Resident Evil: Afterlife - crew, film crew

The entire team, the film crew of the film "Resident Evil: Afterlife"
Resident Evil: Afterlife (2010)
Timing: 1:37 (97 min)
Resident Evil: Afterlife - TMDB rating
6.056/10
4104
Resident Evil: Afterlife - Kinopoisk rating
6.064/10
118647
Resident Evil: Afterlife - IMDB rating
5.8/10
187000

Film crew

Director

Producer

Photo Jeremy Bolt #2615
Jeremy Bolt
Producer
Photo Robert Kulzer #2616
Robert Kulzer
Producer
Photo Samuel Hadida #24055
Samuel Hadida
Producer
Photo Don Carmody #71749
Don Carmody
Producer

Executive Producer

Photo Martin Moszkowicz #71315
Martin Moszkowicz
Executive Producer
Photo Victor Hadida #3346
Victor Hadida
Executive Producer

Writer

Casting

Robin D. Cook
Casting

Editor

Niven Howie
Editor

Art Direction

Brandt Gordon
Art Direction

Costume Design

Denise Cronenberg
Costume Design
Azalia Snail
Costume Design

Stunts

Taryn Ash
Stunts
Photo Angelica Lisk-Hann #9826
Angelica Lisk-Hann
Stunts
Photo Joanne Leach #26711
Joanne Leach
Stunts
Liise Keeling
Stunts
Mary Ann Stevens
Stunts
Karen Leach
Stunts
Vanessa King
Stunts
Photo Danny Lima #67575
Danny Lima
Stunts
Kenji Sato
Stunts

Production Design

Stunt Coordinator

Rick Forsayeth
Stunt Coordinator

Set Decoration

Photo Carolyn A. Loucks #15430
Carolyn A. Loucks
Set Decoration

Makeup Artist

Christina Smith
Makeup Artist
Sandra Wheatle
Makeup Artist

Key Makeup Artist

Jo-Ann MacNeil
Key Makeup Artist

Sound Re-Recording Mixer

Andrew Stirk
Sound Re-Recording Mixer
Andrew Tay
Sound Re-Recording Mixer
Mark Zsifkovits
Sound Re-Recording Mixer

Original Music Composer

Tom Hajdu
Original Music Composer
Andy Milburn
Original Music Composer

tomandandy

tomandandy
Original Music Composer

Director of Photography

Glen MacPherson
Director of Photography

Pilot

Dave Tommasini
Pilot

Camera Operator

Perry Hoffman
Camera Operator
Michael Carella
Camera Operator
Roger Finlay
Camera Operator
Keith Murphy
Camera Operator

Makeup Department Head

Leslie A. Sebert
Makeup Department Head

Sound Effects Editor

Alex Bullick
Sound Effects Editor

Visual Effects Supervisor

Dennis Berardi
Visual Effects Supervisor
Photo Wojciech Zielinski #77786
Wojciech Zielinski
Visual Effects Supervisor
Photo Ian Hunter #8642

Ian Hunter

Ian Hunter
Visual Effects Supervisor
Tom Turnbull
Visual Effects Supervisor

Supervising Sound Editor

Stephen Barden
Supervising Sound Editor

Script Supervisor

Dug Rotstein
Script Supervisor
Nadia Guglieri
Script Supervisor

Hair Department Head

Vincent Sullivan
Hair Department Head

Aerial Director of Photography

Vern Nobles
Aerial Director of Photography

Hairstylist

Cliona Furey
Hairstylist

Still Photographer

Rafy
Still Photographer

Digital Effects Supervisor

Sébastien Moreau
Digital Effects Supervisor

Visual Effects Producer

Eric J. Robertson
Visual Effects Producer
Tavia Charlton
Visual Effects Producer

Armorer

Charles Taylor
Armorer

Assistant Costume Designer

Arthur Rowsell
Assistant Costume Designer
Renee Fontana
Assistant Costume Designer

Animation

Peter Dydo
Animation
Mehta Apul
Animation
Hanung Lee
Animation
Frankie Stellato
Animation
Gavin Soares
Animation
Emrah Gonulkirmaz
Animation

Production Manager

Ronald Gilbert
Production Manager

Boom Operator

Alan Zielonko
Boom Operator
Sean Paul Armstrong
Boom Operator

Set Designer

Vladislav Fedorov
Set Designer
Tucker Doherty
Set Designer
Sorin Popescu
Set Designer

