The Revenant - crew, film crew
The entire team, the film crew of the film "The Revenant"
The Revenant (2015)
Timing:
2:37 (157 min)
7.54/10
19186
19186
7.874/10
513040
513040
8/10
944000
944000
Film crew
Director
Producer
James W. Skotchdopole
Producer
Keith Redmon
Producer
Executive Producer
Philip Lee
Executive Producer
Jake Myers
Executive Producer
David Kanter
Executive Producer
Markus Barmettler
Executive Producer
Jennifer Davisson
Executive Producer
James Packer
Executive Producer
Casting
Editor
Special Effects Supervisor
Cameron Waldbauer
Special Effects Supervisor
Art Direction
Laurel Bergman
Art Direction
Supervising Art Director
Isabelle Guay
Supervising Art Director
Michael Diner
Supervising Art Director
Costume Design
Stunts
Rick Pearce
Stunts
Loyd Bateman
Stunts
Ed Anders
Stunts
Production Design
Stunt Coordinator
Scott J. Ateah
Stunt Coordinator
Brian Machleit
Stunt Coordinator
Mark Vanselow
Stunt Coordinator
Set Decoration
Hamish Purdy
Set Decoration
Makeup Artist
Sian Grigg
Makeup Artist
Audrey Doyle
Makeup Artist
Duncan Jarman
Makeup Artist
Key Makeup Artist
Vicki Syskakis
Key Makeup Artist
Sharon Toohey
Key Makeup Artist
Sound Re-Recording Mixer
Frank A. Montaño
Sound Re-Recording Mixer
Jon Taylor
Sound Re-Recording Mixer
Original Music Composer
Alva Noto
Original Music Composer
Unit Production Manager
James W. Skotchdopole
Unit Production Manager
Douglas Jones
Unit Production Manager
Drew Locke
Unit Production Manager
Co-Producer
Douglas Jones
Co-Producer
Scott Robertson
Co-Producer
Alex G. Scott
Co-Producer
Second Assistant Director
Jeremy Marks
Second Assistant Director
Megan Shank
Second Assistant Director
Stunt Double
Jodi Stecyk
Stunt Double
Alex Kyshkovych
Stunt Double
Utility Stunts
Kurt D. Lott
Utility Stunts
Eliza Coleman
Utility Stunts
Director of Photography
Camera Operator
P. Scott Sakamoto
Camera Operator
Costume Supervisor
Jana MacDonald
Costume Supervisor
Makeup Department Head
Graham Johnston
Makeup Department Head
Sound Effects Editor
Dino DiMuro
Sound Effects Editor
D. Chris Smith
Sound Effects Editor
Bill R. Dean
Sound Effects Editor
Mark Larry
Sound Effects Editor
Hector C. Gika
Sound Effects Editor
Stephen P. Robinson
Sound Effects Editor
Adam Kopald
Sound Effects Editor
Dave McMoyler
Sound Effects Editor
Assistant Art Director
Chris Beach
Assistant Art Director
Property Master
Mick Flowers
Property Master
Dean Eilertson
Property Master
Ken Wills
Property Master
Visual Effects Supervisor
Asregadoo Arundi
Visual Effects Supervisor
Richard McBride
Visual Effects Supervisor
Jason Smith
Visual Effects Supervisor
Peter Nofz
Visual Effects Supervisor
Nicolas Chevallier
Visual Effects Supervisor
Supervising Sound Editor
Lon Bender
Supervising Sound Editor
Martín Hernández
Supervising Sound Editor
Script Supervisor
Jessica Clothier
Script Supervisor
Hair Department Head
Robert A. Pandini
Hair Department Head
Set Costumer
Nicola Ryall
Set Costumer
Pamela Cameron
Set Costumer
Hairstylist
Kathryn Blondell
Hairstylist
Special Effects Coordinator
Stewart Bradley
Special Effects Coordinator
Still Photographer
Kimberly French
Still Photographer
Eros Hoagland
Still Photographer
Animation Supervisor
Matt Shumway
Animation Supervisor
Visual Effects Producer
Eric A. Kohler
Visual Effects Producer
Jennifer Silver
Visual Effects Producer
Allan Magled
Visual Effects Producer
Ryan Wiederkehr
Visual Effects Producer
Ivy Agregan
Visual Effects Producer
Marie Rheinschild-Jordan
Visual Effects Producer
Armorer
Jeremy Muir
Armorer
First Assistant Director
Scott Robertson
First Assistant Director
Adam Somner
First Assistant Director
Assistant Costume Designer
Monique McRae
Assistant Costume Designer
Boom Operator
Charles O'Shea
Boom Operator
Screenplay
Novel
Michael Punke
Novel
First Assistant Editor
Richard B. Molina
First Assistant Editor
Set Decoration Buyer
Amy A. Brewster
Set Decoration Buyer
