Parasite - crew, film crew
The entire team, the film crew of the film "Parasite"
기생충 (2019)
Timing:
2:13 (133 min)
8.494/10
20406
20406
8.051/10
925672
925672
8.5/10
1149421
1149421
Film crew
Director
Producer
Moon Yang-kwon
Producer
Jang Young-hwan
Producer
Kwak Sin-ae
Producer
Executive Producer
Miky Lee
Executive Producer
Lim Myeong-gyun
Executive Producer
Editor
Yang Jin-mo
Editor
Special Effects Supervisor
Jung Do-ahn
Special Effects Supervisor
Park Kyoung-soo
Special Effects Supervisor
Art Direction
Mo So-ra
Art Direction
Costume Design
Choi Se-yeon
Costume Design
Stunts
Yoo Mi-jin
Stunts
Kang Gyeong-su
Stunts
Production Design
Lee Ha-jun
Production Design
Stunt Coordinator
Yoo Sang-seob
Stunt Coordinator
Kwon Ji-hoon
Stunt Coordinator
Second Unit Director
Lee Jung-hoon
Second Unit Director
Set Decoration
Cho Won-woo
Set Decoration
Song Suk-ki
Set Decoration
Noh Seung-goog
Set Decoration
Original Music Composer
Jung Jae-il
Original Music Composer
Unit Production Manager
Nam Sung-ho
Unit Production Manager
Co-Producer
Lee Joo-hyun
Co-Producer
Production Supervisor
Kim Kyeong-taek
Production Supervisor
Orchestrator
Norbert Elek
Orchestrator
Bálint Sapszon
Orchestrator
Director of Photography
Camera Operator
Yang Hyeon-seok
Camera Operator
Costumer
Heo Jin
Costumer
Kang Dong-yul
Costumer
Kim Hee-jae
Costumer
Shin Soo-bin
Costumer
Yoon Hye-jeong
Costumer
Yoon Na-yeon
Costumer
Visual Effects Supervisor
Hong Jeong-ho
Visual Effects Supervisor
Ha Jae-gu
Visual Effects Supervisor
Jay Seung Jaegal
Visual Effects Supervisor
Jeong Min-hyuk
Visual Effects Supervisor
Script Supervisor
Supervising ADR Editor
Kim Byung-in
Supervising ADR Editor
Still Photographer
Lee Jae-hyeok
Still Photographer
Lead Animator
Kang Dong-hyuk
Lead Animator
Animation Supervisor
Moon Sung-oh
Animation Supervisor
Visual Effects Producer
Peter Ahn
Visual Effects Producer
Kim Bok-yung
Visual Effects Producer
Chan-jin Chris Kim
Visual Effects Producer
Yun Junshik-Raul
Visual Effects Producer
First Assistant Director
Yoon Young-woo
First Assistant Director
Animation
Jung Yeo-jin
Animation
Kang Seong-pil
Animation
Kim Eun-ji
Animation
Kim Jae-hwan
Animation
Lee Kyoung-min
Animation
Lee Sin-woo
Animation
Son Young-nam
Animation
Kim So-yoon
Animation
Yeom Do-seon
Animation
Thanks
Park Jeong-ja
Thanks
Sohn Suk-hee
Thanks
Production Manager
Kim Sang-soo
Production Manager
Boom Operator
Lee Si-hun
Boom Operator
Screenplay
Foley Artist
Lee Chung-gyu
Foley Artist
Park Sung-gyun
Foley Artist
Dialogue Editor
Yang Hye-jin
Dialogue Editor
Assistant Editor
Lim Hye-jin
Assistant Editor
Han Mi-yeon
Assistant Editor
Kim Jae-won
Assistant Editor
Foley Editor
Shin i Na
Foley Editor
Props
Oh You-jin
Props
Jeon Jae-wook
Props
Compositing Supervisor
Son Won-rak
Compositing Supervisor
Jung Ji-hyung
Compositing Supervisor
Key Grip
Kang Sang-hyup
Key Grip
Grip
Cha Sung-min
Grip
Cho Sang-won
Grip
Jeon Seung-hwan
Grip
Special Effects
Jung Do-ahn
Special Effects
Park Kyoung-soo
Special Effects
Story
Third Assistant Director
Park Hyun-cheol
Third Assistant Director
Special Effects Makeup Artist
Kwak Tae-yong
Special Effects Makeup Artist
Lee Hee-eun
Special Effects Makeup Artist
Hwang Hyo-kyun
Special Effects Makeup Artist
Bae Kyung-hye
Special Effects Makeup Artist
Kim Ho-sik
Special Effects Makeup Artist
