Marie Antoinette

A Queen... but, first of all... a woman in love!
Marie Antoinette (1938)
Timing: 2:29 (149 min)
Marie Antoinette - TMDB rating
6.485/10
34
Marie Antoinette - Kinopoisk rating
7.624/10
500
Marie Antoinette - IMDB rating
7.3/10
3600
Watch film Marie Antoinette | Marie Antoinette (1938) Official Trailer - Norma Shearer, Tyrone Power Movie HD
Movie poster "Marie Antoinette"
Release date
Country
Production
Genre
Drama, History
Budget
$2 926 000
Revenue
$0
Website
Director
Scenario
Operator
Composer
Artist
Audition
Editing
Robert Kern
All team (25)
Short description
The young Austrian princess Marie Antoinette is arranged to marry Louis XVI, future king of France, in a politically advantageous marriage for the rival countries. The opulent Marie indulges in various whims and flirtations. When Louis XV passes and Louis XVI ascends the French throne, his queen's extravagant lifestyle earns the hatred of the French people, who despise her Austrian heritage.

What's left behind the scenes

  • The film used thousands of luxurious dresses, and was shot with lavish sets. Costume designer Adrian (1903-1959) specifically studied the historical period depicted in the film (the second half of the 18th century) during trips to France and Austria in 1937. He also studied portraits of Marie Antoinette (1755-1793) and even examined them under a microscope to discern the fabric and embroidery details. Immense attention was paid to detail. Fabrics were created specifically for the film, and the stitches were so small they were impossible to see with the naked eye. Due to the embroidery, trim, and precious stones used, some of the dresses were very heavy. The dresses worn by Norma Shearer (1902-1983) in the film weighed a total of over 1,768 pounds, or 800 kilograms, with the wedding dress being the heaviest.
  • Initially, it was planned to film the entire movie in “Technicolor,” and the sets and dresses were constructed with this in mind. The “MGM” film company even sent a fox-fur-trimmed item of women’s clothing worn by Norma Shearer (1902-1983) to New York to be specially dyed to match her eye color. However, considering all the additional costs that using “Technicolor” would entail, it would further increase the film’s already gigantic (for the time) budget of $1.8 million, and the filmmakers decided to shoot in black and white after all.
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