Kingdom of the Planet of the Apes
No one can stop the reign.
Kingdom of the Planet of the Apes (2024)
Timing:
2:25 (145 min)
7.056/10
4191
4191
6.615/10
47976
47976
6.8/10
167000
167000
Country
Production
Genre
Action, Science Fiction, Adventure
Budget
$160 000 000
Revenue
$397 378 150
Director
Actors
Owen Teague, Freya Allan, Kevin Durand, Peter Macon, William H. Macy, Eka Darville, Travis Jeffery, Lydia Peckham, Neil Sandilands, Ras-Samuel Welda'abzgi
All actors and roles (10)
All actors and roles (10)
Scenario
Producer
Operator
Gyula Pados
Composer
Artist
Prue Parsons, Zander Ricketson, Kate Rawlins
Audition
Debra Zane, Dylan Jury
Editing
Dan Zimmerman, Dirk Westervelt, Daniella Said
All team (104)
All team (104)
Short description
Several generations in the future following Caesar's reign, apes are now the dominant species and live harmoniously while humans have been reduced to living in the shadows. As a new tyrannical ape leader builds his empire, one young ape undertakes a harrowing journey that will cause him to question all that he has known about the past and to make choices that will define a future for apes and humans alike.
What's left behind the scenes
- The film is set approximately 300 years after the events of Matt Reeves' science fiction action film "War for the Planet of the Apes" (2017).
- In the government bunker, the apes discover a doll that says “mama”—just like the doll Charlton Heston’s character found in the science fiction film *Planet of the Apes* (Franklin J. Schaffner, 1967), and this lends weight and credibility to the theory that humans were once the dominant life form.
- As soon as he was cast as Noah, Owen Teague began studying anthropoid apes at a sanctuary in Florida. He started with chimpanzees, figuring out how the animals spend their time and how they move. He was particularly drawn to a chimpanzee named Bentley. According to Teague, it was Bentley who helped him develop the character of Noah, which he then embodied on screen.
- When working on the action scenes of the human hunt on the river, the filmmakers used a technique previously used in James Cameron’s science fiction action film *Avatar: The Way of Water* (2022). They needed the interaction of computer-generated ape images with water to look as realistic as possible on the screen.
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