Assistant Director
Kim Seong-sik
Assistant Director
Production Sound Mixer
Eun Hee-soo
Production Sound Mixer
Makeup & Hair
Kim Seo-young
Makeup & Hair
VFX Editor
Lee Hyang-hee
VFX Editor
Jo Eun-byul
VFX Editor
Kim Woo-ju
VFX Editor
Concept Artist
Samuel King
Concept Artist
Co-Executive Producer
Heo Min-heoi
Co-Executive Producer
VFX Artist
Cheong Hyun-jun
VFX Artist
Jung Yeon-tae
VFX Artist
Kim Tae-hyung
VFX Artist
Lee Sang-yeol
VFX Artist
Line Producer
Park Min-cheol
Line Producer
CG Supervisor
Jung Seock-hee
CG Supervisor
Kang Won-chul
CG Supervisor
Kim Sang-hun
CG Supervisor
Lighting Supervisor
Kim Tae-seob
Lighting Supervisor
VFX Supervisor
Jang Mi-jin
VFX Supervisor
Park Hwon
VFX Supervisor
Executive Producer's Assistant
Lee Seon-yeong
Executive Producer's Assistant
Sound Supervisor
Choi Tae-young
Sound Supervisor
Visual Effects Director
Jung Sung-jin
Visual Effects Director
Kang Jong-ik
Visual Effects Director
Lighting Artist
Seo Young Heo
Lighting Artist
Kim Hyeong-gi
Lighting Artist
Kwon Yong-ho
Lighting Artist
Lee Eun-seon
Lighting Artist
Park Sung-hyeok
Lighting Artist
Matte Painter
Huh Soo-jung
Matte Painter
Ko Hee-kyung
Matte Painter
Oh Yu-min
Matte Painter
Park Ji-hyeon
Matte Painter
You Hyeon-jeong
Matte Painter
Matchmove Supervisor
Cha Dong-ho
Matchmove Supervisor
Choi Seung-goo
Matchmove Supervisor
Jang Hyo-sun
Matchmove Supervisor
Costume Assistant
Kim Tae-yeon
Costume Assistant
Data Management Technician
Lee Su-jin
Data Management Technician
Translator
Cho Hye-lin
Translator
Sound Editor
Go Eun-ha
Sound Editor
Vocals
Lee Ji-hye
Vocals
Adaptation
Kim Dae-hwan
Adaptation
Digital Intermediate Producer
Ryu Yeon
Digital Intermediate Producer
Lighting Director
Kim Chang-ho
Lighting Director
Visual Effects Production Assistant
Shin Jeong-ho
Visual Effects Production Assistant
Dolby Consultant
James Wright
Dolby Consultant
Digital Intermediate
Kevin Kang
Digital Intermediate
3D Supervisor
Andras Ikladi
3D Supervisor
Assistant Camera
Lee Hyun
Assistant Camera
Compositing Lead
Kim Bo-ra
Compositing Lead
Lee Jae-wook
Compositing Lead
Liang Jun-ling
Compositing Lead
Seok Jong-yeon
Compositing Lead
Compositing Artist
Lee Ji-yeon
Compositing Artist
Kim Ji-su
Compositing Artist
Hwang Eun-bi
Compositing Artist
Jung Da-som
Compositing Artist
Kim Jae-hwan
Compositing Artist
Kong Miseon
Compositing Artist
Lee Dong Kyu
Compositing Artist
Hanhee Hailey Lee
Compositing Artist
Lee Song-hee
Compositing Artist
Lee Young-young
Compositing Artist
Ryu Ga-hee
Compositing Artist
Lee Seung-yeon
Compositing Artist
Ahnwoo Yang
Compositing Artist
Youn Min-seok
Compositing Artist
Yu Mi-hwa
Compositing Artist
Theme Song Performance
Park Hyo-shin
Theme Song Performance
Art Designer
Im Se-jin
Art Designer
CGI Director
Park Si-hwan
CGI Director
Camera Car
Woo Geum-ho
Camera Car
Simulation & Effects Artist
Jang Hansaem
Simulation & Effects Artist
Kim Tae-hoon
Simulation & Effects Artist
Lee Min-ho
Simulation & Effects Artist
Lim Tae-woo
Simulation & Effects Artist
Park Hye-ri
Simulation & Effects Artist
Yun Hee
Simulation & Effects Artist
Sound Effects Designer
Gang Hye-yeong
Sound Effects Designer
Third Assistant "A" Camera
Byun Sang-jin
Third Assistant "A" Camera
What's left behind the scenes
- The film's shooting period was from May 18 to September 19, 2018.
