Transformers: Rise of the Beasts - crew, film crew
The entire team, the film crew of the film "Transformers: Rise of the Beasts"
Transformers: Rise of the Beasts (2023)
Timing:
2:7 (127 min)
7.175/10
5219
5219
5.488/10
61961
61961
6/10
130000
130000
Film crew
Director
Producer
Duncan Henderson
Producer
Executive Producer
Brian Goldner
Executive Producer
Brian Oliver
Executive Producer
Valerii An
Executive Producer
Casting
Wittney Horton
Casting
Editor
Special Effects Supervisor
Ilya Churinov
Special Effects Supervisor
Guillaume Murray
Special Effects Supervisor
J.D. Schwalm
Special Effects Supervisor
Art Direction
Philippe Lord
Art Direction
Mathieu Giguère
Art Direction
Arthur Jongewaard
Art Direction
Marie-Soleil Dénommé
Art Direction
Frédéric Berthiaume
Art Direction
Ève Boulonne
Art Direction
Caroline Davignon
Art Direction
Supervising Art Director
Michele Laliberte
Supervising Art Director
Félix Larivière-Charron
Supervising Art Director
Costume Design
Ciara Whaley
Costume Design
Stunts
Vaia Zaganas
Stunts
Tom Elliott
Stunts
Gui DaSilva-Greene
Stunts
Anisha Gibbs
Stunts
Production Design
Sean Haworth
Production Design
Stunt Coordinator
Tim Trella
Stunt Coordinator
Second Unit Director
Anthony Leonardi III
Second Unit Director
James Madigan
Second Unit Director
Set Decoration
Louis Dandonneau
Set Decoration
Ann Smart
Set Decoration
Brent David Mannon
Set Decoration
Michael Nallan
Set Decoration
Stunt Driver
Rodney Alexandre
Stunt Driver
Adam Winlove-Smith
Stunt Driver
E. Nova Zatzman
Stunt Driver
Kye Walstrom
Stunt Driver
Angelica Lisk-Hann
Stunt Driver
Max Daniels
Stunt Driver
Makeup Artist
Nathalie Legault
Makeup Artist
Melissa Puch
Makeup Artist
Original Music Composer
Co-Producer
Cliff Lanning
Co-Producer
Set Dresser
Georges Samuel
Set Dresser
Manuel Charbonneau
Set Dresser
Travis Nunnally
Set Dresser
Eduardo Santibanez
Set Dresser
Second Assistant Director
Esteban Sánchez
Second Assistant Director
Stunt Double
Alvin Zalamea
Stunt Double
Director of Photography
Assistant Art Director
Shoko Kambara
Assistant Art Director
Visual Effects Supervisor
Matt Aitken
Visual Effects Supervisor
Gary Brozenich
Visual Effects Supervisor
Richard Little
Visual Effects Supervisor
Supervising Sound Editor
Hair Department Head
Frédéric Bélanger
Hair Department Head
Hairstylist
Eli Girard
Hairstylist
Sound Mixer
Felix Andrew
Sound Mixer
Visual Effects Producer
Chantal Feghali
Visual Effects Producer
Aaron Cowan
Visual Effects Producer
First Assistant Director
Cliff Lanning
First Assistant Director
Screenplay
Darnell Metayer
Screenplay
Josh Peters
Screenplay
Set Designer
Radia Slaimi
Set Designer
Simon Théberge
Set Designer
Clothilde Caillé-Levesque
Set Designer
Dale Byrns
Set Designer
Set Decoration Buyer
Dennis Ogle
Set Decoration Buyer
Sound Designer
Key Hair Stylist
Soraya Qadi
Key Hair Stylist
Set Production Assistant
Story
Makeup Designer
Colleen Quinton
Makeup Designer
Third Assistant Director
Geneviéve Duguay
Third Assistant Director
Clara Haddad
Third Assistant Director
Casting Associate
Eve Streger
Casting Associate
"A" Camera Operator
James McMillan
"A" Camera Operator
Production Assistant
VFX Artist
Alexander Nowotny
VFX Artist
Set Decorating Coordinator
Ian Vandewalle
Set Decorating Coordinator
Line Producer
Karl Sigurdarson
Line Producer
ADR Supervisor
Original Story
Dialogue
Senior Animator
Amaury Coljon
Senior Animator
Additional Casting
Robert McGee
Additional Casting
Ruth Lambert
Additional Casting
What's left behind the scenes
- A certain part of the plot is inspired by the television series “Beast Wars: Transformers” (1996), which features Maximals and Predacons, descendants of the Autobots and Decepticons, who can transform into various animals and creatures.
- The film owes a significant portion of its computer animation to MPC, rather than ILM, as was the case with previous films in the franchise. It is claimed that the company rushed to finish the work on time, which led to the need to cut many scenes (including the entire storyline of the Decepticon named Transit, who transformed into a bus to hide from Optimus Prime) and change others. Seven months before the film's release, in November 2022, Weta Digital was brought in to help MPC, otherwise it would have been simply impossible to meet the deadline. It was Weta Digital specialists who completely redid almost the entire final battle. Many initially made and unfinished scenes remained only in the trailers. The scene on the homeworld of the Maximals, with which the film begins, was also added by Weta Digital, and the character named Airlink was invented at the very last moment. In an anonymous letter to fans of the franchise, MPC animators apologized for the unsatisfactory level of computer graphics and admitted that the project was entrusted to MPC only because it was cheaper than contacting ILM.
- Unlike most previous 'Transformers' films, it was not originally intended for the robots to match in size the vehicles they transform into. According to one of the Weta Digital animators, the truck that Optimus Prime transforms into is four times larger than himself in robot form. This means that when transforming into robot form, he shrinks significantly in size. Other details do not align between vehicle and robot modes either. When Bumblebee transforms into a 'Camaro', his robot body remains the same, and lacks some of the vehicle's characteristic features (which appear and disappear during the transition between forms). In particular, his wheels in robot form are different from the wheels visible when he is in vehicle form. According to one of the computer graphics artists, the animators were aware of these inconsistencies, but the film’s producers were not interested in the details and nuances of Bumblebee’s similarity in robot and vehicle modes.
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