Marty - posters, covers, wallpapers

Lots of posters, covers and wallpapers for the movie "Marty"
Marty (1955)
Timing: 1:30 (90 min)
Marty - TMDB rating
7.424/10
361

Backdrops, wallpaper

Backdrop to the movie "Marty" #212933Full HD 1080p
Backdrop to the movie "Marty" #212929HD Ready 808p
Backdrop to the movie "Marty" #212930HD Ready 720p
Backdrop to the movie "Marty" #212931HD Ready 808p
Backdrop to the movie "Marty" #212932HD Ready 808p
Backdrop to the movie "Marty" #212934Full HD 1080p

Posters, covers

Poster to the movie "Marty" #2129354K UHD 2400p
Poster to the movie "Marty" #2129363K 1762p
Poster to the movie "Marty" #2129375K UHD 3000p
Poster to the movie "Marty" #2129385K UHD 2739p
Poster to the movie "Marty" #2129393K 1800p
Poster to the movie "Marty" #212940Full HD 1214p
Poster to the movie "Marty" #212941Full HD 1399p
Poster to the movie "Marty" #212942Full HD 1200p
Poster to the movie "Marty" #2129435K UHD 3000p
Poster to the movie "Marty" #212944HD Ready 900p
Poster to the movie "Marty" #212945HD Ready 750p
Poster to the movie "Marty" #2129463K 2151p
Poster to the movie "Marty" #212947HD Ready 750p

What's left behind the scenes

  • Betsy Blair (born Elizabeth Winnifred Boger, 1923-2009), who played Clara, had difficulty getting permission to film in the movie because she was on the Hollywood blacklist. However, her then-husband, Gene Kelly (1912-1996), literally forced Hecht-Lancaster Productions and United Artists to give Blair the role, threatening that he would otherwise not participate as either a director or an actor in any of these companies’ projects.
  • Director Delbert Mann (1920-2007) had no idea who to cast in the lead role and asked his friend, also a director, Robert Aldrich (1918-1983), for advice, who immediately suggested Ernest Borgnine (1917-2012). Mann was initially skeptical of this suggestion, but Aldrich managed to convince him.
  • The only case in the history of cinema where the film's producers spent more on promoting the film ($400,000) than on creating it ($343,000).
  • Film historians claim that the release of this film specifically demonstrated the success of low-budget independent cinema in the American film market and contributed to the promotion of such films in the United States. Leading figures in American studios had long known that this type of cinema was successful in Europe, but they doubted whether it could achieve the same success in the American market. The box office success and critical acclaim of 'Marty' demonstrated that low-budget films with unknown actors, produced in the USA, could compete with European art-house cinema on an artistic level. This film cemented the reputation of United Artists as a haven for daring independent producers, and rival companies MGM and 20th Century Fox also began releasing similar films.
  • Rod Steiger (1925-2002), who played Marty in television adaptations, said he turned down the role in the film because he was bound by a long-term contract with Hecht-Lancaster Productions. On the other hand, producers Harold Hecht (1907-1985) and Burt Lancaster (1913-1994) did not want to film Steiger, stating that audiences would hardly want to pay money to see an actor they had already seen at home on television for free.
  • Screenwriter Paddy Chayefsky (1923-1981) decided to write the screenplay when he came across a sign at the entrance to a dance hall in the Abbey Hotel in New York: 'Ladies invited by men, remember men get hurt too.'
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