- The stone that Min-hyeok’s (Park So-joon) family possesses and cherishes is called a ‘susok’. In Korea, there is a long-standing tradition of collecting stones of various sizes and interesting shapes. This hobby is usually pursued by wealthy individuals.
- Ki-jung (Park So-dam) forges university documents for her brother, related to ‘Inse’ University – one of the three most prestigious universities in South Korea. The film’s director, Bong Joon-ho, is an alumnus of this university.
- Before its premiere in South Korea, the rights to show the film were sold to 192 countries, setting a record for a South Korean film.
- For her role in the film, actress Jang Hye-jin gained 15 kg.
- Director Bong Joon-ho instructed actor Choi Woo-shik to lose some weight for the role, so his character, Ki-woo, would appear younger and more vulnerable.
- To help the young actors Choi Woo-shik and Park So-dam better get into their roles, Song Kang-ho allowed them to call him 'Dad' throughout the filming process, even though such familiarity towards a senior colleague is considered unacceptable in Korean society.
- Following its premiere at the Cannes Film Festival, the film received a 15-minute standing ovation.
- The first South Korean film to win the top prize at the Cannes Film Festival. This occurred in the year marking the 100th anniversary of Korean cinema.
- The film became the highest-grossing South Korean film in Russian box office history, the highest-grossing foreign film in North American theaters in 2019, and the highest-grossing South Korean film worldwide, breaking the record previously held by 'Extreme Job'.
- The first South Korean film to be nominated for and win a Golden Globe Award for Best Foreign Language Film; the first foreign film to win a Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture; the first South Korean film to be nominated for an Academy Award for Best Picture, and the first non-English language film to win it; the first film to win both the Best Picture and Best International Feature Film awards, and the first South Korean film to win an Oscar.
- The third film to win top honors at the Cannes Film Festival (the Palme d'Or) and an Academy Award (Best Picture). The first – Billy Wilder's "The Lost Weekend" (1945) – received the Grand Prix (at the time, the highest award) in Cannes, as the Palme d'Or was first awarded in 1955. The second – Delbert Mann's "Marty" (1955).
- While working on the script, director and screenwriter Bong Joon-ho chose tutoring as a job for the character Choi Woo-shik because, according to him, it is the only situation in which people from such different strata of modern South Korean society can intersect.
- An official black and white version of the film exists.
- The song used by Ki-jung (Park So-dam) to repeat the Jessica legend is called "Our Island Dokdo." It is a patriotic song about the disputed Liancourt Rocks (Kor. Dokdo) in the Sea of Japan between Japan and South Korea, known by every South Korean since childhood.
- American film critic Darcy Paquet, living in South Korea, worked on the English subtitles for the film and consulted with the director during the process. To better understand the film for Western audiences, he replaced Seoul National University with Oxford University and the popular Korean messenger KakaoTalk with WhatsApp.
- When the Park family returns home, Ki-taek (Song Kang-ho) asks Chung-sook (Jang Hye-jin) to make a noodle dish called Jjapaguri – a mix of two instant noodle dishes, Chapagetti and Neoguri. It became known as 'ramdon' (ramyeon + udon) in English.
- In the semi-basement where the Kim family lives, production designer Lee Ha-jun recreated the smell of decay and mold for greater authenticity.
