Mary Poppins Returns - crew, film crew
The entire team, the film crew of the film "Mary Poppins Returns"
Mary Poppins Returns (2018)
Timing:
2:11 (131 min)
6.511/10
3428
3428
6.723/10
50345
50345
6.6/10
101000
101000
Film crew
Director
Producer
Executive Producer
Callum McDougall
Executive Producer
Casting
Bernard Telsey
Casting
Tiffany Little Canfield
Casting
Editor
Wyatt Smith
Editor
Special Effects Supervisor
Steven Warner
Special Effects Supervisor
Robin Beavis
Special Effects Supervisor
Art Direction
Steve Carter
Art Direction
Elaine Kusmishko
Art Direction
Vicki Stevenson
Art Direction
Simon Elsley
Art Direction
Amanda Dazely
Art Direction
Supervising Art Director
Niall Moroney
Supervising Art Director
Costume Design
Stunts
Paul Howell
Stunts
Nick Chopping
Stunts
George Kirby
Stunts
Gary Arthurs
Stunts
Daniel Dow
Stunts
Ian Pead
Stunts
Leo Woodruff
Stunts
Kieran Clarke
Stunts
Annabelle Fordham
Stunts
Gabriella Harman
Stunts
Leo Keenan
Stunts
Cristian Knight
Stunts
Toby Oliver
Stunts
Justin Pearson
Stunts
Production Design
Stunt Coordinator
Second Unit Director
Set Decoration
Gordon Sim
Set Decoration
Makeup Artist
Tamsin Dorling
Makeup Artist
Georgie Whittle
Makeup Artist
Key Makeup Artist
Paula Price
Key Makeup Artist
Sound Re-Recording Mixer
Mike Prestwood Smith
Sound Re-Recording Mixer
Original Music Composer
Unit Production Manager
Angus More Gordon
Unit Production Manager
Co-Producer
Angus More Gordon
Co-Producer
Michael Zimmer
Co-Producer
Production Supervisor
Bertie Spiegelberg
Production Supervisor
Orchestrator
Jeff Atmajian
Orchestrator
Michael Starobin
Orchestrator
Set Dresser
Laura Collins
Set Dresser
Josh Sales
Set Dresser
Stunt Double
Director of Photography
Musician
Mark Berrow
Musician
Steve Mair
Musician
Rachel Bolt
Musician
Roger Linley
Musician
Richard Pryce
Musician
Camera Operator
Damien Beebe
Camera Operator
John Gamble
Camera Operator
Steadicam Operator
Peter Robertson
Steadicam Operator
Robert Stoneman
Steadicam Operator
Costume Supervisor
Yvonne Duckett
Costume Supervisor
David Davenport
Costume Supervisor
Assistant Art Director
Lauren Briggs-Miller
Assistant Art Director
Richard Hardy
Assistant Art Director
Sarah Ginn
Assistant Art Director
Property Master
Ty Teiger
Property Master
Visual Effects Supervisor
Supervising Sound Editor
Renée Tondelli
Supervising Sound Editor
Script Supervisor
Lisa Vick
Script Supervisor
Electrician
Harry Langston
Electrician
Set Costumer
Ian Foweraker
Set Costumer
Cynthia Black
Set Costumer
Anna Cavaliere
Set Costumer
Character Designer
James Woods
Character Designer
Still Photographer
Jay Maidment
Still Photographer
Lead Animator
Brett Schroeder
Lead Animator
Animation Supervisor
Jim Capobianco
Animation Supervisor
Eric Guaglione
Animation Supervisor
Visual Effects Producer
Laurence Berkani
Visual Effects Producer
Leslie Lerman
Visual Effects Producer
First Assistant Director
Ben Howarth
First Assistant Director
Assistant Costume Designer
Charlotte Law
Assistant Costume Designer
Courtney McClain
Assistant Costume Designer
Debbie Scott
Assistant Costume Designer
Driver
Clive Shaw
Driver
Rob Lloyd
Driver
Michael Kirkman
Driver
Ted Leaning
Driver
David Rosenbaum Jr.