Foley Artist
Vincent Guisetti
Foley Artist
Catherine Harper
Foley Artist
Geordy Sincavage
Foley Artist
Rick Owens
Foley Artist
Andrea Gard
Foley Artist
Sound Designer
Jon Title
Sound Designer
Art Department Coordinator
Shannon Courte
Art Department Coordinator
Larissa Lowthorp
Art Department Coordinator
Dialogue Editor
Dror Mohar
Dialogue Editor
Christopher T. Welch
Dialogue Editor
John C. Stuver
Dialogue Editor
Larry Kemp
Dialogue Editor
Paul Hackner
Dialogue Editor
Shane Hayes
Dialogue Editor
Brian Chumney
Dialogue Editor
Assistant Editor
Patrick J. Smith
Assistant Editor
Jamal McLemore
Assistant Editor
Chelsea Dinsdale
Assistant Editor
Joshua A.C. Johnson
Assistant Editor
Best Boy Grip
Matt Almas
Best Boy Grip
Foley Editor
Nancy MacLeod
Foley Editor
Rigging Grip
Scott Andrew Armstrong
Rigging Grip
Scott Patten
Rigging Grip
Bryce Munro
Rigging Grip
Transportation Coordinator
Blue Angus
Transportation Coordinator
Key Grip
Ray Garcia
Key Grip
Location Manager
Mandi Dillin
Location Manager
Bruce L. Brownstein
Location Manager
Robin Mounsey
Location Manager
Jason Nolan
Location Manager
Grip
Todd Hlagi
Grip
Dave Kampman
Grip
Francis Padilla
Grip
Dolly Grip
Ryan Monro
Dolly Grip
Key Hair Stylist
Key Rigging Grip
Matt Floyd
Key Rigging Grip
Seamstress
Sandy Dunn
Seamstress
Wendy Foster
Seamstress
Tannis Hegan
Seamstress
Petra Wright
Seamstress
Construction Foreman
John Dale
Construction Foreman
Assistant Set Decoration
Scott Calderwood
Assistant Set Decoration
Music Supervisor
Lynn Fainchtein
Music Supervisor
Foley Mixer
Frank Rinella
Foley Mixer
Third Assistant Director
Silver Butler
Third Assistant Director
Special Effects Makeup Artist
Maiko 'Mo' Gomyo
Special Effects Makeup Artist
Jessica Shannon
Special Effects Makeup Artist
Brandi Boulet
Special Effects Makeup Artist
Casting Associate
Kathy Driscoll
Casting Associate
Melissa Kostenbauder
Casting Associate
Gaffer
Martin Keough
Gaffer
Prosthetic Makeup Artist
Duncan Jarman
Prosthetic Makeup Artist
Sian Grigg
Prosthetic Makeup Artist
Music Editor
Richard Henderson
Music Editor
Curt Sobel
Music Editor
Joseph S. DeBeasi
Music Editor
Steven A. Saltzman
Music Editor
Terry Wilson
Music Editor
Martín Hernández
Music Editor
Production Sound Mixer
Chris Duesterdiek
Production Sound Mixer
ADR Mixer
Michael Miller
ADR Mixer
Jeff Gomillion
ADR Mixer
Second Unit Director of Photography
Storyboard Artist
Brent Boates
Storyboard Artist
First Assistant Camera
John T. Connor
First Assistant Camera
Gregor Tavenner
First Assistant Camera
Alex Martinez
First Assistant Camera
Todd Schlopy
First Assistant Camera
Digital Compositor
David Crawford
Digital Compositor
Post Production Coordinator
Katie Calhoon
Post Production Coordinator
Additional Music
Post Production Supervisor
Valerie Flueger Veras
Post Production Supervisor
Researcher
Nick Bradford
Researcher
Digital Intermediate Colorist
Michael Hatzer
Digital Intermediate Colorist
Sound Assistant
Candice Todesco
Sound Assistant
Set Decorating Coordinator
Linda Ganderton
Set Decorating Coordinator
Unit Publicist
Lorraine Jamison
Unit Publicist
Production Coordinator
Jill Christensen
Production Coordinator
Kim Goddard-Rains
Production Coordinator
Tim Patterson
Production Coordinator
Visual Effects Coordinator
Tom Barber
Visual Effects Coordinator
CJ Cole
Visual Effects Coordinator
Sarah Moussaif
Visual Effects Coordinator
Kraig Tytus
Visual Effects Coordinator
Raphaelle Weisz
Visual Effects Coordinator
Daniel Charchuk
Visual Effects Coordinator
Tyler Johnson
Visual Effects Coordinator
Visual Effects Editor
Harry Yoon
Visual Effects Editor
Anik Seguin
Visual Effects Editor
Jim Milton
Visual Effects Editor
Michael Buck
Visual Effects Editor
Sam Paul Toms
Visual Effects Editor
CG Supervisor
James Rustad
CG Supervisor
François Schneider
CG Supervisor
Leandro Estebecorena
CG Supervisor
Local Casting
Michelle Allen
Local Casting
Alyson Lockwood