First Assistant Editor

Ben Howdeshell
First Assistant Editor
Dawn M. Stoliar
First Assistant Editor

Foley Artist

Steve Baine
Foley Artist

Sound Designer

Coll Anderson
Sound Designer

Location Scout

James Blacker
Location Scout
Tracey Savein
Location Scout

Art Department Coordinator

Collingwood Brown
Art Department Coordinator

Dialogue Editor

Jill Purdy
Dialogue Editor

Assistant Editor

Lara Johnston
Assistant Editor

First Assistant Sound Editor

Rose Gregoris
First Assistant Sound Editor

Best Boy Grip

Jim Holmes
Best Boy Grip

Rigging Grip

Jim Krauter
Rigging Grip

Transportation Coordinator

Dana Howes
Transportation Coordinator

Compositing Supervisor

Robert Greb
Compositing Supervisor

Key Grip

Robert Johnson
Key Grip
Michael E. Matteson
Key Grip

Location Manager

Jonathan Matthews
Location Manager

Dolly Grip

Ron Renzetti
Dolly Grip
Patrick King
Dolly Grip

Key Hair Stylist

Carol Hartwick
Key Hair Stylist

Visual Effects Production Manager

Mike Borrett
Visual Effects Production Manager
Eric Robinson
Visual Effects Production Manager

Compositor

Chris Ryan
Compositor
Ovidiu Cinazan
Compositor
Kaitlyn Lovatt
Compositor
Prasenjit Mukherjee
Compositor
Kamal Kumar Tiwari
Compositor
Mrityunjay Singh
Compositor

Gaffer

Gary Deneault
Gaffer
Michael Galbraith
Gaffer

Prosthetic Makeup Artist

Jason Detheridge
Prosthetic Makeup Artist
Shane Zander
Prosthetic Makeup Artist
Iantha Goldberg
Prosthetic Makeup Artist
Graham Chivers
Prosthetic Makeup Artist
Chris Devitt
Prosthetic Makeup Artist
Kyle Glencross
Prosthetic Makeup Artist

Music

Music Editor

Kevin Banks
Music Editor

ADR Mixer

Travis MacKay
ADR Mixer

ADR Recordist

Wade Barnett
ADR Recordist
Adam Horley
ADR Recordist
Andy Schlegel
ADR Recordist

Second Unit Director of Photography

Photo David Franco #77513
David Franco
Second Unit Director of Photography
Igor Meglic
Second Unit Director of Photography

Camera Trainee

Julia Seidman
Camera Trainee
Carly Brenner
Camera Trainee
Jeff Hicks
Camera Trainee
Dan Grease White
Camera Trainee

First Assistant Camera

Mark Cyre
First Assistant Camera
Colin Akoon
First Assistant Camera

John Colavecchia

John Colavecchia
First Assistant Camera
Marcel Janisse
First Assistant Camera
Brian White
First Assistant Camera

Concept Artist

Mahapatro Kalpana
Concept Artist
Mark Fordham
Concept Artist

Post Production Supervisor

Gregor Hutchison
Post Production Supervisor

Digital Intermediate Colorist

Chris Wallace
Digital Intermediate Colorist

Assistant Hairstylist

Sondra Treilhard
Assistant Hairstylist

Assistant Makeup Artist

Burton J. LeBlanc
Assistant Makeup Artist

Production Coordinator

Brian Kobo
Production Coordinator
Photo Melissa Girotti #80921
Melissa Girotti
Production Coordinator

Sound

John J. Thomson
Sound

Visual Effects Coordinator

Julien Tremblay
Visual Effects Coordinator
Sarah Barber
Visual Effects Coordinator
Becca Donohoe
Visual Effects Coordinator
Benjamin Mossman
Visual Effects Coordinator
Josiane O'Rourke
Visual Effects Coordinator
Leann Harvey
Visual Effects Coordinator

Visual Effects Editor

Mike Barber
Visual Effects Editor
Florian Vera
Visual Effects Editor

CG Supervisor

Craig Calvert
CG Supervisor
Dominic Remane
CG Supervisor
Louis Katz
CG Supervisor

CG Artist

Gabriel Tremblay-Beauvais
CG Artist
Daniel Rhein
CG Artist

Rigging Gaffer

Tom Starnes
Rigging Gaffer

Sound Recordist

Thomas Hayek
Sound Recordist

Second Assistant Camera

Benjamin Smith

Benjamin Smith
Second Assistant Camera
Michael Carr
Second Assistant Camera
Brian Cassar
Second Assistant Camera
Amanda Wojtaszek
Second Assistant Camera

Visual Effects Art Director

Mathieu Raynault
Visual Effects Art Director

Lighting Artist

Engin Arslan
Lighting Artist
Allan Henderson
Lighting Artist
Brian Dignadice
Lighting Artist