Driver
Emma Savin
Driver
Peter Trotman
Driver
Production Manager
Callum McDougall
Production Manager
Alex D. da Silva
Production Manager
Hannah Godwin
Production Manager
Talia Felber
Production Manager
Stewart Probert
Production Manager
Screenplay
David Magee
Screenplay
Novel
First Assistant Editor
Meagan Costello
First Assistant Editor
Foley Artist
Marko Costanzo
Foley Artist
Art Department Coordinator
Sarah Iovino
Art Department Coordinator
Assistant Editor
Alexander Johnson
Assistant Editor
Aerial Camera Technician
Andrew Bradley
Aerial Camera Technician
Art Department Assistant
Lottie McDowell
Art Department Assistant
Grace Taylor
Art Department Assistant
Transportation Coordinator
Katerina Ruskova
Transportation Coordinator
Jeni Meredith
Transportation Coordinator
Key Grip
Steve Ellingworth
Key Grip
Location Manager
Ali James
Location Manager
Charlie Hayes
Location Manager
Rob Campbell-Bell
Location Manager
Eleanor Downey
Location Manager
Dolly Grip
Jack Flemming
Dolly Grip
Alex Fraser
Dolly Grip
Assistant Property Master
Martin Kingsley
Assistant Property Master
Key Hair Stylist
Paula Price
Key Hair Stylist
Carpenter
Jeff Woodbridge
Carpenter
James Cullane
Carpenter
Special Effects
Neil Toddy Todd
Special Effects
Story
David Magee
Story
Music Supervisor
Michael Higham
Music Supervisor
Paul Gemignani
Music Supervisor
Casting Assistant
Rachel Nadler
Casting Assistant
Hair Designer
Peter King
Hair Designer
Third Assistant Director
Grant Butler
Third Assistant Director
Special Effects Makeup Artist
Production Accountant
Susan Chika Anisiobi
Production Accountant
Songs
Casting Associate
Sarah Trevis
Casting Associate
Conrad Woolfe
Casting Associate
Gaffer
David Smith
Gaffer
Music Editor
Lewis Morison
Music Editor
Jim Bruening
Music Editor
Production Sound Mixer
Simon Hayes
Production Sound Mixer
ADR Mixer
Peter Gleaves
ADR Mixer
Mark DeSimone
ADR Mixer
Video Assist Operator
Adam McGrady
Video Assist Operator
Dominic Rau
Video Assist Operator
Second Unit Director of Photography
Alan Stewart
Second Unit Director of Photography
Storyboard Artist
James S. Baker
Storyboard Artist
Ovi Nedelcu
Storyboard Artist
Second Assistant "B" Camera
David Pearce
Second Assistant "B" Camera
First Assistant Camera
Julian Bucknall
First Assistant Camera
David Penfold
First Assistant Camera
Alan Hall
First Assistant Camera
David Cozens
First Assistant Camera
Harry Gamble
First Assistant Camera
Other
Andrew Banwell
Other
Additional Music
Conductor
Paul Gemignani
Conductor
Post Production Supervisor
Jennifer Lane
Post Production Supervisor
Digital Intermediate Colorist
Michael Hatzer
Digital Intermediate Colorist
Conceptual Illustrator
Josue Clotaire Fleurimond
Conceptual Illustrator
Simon Gustafsson
Conceptual Illustrator
Greensman
Jon Marson
Greensman
Jake Corney
Greensman
Angus Hale
Greensman
Bethany Spence
Greensman
Set Decorating Coordinator
Claire Grainger
Set Decorating Coordinator
Tailor
Mariette Hendriks
Tailor
Drone Operator
Gareth Harfoot
Drone Operator
Angus Benson-Blair
Drone Operator
Dani Rose
Drone Operator
Visual Effects Coordinator
Sara Woomer
Visual Effects Coordinator
Zaid Babeel
Visual Effects Coordinator
Carolina Cedres
Visual Effects Coordinator
Michelle Roll
Visual Effects Coordinator
Visual Effects Editor
Kent Blocher
Visual Effects Editor
Shawn Broes
Visual Effects Editor
Maxime Sirven
Visual Effects Editor
Visual Effects
Michael Huber
Visual Effects
Line Producer
Amanda Barrios
Line Producer
CG Supervisor
Jason Quintana
CG Supervisor
Rigging Supervisor
Ben Wilson
Rigging Supervisor
Scott Hillier
Rigging Supervisor
VFX Supervisor
Matt Johnson
VFX Supervisor
Christian Irles
VFX Supervisor
Christian Kaestner
VFX Supervisor
Jack Hughes
VFX Supervisor
Production Office Assistant
Elliott Cobley
Production Office Assistant
Taro Smith
Production Office Assistant
Costume Coordinator
Caroline Fallon
Costume Coordinator
Assistant Production Coordinator
Monique Brown
Assistant Production Coordinator
Security
Luke Keeley
Security
Choreographer
Tara Nicole Hughes
Choreographer
Joey Pizzi
Choreographer
Dialect Coach
Jill McCullough
Dialect Coach
Publicist
Rachel Kennedy
Publicist
Modeling
Caitlin Murray Jones
Modeling
Matte Painter
Josh Evans
Matte Painter
Transportation Captain
Phil Allchin
Transportation Captain
Title Designer
Garson Yu
Title Designer
Draughtsman
Lotta Wolgers
Draughtsman
Candice White
Draughtsman
Kira Kemble
Draughtsman
Rosie Hardwick
Draughtsman
Jamie Burrows
Draughtsman
Dominique Pace
Draughtsman
Aerial Camera
Adam Sculthorp
Aerial Camera
Animation Manager
Tyler Cordova
Animation Manager
Key Set Costumer
Carlos Fontanarrosa
Key Set Costumer
Anthony Brookman
Key Set Costumer
Lara Newman
Key Set Costumer
Producer's Assistant
Executive Music Producer
Michael Higham
Executive Music Producer
Visual Effects Technical Director
Phoenix Woung-Bi Lee
Visual Effects Technical Director
Thomas Dotheij
Visual Effects Technical Director
Music Arranger
Jack Feldman
Music Arranger
Best Boy Electrician
Billy Gamble
Best Boy Electrician
Digital Compositors
Stephane Brisson
Digital Compositors
Tracie Donais
Digital Compositors
Patrick Hall
Digital Compositors
Sam Horgan
Digital Compositors
Ricky Leach
Digital Compositors
Gabriel Naveau
Digital Compositors
Camille Paleni
Digital Compositors
Leo Pean de Ponfilly
Digital Compositors
Jason Pethtel
Digital Compositors
Jorge Sanchez Fresno
Digital Compositors
Brock J. Stearn
Digital Compositors
Lyricist
Scott Wittman
Lyricist
Additional Visual Effects
Alexis Wajsbrot
Additional Visual Effects
Compositors
Andrew Barry
Compositors
Russell Hopwood
Compositors
Joshua Toonen
Compositors
Animation Department Coordinator
Brandon Brocker
Animation Department Coordinator
First Assistant "D" Camera
Animation Production Assistant
Stasia Fong
Animation Production Assistant
Vocal Coach
Eric Vetro
Vocal Coach
What's left behind the scenes
- The plot is based on the works of Pamela Lyndon Travers (1899-1996).