- The Park house was built in Jeonju (the capital of North Jeolla Province) specifically for filming. Before work began, designer Lee Ha-jun studied the interiors and exteriors of similar designer buildings. The area of the house with the garden is approximately 1,980 square meters, and the cost of its construction was about $2 million. The street in front of the house and other buildings on it are computer graphics. After filming, the house was demolished.
- After watching the film at Cannes, Alejandro González Iñárritu asked Bong Joon-ho where he found a house that suited his vision so perfectly, and was very surprised to learn that the house had been built specifically for the shoot.
- To make the water brown for filming the flood scene in the basement, it was contaminated with cosmetic clay.
- During the scene of a conversation between father and son in the gym, the actor playing Ki-woo (Choi Woo-shik) cried, even though it wasn't scripted.
- In an interview, the director confessed that the main sources of inspiration for the film were Kim Ki-young's "The Housemaid" (1960) and the case of the Papin sisters.
- The characters' names contain hints about the plot development: - the names of the head of the Kim family and his children begin with the first syllable of the film's title (transcribed into Cyrillic as 'kisenchhun') – Ki-taek (Song Kang-ho), Ki-woo (Choi Woo-shik), Ki-jung (Park So-dam) - the name Ki-woo can be translated as "excitement" or "anxiety" - the name Ki-jung can be translated as "predestined fate" - the name Moon-gwang (Lee Jung-eun) can be interpreted as "madness associated with the door".
- Upon learning that Bong Joon-ho was writing a screenplay with a role for him, actor Song Kang-ho imagined his character as wealthy and attractive.
- Ki-jung (Park So-dam) forges university documents for her brother at Yonsei University – one of the three most prestigious universities in South Korea. The film’s director, Bong Joon-ho, also graduated from this university.
- The film became the highest-grossing South Korean film in the history of Russian distribution, the highest-grossing foreign film in North American distribution in 2019, and the highest-grossing South Korean film in worldwide box office history, breaking the record previously held by "Extreme Job".
- The first South Korean film nominated for and winning a Golden Globe Award for Best Foreign Language Film; the first foreign film to win a Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture; the first South Korean film nominated for an Academy Award for Best Picture, and the first non-English language film to win it; the first film to win both Best Picture and Best International Feature Film, and the first South Korean film to win an Oscar.
- The third film to win both the top awards at the Cannes Film Festival (the Palme d'Or) and the Academy Award for Best Picture. The first – Billy Wilder’s 'The Lost Weekend' (1945) – received the Grand Prix (the highest award at the time) at Cannes, as the Palme d'Or was first awarded in 1955. The second – Delbert Mann's 'Marty' (1955).
- The song Ki-jung (Park So-dam) uses to repeat the legend of Jessica is called 'Our Island Tokto.' It is a patriotic song about the disputed Liancourt Rocks (Kor. Tokdo) in the Sea of Japan between Japan and South Korea, known by every South Korean from childhood.
- When the Park family returns home, Yeon-gyo (Cho Yeo-jeong) asks Chung-sook (Jang Hye-jin) to make a noodle dish called Jjapaguri (or Chapaguri) – a mix of two instant noodle dishes, Chapagetti and Neoguri. It has become known as ramdon (ramyeon + udon) in English.
- The Park family’s house was built in Jeonju (the capital of North Jeolla Province) specifically for filming. Before work began, art director Lee Ha-joon studied the interiors and exteriors of similar designer buildings. The house, including the garden, covers approximately 1,980 square meters, and its construction cost around $2 million. The street in front of the house and other buildings on it are computer-generated imagery. After filming was completed, the house was demolished.
- In an interview, the director admitted that the main sources of inspiration for the film were Kim Ki-young’s “The Housemaid” (1960) and the Papin sisters case.
- The characters' names contain hints about the plot development: - the names of the head of the Kim family and his children begin with the first syllable of the film's title (transcribed in Cyrillic as kisenchun) – Ki-taek (Song Kang-ho), Ki-woo (Choi Woo-shik), Ki-jung (Park So-dam) - the name Ki-woo can be translated as "excitement" or "anxiety" - the name Ki-jung can be translated as "predestined fate" - the name Moon-gwang (Lee Jung-eun) can be interpreted as "madness associated with the door."
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