The Killing - crew, film crew

The entire team, the film crew of the film "The Killing"
The Killing (1956)
Timing: 1:25 (85 min)
The Killing - TMDB rating
7.667/10
1453
The Killing - Kinopoisk rating
7.631/10
10751
The Killing - IMDB rating
7.9/10
105000

Film crew

Director

Producer

Photo James B. Harris #88198
James B. Harris
Producer

Writer

Editor

Betty Steinberg
Editor

Art Direction

Ruth Sobotka
Art Direction

Stunts

Don Turner
Stunts
Fred Gabourie
Stunts

Set Decoration

Harry Reif
Set Decoration

Makeup Artist

Robert Littlefield
Makeup Artist

Original Music Composer

Photo Gerald Fried #88199
Gerald Fried
Original Music Composer

Production Supervisor

Clarence Eurist
Production Supervisor

Associate Producer

Second Assistant Director

Howard Joslin
Second Assistant Director
Paul Feiner
Second Assistant Director

Director of Photography

Photo Lucien Ballard #88200

Lucien Ballard

Lucien Ballard
Director of Photography

Camera Operator

Richard Towers
Camera Operator

Sound Effects Editor

Rex Lipton
Sound Effects Editor

Property Master

Ray Zambel
Property Master

Script Supervisor

Mary Gibsone
Script Supervisor

Screenplay

Novel

Lionel White
Novel

Best Boy Grip

Lou Cortese
Best Boy Grip

Transportation Coordinator

Dave Lesser
Transportation Coordinator

Key Grip

Carl Gibson
Key Grip

Assistant Set Decoration

Karl Brainard
Assistant Set Decoration

Special Effects

Dave Koehler
Special Effects

Gaffer

Bobby Jones
Gaffer

Assistant Director

Milton Carter
Assistant Director

Music Editor

Gilbert D. Marchant
Music Editor

Conductor

Photo Gerald Fried #88199
Gerald Fried
Conductor

Production Assistant

Marguerite Olson
Production Assistant
Joyce Hartman
Production Assistant

Sound

Earl Snyder
Sound

Visual Effects

Jack Rabin
Visual Effects
Louis DeWitt
Visual Effects

Second Assistant Camera

Robert Hosler
Second Assistant Camera

Hairdresser

Lillian Shore
Hairdresser

Construction Manager

Bud Pine
Construction Manager

Wardrobe Master

Rudy Harrington
Wardrobe Master
Jack Masters
Wardrobe Master

Head Carpenter

Christopher Ebsen
Head Carpenter

Visual Effects Camera

Paul Eagler
Visual Effects Camera

Paint Coordinator

Robert L. Stephen
Paint Coordinator

What's left behind the scenes

  • The film is based on Lionel White's novel "The Big Score".
  • The appearance of the character Sterling Hayden (Johnny Clay), going on a job in a hat and with a briefcase in his hands, was successfully parodied by E. Rязаnov in the comedy "Beware of the Car" (1966).
  • The Killing is a slang term meaning "big score".
  • The film shows 8 corpses.
  • The results of the initial preview screenings were disappointing due to the non-linear nature of the narrative. Stanley Kubrick was forced to sit in the editing room and re-edit the film so that the script unfolded linearly, but this only further confused the entire plotline. In the end, the film was released in its original form (i.e., with a non-linearly developing plot), and it subsequently had a huge influence on other films with a similar plot structure – such as Quentin Tarantino’s thriller *Reservoir Dogs* (1991) or his drama *Pulp Fiction* (1994).
  • The text by the author was added to the film at the insistence of the studio management. Stanley Kubrick disowned this idea as much as he could, but was forced to comply. A significant portion of the information provided to viewers by the narrator turned out to be incorrect or erroneous.
  • This was Kubrick’s first film for which he hired a cinematographer. Lucien Ballard was invited to the project because Kubrick was working under union rules for the first time, and therefore was not allowed to be both director and cinematographer, as he had been in his previous films. Kubrick and Ballard constantly argued, and their relationship deteriorated over time to the point where Ballard even stopped coming in the evenings to watch the footage shot during the day.
  • Sterling Hayden's character approaches Morris (played by Kola Kwariani) with a proposition at a chess club on 42nd Street in New York. Director and screenwriter Stanley Kubrick was a regular there (as was Morris).
  • The script originally called for Sterling Hayden's character to be chopped up by an airplane propeller when he went to collect money, but this plot point was changed to show him simply being shot by police. This occurred because American Airlines claimed the episode implied insufficient safety precautions and that viewers would interpret Hayden’s character’s death in that way.
  • It is known that Stanley Kubrick was a very demanding director and always shot many takes. The horse race scene, for example, was filmed 45 times in a row, so the horse used in the filming was sent to slaughter directly from the set. It was the 1950s, so no one paid much attention to this (referring to various public organizations advocating for animal rights).
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