Top Hat - actors, characters and roles

All actors and their roles in the film "Top Hat"
Top Hat (1935)
Timing: 1:41 (101 min)
Top Hat - TMDB rating
7.292/10
279
Top Hat - Kinopoisk rating
7.335/10
2153
Top Hat - IMDB rating
7.7/10
22000

Actors and characters

Photo Fred Astaire #116191Photo Fred Astaire #116192Photo Fred Astaire #116193

Fred Astaire

Fred Astaire
Character Jerry Travers
Photo Ginger Rogers #242153Photo Ginger Rogers #242154Photo Ginger Rogers #242155Photo Ginger Rogers #242156

Ginger Rogers

Ginger Rogers
Character Dale Tremont
Photo Erik Rhodes #242161Photo Erik Rhodes #242162

Erik Rhodes

Erik Rhodes
Character Alberto Beddini
Photo Eric Blore #102317Photo Eric Blore #102318

Eric Blore

Eric Blore
Character Bates
Photo Helen Broderick #242163

Helen Broderick

Helen Broderick
Character Madge Hardwick
Photo Lucille Ball #107812Photo Lucille Ball #107813Photo Lucille Ball #107814Photo Lucille Ball #107815

Lucille Ball

Lucille Ball
Character Flower Shop Clerk (uncredited)
Photo Gino Corrado #2417

Gino Corrado

Gino Corrado
Character Venice Hotel Manager (uncredited)
Photo Leonard Mudie #85811

Leonard Mudie

Leonard Mudie
Character Florist (uncredited)
Photo Dennis OPhoto Dennis OPhoto Dennis O

Dennis O'Keefe

Dennis O'Keefe
Character Elevator Passenger / Hotel Guest / Dancer (uncredited)

Nick Thompson

Nick Thompson
Character Italian Police Officer (uncredited)
Photo Tom Ricketts #110019

Tom Ricketts

Tom Ricketts
Character Nervous Thackeray Club Waiter (uncredited)
Robert Adair
Character London Hotel Clerk (uncredited)
William A. Boardway
Character Club Member (uncredited)
Tex Brodus
Character Hotel Guest (uncredited)
Phyllis Coghlan
Character Dancer (uncredited)
Lorinne Crawford
Character Dancer (uncredited)
Oliver Cross
Character Hotel Guest (uncredited)
Photo Jay Eaton #110206
Jay Eaton
Character Guest Leaving Elevator (uncredited)
Jack Ellison
Character Dancer (uncredited)
George Ford
Character Club Patron (uncredited)
Jack Geiger
Character Dancer (uncredited)
Photo Charlie Hall #90379

Charlie Hall

Charlie Hall
Character (uncredited)
Peter Hobbes
Character Theatre Callboy (uncredited)
Photo Frank Mills #91915
Frank Mills
Character Lido Waiter (uncredited)
George Nardelli
Character Club Patron (uncredited)
Photo Edgar Norton #242164

Edgar Norton

Edgar Norton
Character London Hotel Manager (uncredited)
Paul Power
Character Club Patron (uncredited)
Rita Rozelle
Character Dancer (uncredited)
Photo Scott Seaton #52599Photo Scott Seaton #52600
Scott Seaton
Character Hotel Guest (uncredited)
Genaro Spagnoli
Character Fisherman (uncredited)
Mary Stewart
Character Dancer (uncredited)
Photo Anya Taranda #242165
Anya Taranda
Character Dancer (uncredited)

What's left behind the scenes

  • To perform the number in which Fred Astaire (1899-1987) supposedly attacks the other dancers using a cane as a weapon, the props department prepared 13 canes. During filming, Astaire, who always strived for perfection in everything, constantly broke canes out of frustration with his own mistakes, to the point where the film crew began to fear they hadn't prepared enough. Fortunately, the scene was filmed to Astaire's complete satisfaction on the very last cane.
  • The way Eric Rhodes depicted the Italian Alberto Beddini so offended the Italian government – specifically dictator Benito Mussolini (1883-1945) – that the film was banned in Italy. The same fate befell the comedic melodrama "The Gay Divorcee" (Marco Sandrich, 1900-1945) in 1934.
  • To perform one of the dances, Ginger Rogers (1911-1995) planned to wear a luxurious blue dress with ostrich feathers. Mark Sandrich and Fred Astaire immediately understood that the dress would not work. She was offered other options (including a dress from the previous year's film “The Gay Divorcee”), but the actress flared up and left the set, returning only when the director approved the dress with ostrich feathers. There was no time for rehearsals, and Rogers put on the dress for the first time right before filming. As Sandrich and Astaire had predicted, the feathers immediately began to fall off. Later, as a sign of reconciliation, Astaire gave Rogers a gold pendant in the shape of a bird's feather. The episode with the falling feathers was later recreated in Charles Walters’ “Easter Parade” (1948), where Astaire danced with an awkward partner played by Judy Garland (1922-1969).
  • Before becoming a director, Mark Sandrich studied engineering. Before filming, he would draw a diagram of each scene and always knew exactly where to place the cameras and actors.
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