No Time to Die - crew, film crew
The entire team, the film crew of the film "No Time to Die"
No Time to Die (2021)
Timing:
2:43 (163 min)
7.341/10
7014
7014
7.066/10
170363
170363
7.3/10
485000
485000
Film crew
Director
Producer
Executive Producer
Chris Brigham
Executive Producer
Casting
Debbie McWilliams
Casting
Editor
Special Effects Supervisor
Chris Corbould
Special Effects Supervisor
Art Direction
Dean Clegg
Art Direction
Neal Callow
Art Direction
Mark Harris
Art Direction
Andrew Bennett
Art Direction
Sandra Phillips
Art Direction
Supervising Art Director
Chris Lowe
Supervising Art Director
Costume Design
Suttirat Anne Larlarb
Costume Design
Stunts
Martin Gordon
Stunts
Christina Petrou
Stunts
Luke Tumber
Stunts
Ryan Stuart
Stunts
Rachael Evelyn
Stunts
Elliot Hawkes
Stunts
Daniel Awde
Stunts
Trayan Milenov-Troy
Stunts
Bogdan Kumshatsky
Stunts
Martin Ivanov
Stunts
Cristian Knight
Stunts
Nikita Mitchell
Stunts
Chelsea Mather
Stunts
Elizabeth Donker Curtius
Stunts
Steve Jehu
Stunts
Production Design
Mark Tildesley
Production Design
Second Unit Director
Set Decoration
Véronique Melery
Set Decoration
Stunt Driver
Cristian Knight
Stunt Driver
Makeup Artist
Lynn Jackett
Makeup Artist
Marzenna Fus-Mickiewicz
Makeup Artist
Rachel Lennon
Makeup Artist
Lisa Isles
Makeup Artist
Sound Re-Recording Mixer
Paul Massey
Sound Re-Recording Mixer
Original Music Composer
Co-Producer
Andrew Noakes
Co-Producer
Associate Producer
Gregg Wilson
Associate Producer
Set Dresser
Rupert Hancock
Set Dresser
Second Assistant Director
Donald E G Bentley
Second Assistant Director
Matthew Sharp
Second Assistant Director
Stunt Double
Elizabeth Donker Curtius
Stunt Double
Nikita Mitchell
Stunt Double
Chelsea Mather
Stunt Double
Jean-Charles Rousseau
Stunt Double
Director of Photography
Pilot
Musician
Pedro Eustache
Musician
Camera Operator
Peter Field
Camera Operator
Costume Supervisor
Sarah Robinson
Costume Supervisor
Sound Effects Editor
Dawn Gough
Sound Effects Editor
Assistant Art Director
Roxana Alexandru
Assistant Art Director
Liam Georgensen
Assistant Art Director
Hugh McClelland
Assistant Art Director
Luke Whitelock
Assistant Art Director
Charlotte Leatherland
Assistant Art Director
Romolo Pompa
Assistant Art Director
Visual Effects Supervisor
Jonathan Fawkner
Visual Effects Supervisor
Richard Bain
Visual Effects Supervisor
Charlie Noble
Visual Effects Supervisor
Mark Bakowski
Visual Effects Supervisor
Yoshi DeHerrera
Visual Effects Supervisor
François Lambert
Visual Effects Supervisor
Yael Majors
Visual Effects Supervisor
Benjamin Loch
Visual Effects Supervisor
Gerard Diefenthal
Visual Effects Supervisor
Joel Green
Visual Effects Supervisor
Gerard Diefenthal
Visual Effects Supervisor
Supervising Sound Editor
Set Costumer
Mia Hope Radford
Set Costumer
Still Photographer
Nicola Dove
Still Photographer
Sound Mixer
Tom Barrow
Sound Mixer
Alan Hill
Sound Mixer
Visual Effects Producer
Mara Bryan
Visual Effects Producer
Rob Shears
Visual Effects Producer
Anna V. James
Visual Effects Producer
Aileen Mu
Visual Effects Producer
Sanchia Currie
Visual Effects Producer
Production Manager
Vito Colazzo
Production Manager
Screenplay
Set Decoration Buyer
Raffaella Cuviello
Set Decoration Buyer
Foley Artist
Sue Harding
Foley Artist
Sound Designer
Bryan Bowen
Sound Designer
Dialogue Editor
Adele Fletcher
Dialogue Editor
Art Department Assistant
Lottie Geliot
Art Department Assistant
Lighting Technician
Antony Robert Ephgrave
Lighting Technician
Key Grip
Paolo Tiberti
Key Grip
Set Production Assistant
Lori Emily Brown
Set Production Assistant
Story
Characters
3D Artist
Reetu Aggarwal
3D Artist
Makeup Supervisor
Andrea Cracknell
Makeup Supervisor
Foley Supervisor
Hugo Adams
Foley Supervisor
Special Effects Technician
Karl Jordan
Special Effects Technician
David Poole
Special Effects Technician
Hair Supervisor
Andrea Cracknell
Hair Supervisor
Third Assistant Director
Emily Thomas
Third Assistant Director
Songs
Gaffer
David Sinfield
Gaffer
Prosthetic Makeup Artist
Duncan Jarman
Prosthetic Makeup Artist
Assistant Director
Matthew Sharp
Assistant Director
Standby Art Director
Arwel Evans
Standby Art Director
Production Sound Mixer
Simon Hayes
Production Sound Mixer
ADR Mixer
Mark DeSimone
ADR Mixer
Mark Appleby
ADR Mixer
ADR Recordist
Kristin Catuogno
ADR Recordist
Aidan Dykes
ADR Recordist
Second Unit Director of Photography
Digital Compositor
Concept Artist
Other
Rebecca Sheridan
Other
Additional Music
Steve Mazzaro
Additional Music
Stand In
Nina Jalava
Stand In
VFX Artist
Michael Cashmore
VFX Artist
Shubham Singh Rathore
VFX Artist
Loeng Wong-Savun
VFX Artist
Mnandi Ridley
VFX Artist
Tracy Nicole Irwin
VFX Artist
Owen McGonigle
VFX Artist
Tommy Barry
VFX Artist
Imran Ahmed Raichuri
VFX Artist
Ondrej Hudecek
VFX Artist
Daniel Hazeltine
VFX Artist
Jamie Hearing
VFX Artist
Toby Lewin
VFX Artist
Scenic Artist
Visual Effects
Nick King
Visual Effects
Russell Hopwood
Visual Effects
Sreekanth Boyapati
Visual Effects
Drew Jones
Visual Effects
Line Producer
Enzo Sisti
Line Producer
Best Boy Electric
Dave Brennan
Best Boy Electric
First Assistant "C" Camera
Pre-Visualization Supervisor
Martin Bell
Pre-Visualization Supervisor
Standby Property Master
Buddie Wilkinson
Standby Property Master