Matte Painter

Tracey McLean
Matte Painter
Milan Schere
Matte Painter
Robin Tremblay
Matte Painter
Ken McCuen
Matte Painter
Éric Hamel
Matte Painter
Mathew Borrett
Matte Painter
Ravindra Tamhankar
Matte Painter
Peter Toufidis
Matte Painter
Stéphan Brisson
Matte Painter
Marilyne Fleury
Matte Painter
Ludovic Iochem
Matte Painter
Moika Sabourin
Matte Painter
Frederic St-Arnaud
Matte Painter
Joell Xin Zhow
Matte Painter

Foley Recordist

Peter Persaud
Foley Recordist

Digital Intermediate Producer

Peter Armstrong
Digital Intermediate Producer

Visual Effects Production Assistant

Justin Smith
Visual Effects Production Assistant
Geneviève Morin
Visual Effects Production Assistant
Gabriel Roy
Visual Effects Production Assistant
Lee Ann Simard
Visual Effects Production Assistant
Justin Smith
Visual Effects Production Assistant

Dolby Consultant

Steve F.B. Smith
Dolby Consultant

Color Timer

Harry Muller
Color Timer

Digital Intermediate

Lee Hughes
Digital Intermediate

Senior Animator

Kevin Labanowich
Senior Animator

Digital Intermediate Editor

Motassem Younes
Digital Intermediate Editor

Makeup Effects

Richard Redlefsen
Makeup Effects
Rocky Faulkner
Makeup Effects
Jo-Ann MacNeil
Makeup Effects
Patrick Baxter
Makeup Effects
Neil Morrill
Makeup Effects
Kelly Kavanagh
Makeup Effects
Kelly O'Leary
Makeup Effects