Local Casting
ADR Editor
G.W. Brown
ADR Editor
Glenn T. Morgan
ADR Editor
Julie Feiner
ADR Editor
Laura Graham
ADR Editor
Michele Perrone
ADR Editor
ADR Supervisor
Lisa J. Levine
ADR Supervisor
Rigging Gaffer
Peter Markowski
Rigging Gaffer
Best Boy Electric
Colin Allen
Best Boy Electric
Camera Loader
Sarah Mather
Camera Loader
Costume Coordinator
Carole Griffin
Costume Coordinator
Second Assistant Camera
Spiro Grant
Second Assistant Camera
Preston Cook
Second Assistant Camera
Ian R. C. Levine
Second Assistant Camera
Unit Manager
Bruce L. Brownstein
Unit Manager
Transportation Captain
Tyler Miller
Transportation Captain
Tim Fortin
Transportation Captain
Production Executive
Andy Fowler
Production Executive
Wigmaker
Stacey Butterworth
Wigmaker
Visual Effects Production Assistant
Chris Hanson
Visual Effects Production Assistant
Kelsey Davidson
Visual Effects Production Assistant
Set Supervisor
Carolyn Bentley
Set Supervisor
Visual Effects Assistant Editor
Alan Z. McCurdy
Visual Effects Assistant Editor
VFX Production Coordinator
Elizabeth Leslie
VFX Production Coordinator
Extras Casting Assistant
Andrea Brown
Extras Casting Assistant
Additional Casting
Kate Dowd
Additional Casting
Script Coordinator
Samantha Ellison
Script Coordinator
Additional Sound Re-Recording Mixer
Leff Lefferts
Additional Sound Re-Recording Mixer
Special Effects Key Makeup Artist
Adrien Morot
Special Effects Key Makeup Artist
Transportation Co-Captain
Todd W. Nobles
Transportation Co-Captain
Second Unit Cinematographer
Additional Post-Production Supervisor
Peter Mavromates
Additional Post-Production Supervisor
What's left behind the scenes
- The screenplay, adapted from Michael Punke's 2003 novel of the same name, was written by Iñárritu and Mark L. Smith, and is partly based on the life of frontiersman Hugh Glass.
- Tom Hardy claims he never reads screenplays. When preparing to film 'Splinter Cell,' based on the stealth-action video game series created by Tom Clancy, Leonardo DiCaprio persuaded him to read the screenplay for 'The Revenant.' Hardy read half the script and agreed to participate in the filming.
- The filmmakers allocated 9 months for filming, although the actual shooting took only 80 days. The unusual length of filming was due to weather conditions, the remoteness of the locations, and the desire of director Alejandro G. Iñárritu and cinematographer Emmanuel Lubezki to shoot only in natural light to achieve maximum realism. Only a few hours were spent filming each day, so each shooting day had to be planned in advance.
- Leonardo DiCaprio was offered the role in 'Steve Jobs' (2015), but he chose to play the lead role in 'The Revenant.'
- Filming in Canada fell behind schedule and the snow melted. The film crew had to move south to Argentina, where there was still snow at that time.
- Sean Penn was initially chosen for the role of John Fitzgerald, but he had to decline due to his commitment to another project. As a result, the role of Fitzgerald went to Tom Hardy.
- As in the film *Inception* (2010), *The Revenant* starred Leonardo DiCaprio, Tom Hardy, and Lukas Haas.
- *The Revenant* was the first narrative feature film shot on the new 6.5k ARRI 65 camera.
- In 1971, the film *Jeremiah Johnson* was released, its plotline of which somewhat resembles the story of Hugh Glass, although the characters were presented under different names. *Jeremiah Johnson* starred Richard Harris and John Huston.
- Work on the project was halted until 2010, when Mark L. Smith adapted Punke's book for Steve Golin's *Anonymous Content*. In May 2010, Mark L. Smith stated that John Hillcoat would direct the film and that negotiations were underway with Christian Bale for the lead role. Hillcoat left the project in October of the same year. Jean-François Richet was considered as a director, but a contract was eventually signed with Alejandro G. Iñárritu.
