style of movement.
  • Jennifer Connelly was selected through an open audition held by George Lucas and Jim Henson. Initially, they were looking for an actress between 18 and 19 years old, but no candidate satisfied the jury. Then the age limit was lowered by 2-3 years, and the choice fell on Connelly – Henson later claimed he made his decision as soon as she walked through the door. Bowie, however, said that his partner reminded him of a young Elizabeth Taylor.
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