- When the script was being written for the very first "Mary Poppins" film (Robert Stevenson, 1964), Walt Disney personally offered the lead role to actress Julie Andrews. She replied that she was pregnant and would be unable to participate in filming. Disney (1901-1966) so wanted Andrews to play Mary Poppins that he postponed the start of filming until she was able to return to the set. A similar story happened with this film. When the project was announced, filming had to be postponed due to Emily Blunt's pregnancy, who had been approved for the lead role.
- In the 1964 film "Mary Poppins", actor Dick Van Dyke played the roles of chimney sweep Bert and Mr. Dawes Sr. In "Mary Poppins Returns", he plays Mr. Dawes Jr.
- Dick Van Dyke was offered four versions of the dance scene, varying in difficulty. The actor chose the most challenging version and refused any assistance during filming. He performed it magnificently; it was even said that audiences applauded during preview screenings when they saw the actor dancing so well for his age.
- The film's screenwriter, producer, and director, Rob Marshall, had always dreamed of using traditional hand-drawn animation in the film – simply because he liked traditional animation and as a tribute to his first film. Disney executives, on the other hand, insisted on computer animation, which infuriated Marshall. He argued extensively with studio management on this topic, but eventually convinced his opponents of the need for traditional hand-drawn animation.
- Over 70 animators worked on the animation scenes for 16 months, some of whom were already retired (some were in their 70s or 80s, and one animator was 90 years old).
- The screenwriter and creator of Mary Poppins, Pamela Lyndon Travers, strongly disliked the 1964 musical “Mary Poppins” by Robert Stevenson – particularly the musical numbers and animated sequences. Later in life, she gave her approval for a stage musical (produced by Cameron Mackintosh and the Walt Disney Company, based on the film and her books), but with the condition that no one from the creative team of the 1964 film, and especially not the Sherman Brothers, Richard M. and Robert B., would be involved in the production. Travers passed away in 1996, and the stage production premiered in 2004. Subsequently, the Walt Disney Company negotiated with the owners of Travers’s creative legacy, and these negotiations led to the creation of this film.
- For filming the bathtub scene, a hole was made in the floor beneath the tub, leading to the basement.
- Shortly before filming began, Joel Dawson lost his baby teeth and had to wear fake ones.
- It took 7 months to build the shop belonging to Meryl Streep’s character. The shop was the most complex set in the film. Production designer Gordon Sim and his team scoured antique shops and flea markets throughout Britain in search of items to use in the sets. They found 538 items in this way, some were designed and created by the decorators themselves, and others were acquired through various means. Creating the sets for the abandoned park took 26 weeks. A total of 8 sound stages at Shepperton Studios were used.
- Filming the “Trip a Little Light Fantastic” sequence and the corresponding dance took 2 weeks, sometimes with up to 50 dancers in the frame. The street scenes for the eight-minute clip were filmed in London. The sound stage had 5 levels, including a fountain, a bridge, a greenhouse, and 25 lamps (gas and electric). The scene was filmed with five cameras, including a fixed camera, two cameras on cranes, an aerial camera, and a camera on rails. 28 rotating street lamps and 18 ladders were created. 100 bicycles were also purchased and aged.
- Mary Poppins' talking parrot was an animatronic puppet controlled by two technicians: one was responsible for the beak's movements, and the other for the eyes and head.
- When the screenplay for the very first "Mary Poppins" film (Robert Stevenson, 1964) was being written, Walt Disney personally offered the lead role to actress Julie Andrews. She replied that she was pregnant and would not be able to participate in filming. Disney (1901-1966) so wanted Andrews to play Mary Poppins that he postponed the start of filming until the actress was able to return to the set. A similar story happened with this film. When the project was announced, filming had to be postponed due to Emily Blunt's pregnancy, who had been approved for the lead role.
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