Beanpole - actors, characters and roles

All actors and their roles in the film "Beanpole"
Дылда (2019)
Timing: 2:14 (134 min)
Beanpole - TMDB rating
7.021/10
350
Beanpole - Kinopoisk rating
6.593/10
62635
Beanpole - IMDB rating
7.2/10
13000

Actors and characters

Photo Vasilisa Perelygina #246649Photo Vasilisa Perelygina #246650
Vasilisa Perelygina
Character Masha
Photo Konstantin Balakirev #246651Photo Konstantin Balakirev #246652
Konstantin Balakirev
Character Stepan
Photo Kseniya Kutepova #177459Photo Kseniya Kutepova #177460Photo Kseniya Kutepova #177461Photo Kseniya Kutepova #177462

Kseniya Kutepova

Kseniya Kutepova
Character Lyubov Petrovna
Photo Olga Dragunova #246653
Olga Dragunova
Character Seamstress
Photo Andrey Bykov #246654
Andrey Bykov
Character Nikolay Ivanovich
Igor Shirokov
Character Sasha
Timofey Glazkov
Character Pashka
Alyona Kuchkova
Character Stepan's Wife
Veniamin Kac
Character Sasha's Friend
Denis Kozinets
Character Sasha's Father
Photo Alisa Oleynik #337671
Alisa Oleynik
Character Katya
Dmitri Belkin
Character Shepelev
Lyudmila Motornaya
Character Olga
Anastasiya Khmelinina
Character Nurse Leonova
Photo Viktor Chuprov #120028
Viktor Chuprov
Character Ryazanov
Vladimir Verzhbitskiy
Character Petrenko
Vladimir Morozov
Character Sadykov
Photo Galina Mochalova #246655
Galina Mochalova
Character old woman
Photo Ekaterina Kukuy #246656
Ekaterina Kukuy
Character girl in uniform
Photo Mikhail Shelomentsev #68976
Mikhail Shelomentsev
Character train driver
Photo Yuliya Men #337672
Yuliya Men
Character gynecology doctor
Photo Tatyana Mishina #246657Photo Tatyana Mishina #320211Photo Tatyana Mishina #337673Photo Tatyana Mishina #337674

Tatyana Mishina

Tatyana Mishina
Character caretaker

What's left behind the scenes

  • The film was shot in Saint Petersburg in 2018.
  • Syringes with a telescopic needle retracting into the body of the syringe were specially made for close-up shots in the hospital.
  • All bandages were tinted with tea and dried on the radiator the night before filming to simulate a washed-out appearance.
  • The film features a scene celebrating the New Year. The team gained access to archives where they discovered how small pieces of cotton were ‘strung’ onto threads to imitate snowflakes.
  • To develop prosthetics for damaged limbs, patients in hospitals of that era made their own training devices. The team managed to find these homemade items in museums and books and create accurate replicas.
  • The film used genuine tram cars from that period, now stored at the Museum of Urban Electric Transport in St. Petersburg. For a number of shots, the team had to devise a structure that could simulate the external footrests that existed at the time for ‘fare dodgers’: one that would not damage the museum exhibit and simultaneously support a dozen passengers.
  • The son of a party official’s car is also a museum exhibit. It is a 1938 Mercedes. The actor who played Sasha underwent training to be able to handle it himself.
  • Real posters from that era are displayed on the poster stand near the club.
  • Window cracks were sealed with genuine newspapers from 1942, which the prop master found at the Udelnaya market – all issues of the «Pravda» newspaper from that year. During the set decoration process, these newspapers had to be carefully hidden, otherwise they would be taken for souvenirs. In addition, these newspapers were cut up and used to make improvised napkins on bedside tables for the New Year’s scene in the hospital.
  • The walls in the hospital corridor were repainted green in three stages directly during filming. But in the final scene in the hospital corridor, the corridor is shown completely renovated. This was not in the original plan, but the producers suggested it to the director, who liked the idea. As a result, the walls were painted between takes unnoticed, and this remained in the film.
  • The film features a scene celebrating the New Year. The crew gained access to archives where they discovered how small pieces of cotton were threaded onto strings to imitate snowflakes.
  • The film used real tram cars from that era, now stored in the Museum of Urban Electric Transport in St. Petersburg. For a number of shots, the crew had to devise a structure that could imitate the external footboards that existed at the time for fare-dodgers – one that wouldn't damage the museum exhibit and could simultaneously support a dozen passengers.
  • Window cracks were sealed with genuine newspapers from 1942, found by the props master at the Udelnaya Flea Market – all issues of the "Pravda" newspaper from that year. During the set decoration process, these newspapers had to be carefully hidden, otherwise they would be taken as souvenirs. In addition, these newspapers were cut and used to make improvised napkins on bedside tables for the New Year's scene in the hospital.
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