Love, Rosie - crew, film crew

The entire team, the film crew of the film "Love, Rosie"
Love, Rosie (2014)
Timing: 1:42 (102 min)
Love, Rosie - TMDB rating
7.81/10
6472
Love, Rosie - Kinopoisk rating
7.797/10
274255
Love, Rosie - IMDB rating
7.1/10
168000

Film crew

Director

Producer

Photo Robert Kulzer #2616
Robert Kulzer
Producer
Simon Brooks
Producer

Executive Producer

Photo Martin Moszkowicz #71315
Martin Moszkowicz
Executive Producer

Casting

Gail Stevens
Casting

Editor

Tony Cranstoun
Editor

Art Direction

Fabian Jonathan
Art Direction

Costume Design

Leonie Prendergast
Costume Design

Stunts

Robbie O'Brien
Stunts
Aran Condren
Stunts
Emma Condren
Stunts
Sean Condren
Stunts

Production Design

Matthew Davies

Matthew Davies
Production Design

Stunt Coordinator

Photo Jean Frenette #9818
Jean Frenette
Stunt Coordinator
Joe Condren
Stunt Coordinator

Set Decoration

Photo Judy Farr #328279

Judy Farr

Judy Farr
Set Decoration

Sound Re-Recording Mixer

Michael Hinreiner
Sound Re-Recording Mixer

Original Music Composer

Ralf Wengenmayr
Original Music Composer

Stunt Double

Eimear O'Grady
Stunt Double
Aoife Byrne
Stunt Double

Director of Photography

Christian Rein
Director of Photography

Camera Operator

Rudy Katkic
Camera Operator

Steadicam Operator

Markus Eckert
Steadicam Operator

Supervising Sound Editor

Heiko Müller
Supervising Sound Editor

Script Supervisor

Kathleen Weir
Script Supervisor

Still Photographer

Jan Thijs
Still Photographer
Jonathan Hession
Still Photographer

Visual Effects Producer

Nina Knott
Visual Effects Producer

Screenplay

Juliette Towhidi
Screenplay

Novel

Cecilia Ahern
Novel
Cecelia Ahern
Novel

First Assistant Editor

Fiona Starogardzki
First Assistant Editor

Sound Designer

Mario Hubert
Sound Designer

Music Supervisor

Pia Hoffmann
Music Supervisor

Production Sound Mixer

Barry O'Sullivan
Production Sound Mixer

Second Assistant "B" Camera

Jay Jay Callan
Second Assistant "B" Camera

What's left behind the scenes

  • In the film, unlike the novel, the events described take place over 12 years, not 45.
  • The scene in which Rosie and Alex lie on Rosie's bed with baby Katie was not originally in the script. The girl simply fell asleep during filming, and Lily Collins and Sam Claflin lay nearby on the bed waiting for her to wake up, but director Christian Ditter liked how it looked and ordered filming to begin.
  • Director Christian Ditter allowed Lily Collins and Sam Claflin to improvise in the scene where they walk home along the streets of Boston. The actors later admitted that they both considered this scene their favorite.
  • According to Sam Claflin, he was prepared to play his role with an Irish accent, but he was not allowed, and the film's setting was moved to England.
  • One of the scriptwriters, Cecilia Ahern, made a brief cameo appearance in one of the minor roles, but the scene with her was cut from the film during editing. This was done at the direction of director Christian Ditter. He noticed during one of the previews how the audience whispered about whether Ahern was in the episode or not, and decided to re-edit the scene so that the audience would focus on Rosie's words, and nothing else.
  • The original novel is set in Ireland, but the film's action was moved to England due to the predominantly English cast.
  • Many of the cars shown in the film do not match the time period of the events depicted.
  • The source novel is set in Ireland, but the film's action was moved to England due to the predominantly English cast. Also, unlike the novel, the events in the film unfold over 12 years instead of 45.
  • The scene where Rosie and Alex lie in bed with baby Katie was not originally in the script. The girl simply fell asleep during filming, and Lily Collins and Sam Claflin lay nearby on the bed waiting for her to wake up, but director Christian Ditter liked how it looked and ordered filming to begin.
  • One of the scriptwriters, Cecilia Ahern, appeared in a minor role, but the scene with her was cut from the film during editing. This was done at the direction of Christian Ditter. He noticed during one of the preview screenings that the audience was whispering, debating whether Ahern was in the episode or not, and decided to remount the scene so that the audience would focus on Rosie's words.
Did you like the film?

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