The Double Life of Véronique - posters, covers, wallpapers
Lots of posters, covers and wallpapers for the movie "The Double Life of Véronique"
La Double Vie de Véronique (1991)
Timing:
1:38 (98 min)
7.5/10
743
743
7.594/10
9734
9734
7.6/10
57000
57000
Posters, covers
3K 1650p
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HD Ready 859p
HD Ready 1068p
2K 1600p
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4K UHD 2255p
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Full HD 1188p
3K 1800p
HD Ready 750p
HD Ready 750p
2K 1500p
4K UHD 2255p
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3K 1792p
3K 1792p
HD Ready 750pBackdrops, wallpaper
HD Ready 900p
Full HD 1080p
HD Ready 900p
HD Ready 720p
HD Ready 900pWhat's left behind the scenes
- Initially, Krzysztof Kieślowski wanted to cast American actress Andie MacDowell as Veronique and Italian film director Nanni Moretti as Alexander Faber.
- The role of Veronique was also offered to actress Juliette Binoche, who later landed the lead role in Krzysztof Kieślowski's “Three Colors: Blue,” as well as a cameo in “Three Colors: White” and “Three Colors: Red.”
- Kieślowski offered the role of Veronique to Russian actress Natalia Negoda, but she did not know French.
- Financial difficulties prevented Kieślowski from realizing a postmodern trick in this film with multiple endings that would vary from cinema to cinema, highlighting the infinite branching of the tree of fate. In one cinema, the film was planned to end with the scene that ultimately became the penultimate one: the puppeteer tells Veronique the story of two mysteriously connected lives, in one of which she recognizes her own. In another scenario, Veronique would return to Krakow, accidentally catching the eye of a young singer who resembles both her and the Polish Veronique, thereby expanding the theme of doubling to a 'tripling' and hinting at its potential depth.
- The role of Veronique was also offered to actress Juliette Binoche, who later landed the lead role in Krzysztof Kieślowski's "Three Colors: Blue," as well as a cameo in "Three Colors: White" and "Three Colors: Red."
- Financial difficulties prevented Kieślowski from realizing a postmodern trick in this film with multiple endings that would vary from cinema to cinema, emphasizing the infinite branching of the tree of fate. In one cinema, the film was planned to end with the scene that ultimately became penultimate: the puppeteer tells Veronique a story about two mysteriously connected lives, in one of which she recognizes her own. Alternatively, Veronique would be sent back to Krakow, accidentally catching the eye of a young singer who resembles both her and the Polish Veronique, thereby expanding the theme of doubling to a 'tripling' and hinting at its potential depth.
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