Full Frontal - actors, characters and roles
All actors and their roles in the film "Full Frontal"
Full Frontal (2002)
Timing:
1:52 (112 min)
4.59/10
109
109
4.781/10
883
883
4.7/10
12000
12000
Actors and characters
Mike Malone
Character Mike
Alison Ebbert
Character Hitler Girlfriend
Jennifer Brusciano
Character Hitler Hitchhiker
Cole Andersen
Character Freud
Al Ahlf
Character Hitler Guard
Lacy Livingston
Character Miramax Receptionist
Nathalie Seaver
Character Clothing Store Owner
Soledad St. Hilaire
Character Hotel Housekeeper
Roger Garcia
Character Vampire Neighbor
Laurent Schwaar
Character Concierge
Dawn Suggs
Character Hotel Hostess
Charlotte Puckett
Character Hotel Waitress
Chance Robertson
Character Biker
Monica Lee Burland
Character Theater Patron
Kenn Wood
Character Theater Patron
Andrew Connolly
Character Partygoer
Karen Woodley
Character Partygoer
Chris DeRose
Character Partygoer
Randy Lowell
Character Partygoer
Pliny Porter
Character Partygoer
Karen Grosso
Character Partygoer (uncredited)
Brian Krow
Character Bellboy (uncredited)
Camille Wainwright
Character Daphne (uncredited)
Tommy Wilson-O'Brien
Character Fired Employee (uncredited)
Elizabeth Yoder
Character Hotel Lobby Guest (uncredited)
What's left behind the scenes
- David Duchovny later recounted that during the massage scene, the director demanded an erection from him, but the actor was unable to achieve one “on command,” so a prosthetic was used.
- Filming took 18 days. Steven Soderbergh shot primarily with portable digital cameras—a rather unusual step for the time, considering the participation of renowned actors in the film. The director worked here in the style of “Dogme 95”—an avant-garde movement in cinema, whose ideologists were Lars von Trier and Thomas Vinterberg.
- Steven Soderbergh shot most of the film with a Canon XL-1s camera, which records onto MiniDV tapes. The scene in which Blair Underwood’s character interviews Julia Roberts’ character was shot on film. Later, Danny Boyle would film the post-apocalyptic film “28 Days Later” (2002) with the same camera.
- When Blair Underwood's character raps to Julia Roberts' heroine in a limousine, one of the lines contains the following words: "to kiss a beauty under the pelican moon." This is a reference to two films starring Roberts – the melodrama *Pretty Woman* (Garry Marshall, 1990) and the legal thriller *The Pelican Brief* (Alan J. Pakula, 1993).
- When sending the film's script to renowned actors, director Steven Soderbergh attached a sheet outlining the conditions under which the actors would have to work. Citing the film's modest budget ($2 million), he warned that actors would be responsible for their own transportation to and from the set, rather than being provided with limousines, and would also need to take care of their own costumes and makeup. The filmmakers would not be responsible for the quality of food on set, individual trailers would not be provided, improvisation on set was encouraged, and actors would be interviewed about their characters and other aspects, with some of the interview potentially being included in the film.
- Steven Soderbergh couldn't find anyone to play the director, so he appeared on screen himself (his face is hidden by a black square).
- David Duchovny later recounted that during the massage scene, the director demanded an erection from him, but the actor was unable to achieve one "on command," so a prosthetic was used.
- Filming took 18 days. Steven Soderbergh primarily shot using portable digital cameras – a rather unusual step for the time, considering the participation of renowned actors in the film. The director worked here in the style of "Dogme 95" – an avant-garde movement in cinema, whose ideologues were Lars von Trier and Thomas Vinterberg.
- Steven Soderbergh shot most of the film with a Canon XL-1s camera, which records onto MiniDV tapes. The scene in which Blair Underwood's character interviews Julia Roberts' character was shot on film. Later, Danny Boyle would film the post-apocalyptic film "28 Days Later" (2002) using the same camera.
- When Blair Underwood's character raps to Julia Roberts' character in the limousine, one of the lines contains the words: "to kiss the beauty under the pelican moon." This is a reference to two films starring Roberts – the melodrama "Pretty Woman" (Gary Marshall, 1990) and the legal thriller "The Pelican Brief" (Alan J. Pakula, 1993).
Did you like the film?
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