Tristana - crew, film crew
The entire team, the film crew of the film "Tristana"
Tristana (1970)
Timing:
1:38 (98 min)
7.249/10
235
235
Film crew
Director
Producer
Writer
Julio Alejandro
Writer
Editor
Pedro del Rey
Editor
Costume Design
Rosa García
Costume Design
Production Design
Enrique Alarcón
Production Design
Set Decoration
Luis Argüello
Set Decoration
Rafael Borqué
Set Decoration
Makeup Artist
Miguel Sesé
Makeup Artist
Unit Production Manager
Manuel Torres Larrodé
Unit Production Manager
Director of Photography
José F. Aguayo
Director of Photography
Camera Operator
José F. Aguayo Jr.
Camera Operator
Property Master
Antonio Luna
Property Master
Script Supervisor
Carmen Salas
Script Supervisor
Sound Mixer
José Nogueira
Sound Mixer
Production Manager
Juan Estelrich March
Production Manager
Screenplay
Novel
Assistant Editor
José Salcedo
Assistant Editor
Special Effects
Antonio Molina
Special Effects
Assistant Director
José Puyol
Assistant Director
Pierre Lary
Assistant Director
Sound Engineer
Bernardino Fronzetti
Sound Engineer
Assistant Production Manager
Martín Sacristán
Assistant Production Manager
Sound Design Assistant
Manuel Ferreiro
Sound Design Assistant
What's left behind the scenes
- According to the film's director, Luis Buñuel (1900-1983), many distinctive traits of Tristana, including the habit of asking strangers to choose just one of two practically identical objects, mirrored distinctive traits of his own sister's character.
- The film met with fierce resistance from the censors of the Francoist government of Spain. Buñuel insisted on filming the film as early as 1962, but the Francisco Franco regime (1892-1975) objected to the film's themes and ideas, which the autocratic and pro-Catholic government considered subversive. Scenes of Tristana's seduction and Don Lope's speeches against the church were absolutely unacceptable to the censors. The government's attention was also drawn to Buñuel's recent film, 'Viridiana' (1961). Buñuel had hoped that the release of 'Viridiana' would mark his return to his homeland, but the Francoist regime found it too subversive as well, and immediately banned it. It took the director another eight years to convince the censors and begin filming 'Tristana'.
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