The Age of Adaline - crew, film crew
The entire team, the film crew of the film "The Age of Adaline"
The Age of Adaline (2015)
Timing:
1:52 (112 min)
7.47/10
7004
7004
7.911/10
573138
573138
7.2/10
226000
226000
Film crew
Director
Lee Toland Krieger
Director
Producer
Tom Rosenberg
Producer
Gary Lucchesi
Producer
Sidney Kimmel
Producer
Casting
Deborah Aquila
Casting
Heike Brandstatter
Casting
Coreen Mayrs
Casting
Lisa Zagoria
Casting
Editor
Melissa Kent
Editor
Art Direction
Martina Javorova
Art Direction
Costume Design
Stunts
Brennan Walstrom
Stunts
Kye Walstrom
Stunts
Production Design
Claude Paré
Production Design
Stunt Coordinator
Scott J. Ateah
Stunt Coordinator
Set Decoration
Shannon Gottlieb
Set Decoration
Stunt Driver
Makeup Artist
Original Music Composer
Director of Photography
David Lanzenberg
Director of Photography
Script Supervisor
Susan Lambie
Script Supervisor
Screenplay
Salvador Paskowitz
Screenplay
Rigging Grip
Michael Lemmers
Rigging Grip
Story
Salvador Paskowitz
Story
Stand In
Stephanie Johnston
Stand In
Senior Visual Effects Supervisor
Vincent Cirelli
Senior Visual Effects Supervisor
What's left behind the scenes
- Natalie Portman turned down the lead role in this film.
- Anthony Ingruber landed the role in the film due to his physical resemblance to a young Harrison Ford.
- In 2010, it was planned that Katherine Heigl would play the lead role in the film, and the role of Fleming would go to Angela Lansbury.
- When Ellis is on the phone, and Adaline takes his glass of whiskey, the camera pulls back to Ellis after Adaline leaves. At that moment, another glass appears on the table.
- William's car in the scene at his house is a mid-2000s Grand Cherokee Laredo Jeep. When he argues with Adaline, the car model is visible as older than in previous scenes. However, when Ellis goes after Adaline, the car is the same as the one at William's house. However, as soon as he leaves William’s house, it’s a newer model that looks completely different.
- To ensure authenticity for scenes set in the 1930s, 1940s, and 1950s, the filmmakers used anamorphic lenses and limited the use of the 'Steadycam' camera stabilization system.
- The story that San Francisco is built on the remains of ships has historical basis. In the mid-19th century, many people arrived here during the Gold Rush, and the ships they arrived on were simply left to rot in the bay. Some of the abandoned ships were used as warehouses, boarding houses, prisons, and even churches. The city grew, land became scarce, and according to the law, if a ship sank, one could claim a piece of the seabed directly beneath it. Sometime later, the shallow bay with shipwrecks protruding everywhere began to be filled in, removing hills from the continental part of the shore. Today, the business district of the city essentially stands on reclaimed land. Part of the city's subway line, for example, was laid directly through the hull of one of the ships. Approximately 500 shipwrecks have been discovered to date.
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