The Double Life of Véronique - crew, film crew
The entire team, the film crew of the film "The Double Life of Véronique"
La Double Vie de Véronique (1991)
Timing:
1:38 (98 min)
7.5/10
743
743
7.594/10
9734
9734
7.6/10
57000
57000
Film crew
Director
Producer
Leonardo De La Fuente
Producer
Writer
Casting
Margot Capelier
Casting
Caroline Castelain
Casting
Editor
Costume Design
Laurence Brignon
Costume Design
Elżbieta Radke
Costume Design
Claudia Fellous
Costume Design
Production Design
Patrice Mercier
Production Design
Makeup Artist
Iwona Maria Karpinska
Makeup Artist
Jolanta Stachecka
Makeup Artist
Agnès Tassel
Makeup Artist
Sound Re-Recording Mixer
Original Music Composer
Director of Photography
Script Supervisor
Christine Raffa-Catonné
Script Supervisor
Still Photographer
Monika Jeziorowska
Still Photographer
Screenplay
Sound Editor
Michèle Catonné
Sound Editor
Edith Vassard
Sound Editor
Foley
Jean-Pierre Lelong
Foley
Mario Melchiorri
Foley
Jack Jullian
Foley
What's left behind the scenes
- Initially, Krzysztof Kieślowski wanted to cast American actress Andie MacDowell as Veronique and Italian film director Nanni Moretti as Alexander Faber.
- The role of Veronique was also offered to actress Juliette Binoche, who later landed the lead role in Krzysztof Kieślowski's “Three Colors: Blue,” as well as a cameo in “Three Colors: White” and “Three Colors: Red.”
- Kieślowski offered the role of Veronique to Russian actress Natalia Negoda, but she did not know French.
- Financial difficulties prevented Kieślowski from realizing a postmodern trick in this film with multiple endings that would vary from cinema to cinema, highlighting the infinite branching of the tree of fate. In one cinema, the film was planned to end with the scene that ultimately became the penultimate one: the puppeteer tells Veronique the story of two mysteriously connected lives, in one of which she recognizes her own. In another scenario, Veronique would return to Krakow, accidentally catching the eye of a young singer who resembles both her and the Polish Veronique, thereby expanding the theme of doubling to a 'tripling' and hinting at its potential depth.
- The role of Veronique was also offered to actress Juliette Binoche, who later landed the lead role in Krzysztof Kieślowski's "Three Colors: Blue," as well as a cameo in "Three Colors: White" and "Three Colors: Red."
- Financial difficulties prevented Kieślowski from realizing a postmodern trick in this film with multiple endings that would vary from cinema to cinema, emphasizing the infinite branching of the tree of fate. In one cinema, the film was planned to end with the scene that ultimately became penultimate: the puppeteer tells Veronique a story about two mysteriously connected lives, in one of which she recognizes her own. Alternatively, Veronique would be sent back to Krakow, accidentally catching the eye of a young singer who resembles both her and the Polish Veronique, thereby expanding the theme of doubling to a 'tripling' and hinting at its potential depth.
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