365 Days - crew, film crew
The entire team, the film crew of the film "365 Days"
365 dni (2020)
Timing:
1:54 (114 min)
7/10
9407
9407
5.07/10
173010
173010
3.3/10
108000
108000
Film crew
Director
Tomasz Mandes
Director
Producer
Tomasz Mandes
Producer
Maciej Kawulski
Producer
Ewa Lewandowska
Producer
Casting
Tomasz Mandes
Casting
Agata Biedrzycka
Casting
Editor
Marcin Drewnowski
Editor
Costume Design
Malgorzata Skorupa
Costume Design
Magdalena Sekrecka
Costume Design
Production Design
Agnieszka Bartold
Production Design
Stunt Coordinator
Marco Stefanelli
Stunt Coordinator
Second Unit Director
Marek Serdiukow
Second Unit Director
Set Decoration
Dagmara Pokromska
Set Decoration
Makeup Artist
Grzegorz Szczuka
Makeup Artist
Original Music Composer
Michał Sarapata
Original Music Composer
Mateusz Sarapata
Original Music Composer
Co-Producer
Robert Kijak
Co-Producer
Anna Waśniewska-Gill
Co-Producer
Director of Photography
Bartek Cierlica
Director of Photography
Steadicam Operator
Jaromír Kalina
Steadicam Operator
Sound Effects Editor
Filip Krzyżykowski
Sound Effects Editor
Still Photographer
Piotr Pędziszewski
Still Photographer
Wojciech Bąkiewicz
Still Photographer
Production Manager
Iwona Polak
Production Manager
Boom Operator
Michał Matlak
Boom Operator
Rafał Lenart
Boom Operator
Krzysztof Klimko
Boom Operator
Tomasz Dobrzeniecki
Boom Operator
Screenplay
Tomasz Mandes
Screenplay
Tomasz Klimala
Screenplay
Novel
Blanka Lipińska
Novel
Dialogue Editor
Adam Szlenda
Dialogue Editor
Assistant Editor
Magdalena Surawska
Assistant Editor
Props
Rafał Oryga
Props
Grip
Andrzej Dutkiewicz
Grip
Assistant Property Master
Zbigniew Kowalski
Assistant Property Master
Accountant
Marek Urnańczak
Accountant
Anna Kobylarz
Accountant
Marlena Rój
Accountant
Assistant Director
Adrianna Bartkowska
Assistant Director
Music
Michał Sarapata
Music
Mateusz Sarapata
Music
Post Production Coordinator
Piotr Kolodziejczyk
Post Production Coordinator
Assistant Makeup Artist
Justyna Koczara
Assistant Makeup Artist
Production Coordinator
Justyna Kluczewska
Production Coordinator
Agata Karlicka
Production Coordinator
VFX Supervisor
Mariusz Świąder
VFX Supervisor
Choreographer
Stefano Terrazzino
Choreographer
Costume Assistant
Józefina Loy
Costume Assistant
Best Boy Lighting Technician
Stanisław Zieliński
Best Boy Lighting Technician
Assistant Production Manager
Klaudia Serewiś
Assistant Production Manager
Małgorzata Soja
Assistant Production Manager
Title Designer
Filip Kaczorek
Title Designer
Administration
Maciej Szczygieł
Administration
Translator
Anna Wójcicka
Translator
Josh Skjold
Translator
Foley Recordist
Jacek Wiśniewski
Foley Recordist
Sound Director
Marcin Kasiński
Sound Director
Kacper Habisiak
Sound Director
Public Relations
Joanna Jakubik
Public Relations
Aleksandra Karbowiak-Dajewska
Public Relations
Marcin Kurowski
Public Relations
Karolina Makuch
Public Relations
Marta Marczak
Public Relations
Aleksandra Misiak
Public Relations
Agata Słowińska
Public Relations
Special Props
Czesław Kałużny
Special Props
Joanna Zygmunciak
Special Props
Karol Zygmunciak
Special Props
Marta Kurek
Special Props
Danila Berencew
Special Props
Digital Intermediate
Radosław Matulka
Digital Intermediate
Music Consultant
Roch Poliszczuk
Music Consultant
Creative Producer
Tomasz Mandes
Creative Producer
Pyrotechnician
Krzysztof Buczek
Pyrotechnician
Piotr Nowacki
Pyrotechnician
Piotr Krzyczmonik
Pyrotechnician
Script
Sabina Łozińska
Script
Catering
Marzena Derkowska
Catering
Łukasz Golus
Catering
Dariusz Harasim
Catering
Bernadetta Strumińska
Catering
Marek Soszka
Catering
Zbigniew Białek
Catering
Assistant Grip
Krzysztof Janowski
Assistant Grip
Master Lighting Artist
Andrzej Bąkowski
Master Lighting Artist
Sebastian Stecko
Master Lighting Artist
Artur Buczyński
Master Lighting Artist
Assistant Production Design
Klara Bartold
Assistant Production Design
Interior Designer
Dagmara Pokromska
Interior Designer
What's left behind the scenes
- Michele Morrone was given the film script to read when he had already given up on his acting career. He had just gotten divorced, leaving him penniless, and was in a severe depression, living in a tiny Italian village where he worked on a farm. About six months later, his agent called and told him that Polish filmmakers wanted to cast him as a mafia member. Morrone boarded a plane to Poland that same day.
- The filmmakers placed great importance on making the erotic scenes in the film look believable, and on ensuring that viewers could even hear whispers and the actors’ heavy breathing. They positioned the camera so it wasn’t conspicuous and didn’t rush the actors, giving them as much time as they needed. The presence of filmmakers on set was minimized. As a result, the scenes looked so realistic that some viewers seriously thought the actors were actually having sex on camera. They had to explain in interviews that this was not the case.
- Blanka Lipińska, the screenwriter and author of the novel of the same name (2014), which served as the literary source for the screenplay, offered to play the scene with oral sex on board the plane herself, claiming that only she knew exactly how the scene needed to be played so that the audience understood what the filmmakers wanted to convey. Her offer was declined, and an actress played the role of the flight attendant.
Did you like the film?
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