Top Hat - crew, film crew

The entire team, the film crew of the film "Top Hat"
Top Hat (1935)
Timing: 1:41 (101 min)
Top Hat - TMDB rating
7.292/10
279
Top Hat - Kinopoisk rating
7.335/10
2153
Top Hat - IMDB rating
7.7/10
22000

Film crew

Director

Producer

Editor

Art Direction

Costume Design

Makeup Artist

Photo Mel Berns #90389

Mel Berns

Mel Berns
Makeup Artist
Robert J. Schiffer
Makeup Artist

Sound Re-Recording Mixer

Clem Portman

Clem Portman
Sound Re-Recording Mixer

Set Dresser

Director of Photography

David Abel

David Abel
Director of Photography

Sound Effects Editor

Photo Robert Wise #2485Photo Robert Wise #2486Photo Robert Wise #2487Photo Robert Wise #2488

Robert Wise

Robert Wise
Sound Effects Editor

Assistant Art Director

Carroll Clark

Carroll Clark
Assistant Art Director

Boom Operator

Richard Van Hessen
Boom Operator

Screenplay

Special Effects

Story

Songs

Music

Sound Recordist

Eddie Harman
Sound Recordist
Hugh McDowell Jr.
Sound Recordist
Philip Faulkner Jr.
Sound Recordist

Choreographer

Photo Hermes Pan #74394

Hermes Pan

Hermes Pan
Choreographer

Sound Editor

George Marsh
Sound Editor

Music Director

Photo Max Steiner #73797

Max Steiner

Max Steiner
Music Director

Lyricist

What's left behind the scenes

  • To perform the number in which Fred Astaire (1899-1987) supposedly attacks the other dancers using a cane as a weapon, the props department prepared 13 canes. During filming, Astaire, who always strived for perfection in everything, constantly broke canes out of frustration with his own mistakes, to the point where the film crew began to fear they hadn't prepared enough. Fortunately, the scene was filmed to Astaire's complete satisfaction on the very last cane.
  • The way Eric Rhodes depicted the Italian Alberto Beddini so offended the Italian government – specifically dictator Benito Mussolini (1883-1945) – that the film was banned in Italy. The same fate befell the comedic melodrama "The Gay Divorcee" (Marco Sandrich, 1900-1945) in 1934.
  • To perform one of the dances, Ginger Rogers (1911-1995) planned to wear a luxurious blue dress with ostrich feathers. Mark Sandrich and Fred Astaire immediately understood that the dress would not work. She was offered other options (including a dress from the previous year's film “The Gay Divorcee”), but the actress flared up and left the set, returning only when the director approved the dress with ostrich feathers. There was no time for rehearsals, and Rogers put on the dress for the first time right before filming. As Sandrich and Astaire had predicted, the feathers immediately began to fall off. Later, as a sign of reconciliation, Astaire gave Rogers a gold pendant in the shape of a bird's feather. The episode with the falling feathers was later recreated in Charles Walters’ “Easter Parade” (1948), where Astaire danced with an awkward partner played by Judy Garland (1922-1969).
  • Before becoming a director, Mark Sandrich studied engineering. Before filming, he would draw a diagram of each scene and always knew exactly where to place the cameras and actors.
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