The Cabin in the Woods

The Cabin in the Woods (2012)

Timing: 1:35 (95 min)

6.648/10
8457

6.705/10
177992

7/10
488000

All about film

Video 4

Photo 104

Actors and characters

Release date

2012-04-12

Country

Canada, United States

Production

Lionsgate, Mutant Enemy Productions

Genre

Horror, Mystery, Thriller, Comedy, Science Fiction

Budget

$30 000 000

Revenue

$71 038 838

Website

http://www.discoverthecabininthewoods.com/

Director

Drew Goddard

Actors

Kristen Connolly, Fran Kranz, Chris Hemsworth, Jesse Williams, Anna Hutchison, Richard Jenkins, Bradley Whitford, Amy Acker, Brian J. White, Sigourney Weaver
All actors and roles (10)

Scenario

Producer

Joss Whedon, Jason Clark

Operator

Peter Deming

Composer

David Julyan

Artist

Audition

Heike Brandstatter, Coreen Mayrs, Anya Colloff

Editing

Lisa Lassek
All team (210)

• To prevent plot secrets from leaking into the blogosphere, the script had to be heavily guarded: the filmmakers wrote fake scenes specifically for the main roles' auditions.
• Martin Whist and the filmmakers, while studying old photographs, developed an authentic design for a cabin from the Gold Rush era, or the period after the Civil War.
• The set design for the central control room was created in the spirit of 70s high-tech and NASA's mission control in Houston.
• Costume designer Shona Trpchik reflected the contrast between the rustic cabin and the sleek central control room through carefully selected colors for the clothing of the young characters and the adults.
• As Dana and Marty descend in the elevator and showcase various monsters in transparent cubes, one can spot a witch, a stout figure, and a tank from the computer game Left 4 Dead among them.
• Martin Whist and the filmmakers, while studying old photographs, developed an authentic design for the cabin dating back to the Gold Rush or the post-Civil War period.
• The set for the central control room was created in the style of 1970s high-tech and NASA's flight control center in Houston.
• Costume designer Shona Trpčić reflected the contrast between the forest house and the polished central headquarters through carefully selected clothing colors for the youth and adults.