- The project for "The Revenant" was launched in August 2001, when producer Akiva Goldsman acquired the rights to adapt Michael Punke's yet-unpublished book, "The Revenant." The first draft of the future film's screenplay was written by David Rabe.
- Initially, Park Chan-wook was involved in the production and envisioned Samuel L. Jackson in the lead role. However, Park later left the project.
- The film "The Revenant" marked composer Ryuichi Sakamoto's return to Western cinema. Sakamoto wrote the soundtrack for Bernardo Bertolucci's "The Last Emperor" (1987), which won Academy, Golden Globe, and Grammy Awards. Sakamoto’s last project in Hollywood before "The Revenant" was Brian De Palma’s "Snake Eyes" (1998).
- Joshua Berger, who played Short-Tail Bill, had never appeared in a live-action film before 2010. It is believed that someone saw his audition with director Joel Potrykus. The actor was contacted and asked to provide an audition tape. Shortly thereafter, Joshua Berger flew to Canada to film "The Revenant."
- This is the third film in which Jacob Tomuri performed stunts for Tom Hardy. They had previously worked together on "Mad Max: Fury Road" (2015) and "Legend" (2015).
- This is Leonardo DiCaprio's first role in two years since the release of "The Wolf of Wall Street" (2013).
- "New Regency Pictures" was left without a partner and funding when they began to doubt the feasibility of their participation in the project. This led to a two-month delay in production. Progress was only made when "Annapurna Pictures" with Megan Ellison decided to act as a financial partner to "New Regency Pictures".
- The trailer for the film was released on July 17, 2015. It garnered over 7 million views in less than 36 hours.
- Paul Anderson and Tom Hardy reunited on the set of "The Revenant," having previously worked together on the British television series "Peaky Blinders" (2013).
- Vegetarian Leonardo DiCaprio became so immersed in the role that in the scene where his character Hugh Glass eats bison liver, he actually ate raw meat.
- The film is based on real events from 1823 and tells the story of Hugh Glass, who was mauled by a bear and abandoned by his companions to die, believing his end was inevitable.
- The role of Jim Bridger was played by Will Poulter. Brad Pitt's character, Lieutenant Aldo Raine in Quentin Tarantino's "Inglourious Basterds" (2009), referred to himself as a "direct descendant of the hunter Jim Bridger".
- According to Leonardo DiCaprio, the lead actor, this was the most challenging role of his career. The actor had to learn to shoot a musket, start a fire, speak two Native American languages (Pawnee and Arikara), and work with a doctor specializing in ancient healing practices.
- One of the two stunt performers portraying the grizzly bear was Glenn Ennis (6'3" tall).
- Production designer Jack Fisk wanted the fort to appear dilapidated and worn. Tree trunks felled with the approval of the Canadian Parks and Wildlife Service were used to build the structures comprising the set. When they arrived in Calgary, Fisk found the trunks too fresh, so he ordered them to be “aged” – repeatedly lifted into the air with a forklift and dropped to the ground – until they inevitably lost their “marketable appearance,” at which point the crew began constructing the sets from them.
- In one of the scenes of the bear attack episode, Leonardo DiCaprio was jerked around in different directions using ropes attached to his body.
- To film the avalanche scene in the Canadian province of Alberta, explosives were dropped onto the mountaintop by helicopter, and filming was done from a crane. All of this had to be shot in one take.
- Tom Hardy claims he never reads scripts. When preparing to film "Splinter Cell," based on the stealth-action video game series created by Tom Clancy, Leonardo DiCaprio convinced him to read the script for "The Revenant." Hardy read half the script and agreed to participate in the filming.
- Work on the project was halted until 2010, when Mark L. Smith adapted Pankey’s book for Steve Golin’s Anonymous Content. In May 2010, Mark L. Smith stated that John Hillcoat would direct the film and that negotiations were underway with Christian Bale for the lead role. Hillcoat left the project in October of the same year. Jean-François Richet was considered as a director, but a contract was ultimately signed with Alejandro González Iñárritu.
- Joshua Burdge, who played Shorty Bill, had never appeared in a feature film before 2010. It is believed that someone saw his audition tape with director Joel Potrykus. The actor was contacted and asked to provide a demo reel. Shortly thereafter, Joshua Burdge flew to Canada to film "The Revenant."
- New Regency Pictures was left without a partner and funding when they began to doubt the advisability of their participation in the project. As a result, the film’s production had to be postponed for 2 months. Progress was made only when Annapurna Pictures, led by Megan Ellison, decided to act as a financial partner to New Regency Pictures.
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