The Passion of Joan of Arc - actors, characters and roles

All actors and their roles in the film "The Passion of Joan of Arc"
La Passion de Jeanne d'Arc (1928)
Timing: 1:21 (81 min)
The Passion of Joan of Arc - TMDB rating
7.983/10
1073
The Passion of Joan of Arc - Kinopoisk rating
8.019/10
12146
The Passion of Joan of Arc - IMDB rating
8.1/10
68000

Actors and characters

Photo Maria Falconetti #123665Photo Maria Falconetti #123666

Maria Falconetti

Maria Falconetti
Character Jeanne d'Arc
Photo Eugène Silvain #123667Photo Eugène Silvain #123668
Eugène Silvain
Character Bishop Pierre Cauchon
Photo André Berley #123669Photo André Berley #123670
André Berley
Character Jean d'Estivet
Photo Maurice Schutz #64237Photo Maurice Schutz #64238Photo Maurice Schutz #64239
Maurice Schutz
Character Nicolas Loyseleur
Photo Antonin Artaud #64216Photo Antonin Artaud #64217

Antonin Artaud

Antonin Artaud
Character Jean Massieu
Photo Michel Simon #123671Photo Michel Simon #123672Photo Michel Simon #123673Photo Michel Simon #123674

Michel Simon

Michel Simon
Character Jean Lemaître
Photo Jean d
Jean d'Yd
Character Guillaume Evrard
Photo Louis Ravet #123676
Louis Ravet
Character Jean Beaupère
Photo Armand Lurville #123677
Armand Lurville
Character Judge
Jacques Arnna
Character Judge
Photo Léon Larive #123680
Léon Larive
Character Judge
Photo Jean Aymé #123681
Jean Aymé
Character Judge (uncredited)
Gilbert Dacheux
Character Judge (uncredited)
Gilbert Dalleu
Character Jean Lemaître (uncredited)
Paul Delauzac
Character Martin Ladvenu (uncredited)
Dimitri Dimitriev
Character Judge (uncredited)
Fournez-Goffard
Character Judge (uncredited)
Henri Gaultier
Character Judge (uncredited)
Paul Jorge
Character Judge (uncredited)
Marie Lacroix
Character Woman Looking at the Stake (uncredited)
Henri Maillard
Character Judge (uncredited)
Raymond Narlay
Character Judge (uncredited)

What's left behind the scenes

  • For the film, Carl Theodor Dreyer designed special sets with movable walls, which consumed the majority of the allocated budget. However, the sets are only visible in fragments in the footage, as the main focus is on close-ups of the characters.
  • Work on the film lasted about a year and a half.
  • During filming, none of the actors wore makeup, which was completely unprecedented at the time.
  • According to the director's vision, the film should be shown without sound accompaniment, in complete silence.
  • The film was banned from screening in the United Kingdom because English soldiers are depicted in it as sadists, tormenting Joan.
  • The original film negative was lost in a fire, and Dreyer re-edited a new version from takes that he had previously rejected.
  • Around 1950, French film scholar Lo Duca discovered fragments of the film in the Gaumont studio archives and created his own edit of the film with subtitles and music by Vivaldi, Albinoni, and other Baroque composers as accompaniment. This version provoked strong protests from Dreyer, who stated that Lo Duca's edit had nothing to do with the original editing of his film.
  • For half a century, the original version of the film was considered lost; however, in 1981, a remarkably well-preserved, nearly complete copy of the original film with Danish subtitles was discovered in a storage room of a psychiatric clinic in Oslo, which became the basis for the restored version that exists today.
  • In 1985, the French Cinémathèque released a restored version of the film, fully preserving the editing of the copy found in Oslo, with subtitles translated from Danish to French. For this version, composer Richard Einhorn wrote a musical accompaniment – the oratorio “Visions of Light” – in 1994.
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