Draughtsman
Albert McCausland
Draughtsman
Crowd Assistant Director
VFX Production Coordinator
Matteo Veglia
VFX Production Coordinator
Drone Cinematographer
Andrew Rowlands
Drone Cinematographer
Theme Song Performance
Main Title Theme Composer
Main Title Designer
Daniel Kleinman
Main Title Designer
What's left behind the scenes
- This is the eighth Bond film shot in Italy – this time, filming took place in the city of Matera. Previous films: 'From Russia with Love' (Terence Young, 1963) was filmed in Venice; 'The Spy Who Loved Me' (Lewis Gilbert, 1977) was filmed in Sardinia; 'Moonraker' (Lewis Gilbert, 1979) was also filmed in Venice; 'For Your Eyes Only' (John Glen, 1981) was filmed in Cortina d'Ampezzo; 'Casino Royale' (Martin Campbell, 2006) was filmed in Venice and on Lake Como; 'Quantum of Solace' (Marc Forster, 2008) was filmed in Siena and Talamone; and 'SPECTRE' (Sam Mendes, 2015) was filmed in Rome.
- This is the first film in the franchise shot with an IMAX camera. Previous James Bond films shown in IMAX theaters had to be converted to the required format.
- At the time of its release, this was the most expensive film in the franchise. The previous record was held by Sam Mendes' 'SPECTRE'.
- Eight examples of the classic grey Aston Martin DB5 car, used by James Bond, were specifically developed and created for the stunts in the film.
- Ana de Armas (who played Paloma) worried that she would perform poorly in the action scenes because she was given only three weeks to prepare for them, and she told director Cary Joji Fukunaga this so often that he instructed her to repeat the same phrase in the film during a conversation with Bond, played by Daniel Craig. As a result, the phrase remained in the film.
- It is claimed that Daniel Craig, who played agent 007 James Bond, personally insisted on Ana de Armas being cast as Paloma. Craig and de Armas had previously worked together with Ryan Johnson on the detective comedy "Knives Out" (2019), which was released approximately four months before the originally scheduled release date of the action film "No Time to Die".
- In January 2021, the film's sponsors demanded reshoots of some scenes, guided by product placement considerations (this is a form of hidden advertising, where viewers see not advertising, but well-chosen props). Some products shown on screen had become outdated due to the film's 18-month release delay caused by the coronavirus pandemic. For example, the Nokia smartphone featured in the advertisement (in the scene with Nomi, played by Lashana Lynch) had become significantly outdated during the delay (smartphones generally age quite quickly, due to the speed at which new models appear on the market). On the poster, the outdated smartphone model was replaced with the latest one (this was done using computer technology), but the original model remained in the film.
- Director Cary Joji Fukunaga wanted to film a stunt with bicycles in the Italian city of Matera. Stunt coordinator Lee Morrison designed a bicycle jump over a wall. It was performed by Paul Edmondson – he rode a bicycle up a ramp at a speed of approximately 37 km/h, flew over the wall, and landed safely.
- Christoph Waltz was once again cast as Ernst Stavro Blofeld, the villain and long-standing enemy of James Bond. Waltz's return to the role of Blofeld was intended as a surprise for fans of the Bond franchise, but the actor was spotted on set and reportedly even told a random passerby who noticed him: "You didn't see me here." Once the news spread, Waltz's involvement in the film became part of the promotional campaign, and the character he played appeared in the film's trailers.
- The role of the Russian scientist Obruchev, played by David Dencik, was originally intended to be less significant, but director Cary Joji Fukunaga was so impressed with Dencik's performance that the role was expanded and every effort was made to increase the character's screen time.
- Rami Malek almost didn't get the role of Safin because his representatives weren't responding to calls from the future film's producers. Debbie McWilliams, who was in charge of casting, met with Malek at a preview of Brian Singer's "Bohemian Rhapsody" (2018) – where Malek played the role of frontman Freddie Mercury – and arranged for him to come to auditions. The actor agreed on the condition that the villain he was to play wouldn't be too stereotypical.
- It is claimed that during the filming of complex scenes in this film, Daniel Craig relied mainly on stunt doubles and stunt performers. This happened due to the actor's age and an injury he sustained while filming Sam Mendes' action movie "Spectre" (2015), the twenty-fourth film in the Bond series.
- At the time of its release, it was the most expensive film in the franchise. The previous record was held by Sam Mendes' "007: SPECTRE."
- Director Cary Joji Fukunaga wanted to film a stunt with bicycles in the Italian city of Matera. Stunt coordinator Lee Morrison developed a bicycle jump over a wall. It was performed by Paul Edmondson—he rode a bicycle up a ramp at a speed of approximately 37 km/h, flew over the wall, and landed safely.
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