Makeup Effects Designer

Paul Jones
Makeup Effects Designer

Underwater Camera

Brent Robinson
Underwater Camera

What's left behind the scenes

  • In the scene where Alice, Claire, and Chris fight Wesker, the latter attempts to "eat" Alice using spider-like claws-tentacles from his mouth. This is a reference to the game Resident Evil 5, where African villagers infected with parasites also "emit" parasitic tentacles from their mouths. However, unlike the film, in the games of the series, Wesker was a carrier of the virus, but not a parasite.
  • When Alice fights the guards in the bunker at the beginning of the film while escaping, it is noticeable that she is wearing heeled boots. When she pushes off the shoulder of one of the guards and spins in mid-air, it is visible that she is already wearing different boots, with flat soles. When she kills everyone and is shown from afar, she is wearing heeled boots again.
  • When Alice is in the shower, in a close-up, water is running from the shower. When switching to a distant plan, the sound of water is present, but there is no water, then in a close-up, water is visible again.
  • During filming, Milla Jovovich accidentally "shot" a camera worth $100,000.
  • Filming was scheduled in the pavilions of one of the largest film studios in Toronto, but a fire broke out there the day before filming began.
  • Boris Kodjoe actively trained for six weeks to get in shape and perform his stunts himself. While performing one of the stunts on camera, he suffered a leg injury.
  • Due to filming this movie, Ali Larter missed filming seven episodes of the television series "Heroes" (2006-2010).
  • During filming, the ship used for scenes in Arcadia was filmed docked in Toronto, and the pier was later removed from the shot using digital technology.
  • After seeing James Cameron's 'Avatar' (2009), Paul W.S. Anderson also became keen to film in 3D, after which he and the film crew spent two weeks learning how to properly use 3D equipment.
  • The size and weight of the 3D cameras did not allow for the use of the 'Steadicam' camera stabilization system, and the operators filmed while moving on Segways.
  • When the elevator doors open at the 8-minute mark of the film, the cabin is well lit. When the camera moves inside the elevator, there is no lighting.
  • At the 10-minute mark of the film, Alice sweeps away all the soldiers along with the concrete floor using her superpowers. When she moves a little further, the Umbrella Corporation logo can be seen on the floor, which was not only undamaged but wasn't even covered in dust.
  • At the 11th minute of the film, Alice destroys a security camera with a shot, however, the barrel of her weapon was noticeably aimed to the left of the camera.
  • At the 11th minute of the film, Wesker kills one of his subordinates with a gunshot, and he falls to the floor. In one of the following shots, it can be noticed that the body lying on the floor is in a different location, and the bloodstain has changed its shape.
  • At the 12th minute of the film, Alice's clones kill three soldiers, and their bodies remain lying in front of the rest of the squad. When the clones throw grenades towards the soldiers, the corpses of the killed soldiers are already behind the squad.
  • At the 13th minute of the film, Wesker kills an Alice clone with pistol shots, and she drops her weapon before falling to the floor. When Wesker approaches Alice's body in the next scene, she unexpectedly has two grenades in her hands. It is unclear how Alice could have obtained the grenades, as she had no grenades in her hands or pouches.
  • At the 21st minute of the film, Alice walks between two helicopters surrounded by trees and located close to each other.
  • During filming, Milla Jovovich accidentally "shot" a $100,000 camera.
  • In the scene where Alice, Claire, and Chris fight Wesker, the latter attempts to "consume" Alice using spider-like claw-tentacles from his mouth. This is a reference to the game Resident Evil 5, where African villagers infected with parasites also "emit" parasite tentacles from their mouths. However, unlike the film, in the series' games, Wesker was a carrier of the virus, but not a parasite.
  • When Alice aims with two revolvers at the 25-minute mark of the film, it can be noticed that there are no cartridges in their cylinders.
  • At the 26-minute mark of the film, Alice examines a mechanical beetle, and blood begins to flow from under its leg. After a change of scene, the beetle changes position, and the blood stops flowing.
  • When the group approaches the garage at the 53-minute mark of the film, Chris states that the armored vehicle has 16 wheels. However, at the 59-minute mark, when Bennett, Kim, and Angel enter the garage, it can be seen that the armored vehicle has 8 wheels.
  • At the 59-minute mark of the film, Claire and Luther brace the gates with a car, bumper first. When the zombies break through the gates, the car is already positioned across them.
  • At the 61st minute of the film, Bennett hijacks a plane, the group runs after him and stops at the edge of the roof. When the plane takes off from the building in the next shot, it can be noticed that there is no one on the roof.
  • At the 63rd minute of the film, Chris, Claire, Luther, and Kim survive falling into the water in the elevator cabin. In reality, the impact of the elevator hitting the water would have killed everyone inside, as would a fall onto a solid surface.
  • At the 64th minute of the film, Alice fires 9-10 times from each revolver without reloading, however, their cylinders only hold 6 cartridges each.
  • At the 65th minute of the film, Alice runs to Luther and slides under the roller shutters, which are completely intact. When Alice and Luther are inside behind the closed shutters, the shutters are already riddled with coins after shots from sawn-off shotguns, although Luther lowered them after the shots.
  • At the 66th minute of the film, the executioner lacks a bullet hole in the bag and traces of blood, although Luther previously shot him in the head during the scene at the gates.
  • At the 66th minute of the film, the executioner hits Alice, and she flies into a tiled wall. At the moment of impact, it can be noticed that the wall bends under her weight, as if it were made of plywood.
  • At the 66th minute of the film, the executioner chases Claire and breaks water pipes with an axe, causing water to spray out. The number of intact and broken pipes changes with each cut, and during the overhead shot, it can be seen that chopped pipes are already lying in the executioner's path.
  • At the 67th minute of the film, Claire sees a sawn-off shotgun on the floor, but when she runs towards the executioner, the shotgun is no longer on the floor next to the pipe. Moreover, with changes in camera angle, Claire and the executioner change their positions.
  • At the 68th minute of the film, when the executioner is lying on the floor, a horizontal mark from an axe can be seen on the wall behind Claire's back, even though the executioner has not yet thrown it.
  • When the beheaded executioner falls to the floor at the 68th minute of the film, coins do not spill out of his remains or exploded head, but fall from off-screen from above, as if they were poured out by hand.
  • At the 68th minute of the film, when Claire shoots the executioner with a sawn-off shotgun while sliding on her back, he holds the axe above his head with both hands and prepares to strike. In the next frame, the defeated executioner falls to the floor, but already leaning on the axe handle with his right hand.
  • At the 73rd minute of the film, the control surfaces of the plane that crashed onto the deck move spontaneously.
  • At the 78th minute of the film, Alice notices a blood trail on the floor leading into the next hall. When she enters it, and the camera changes the angle to a front view, the blood trail behind Alice is no longer there.
  • At the 82nd minute of the film, Bennett stands a couple of meters from Alice and has her in his sights. After a scene change, when Alice kicks the gun out of his hand, he ends up almost directly next to her.
  • At the 85th minute of the film, Bennett wants to pick up the sawn-off shotgun from the floor, which is covered with shards of broken glass. When he tries to do so again in the next scene, there are no shards left on the floor.
Did you like the film?

© ACMODASI, 2010-2026

All rights reserved.
The materials (trademarks, videos, images and text) contained on this site are the property of their respective owners. It is forbidden to use any materials from this site without prior agreement with their owner.
When copying text and graphic materials (videos, images, text, screenshots of pages) from this site, an active link to the site www.acmodasi.in must necessarily accompany such material.
We are not responsible for any information posted on this site by third parties.