Persona - actors, characters and roles

All actors and their roles in the film "Persona"
Persona (1966)
Timing: 1:24 (84 min)
Persona - TMDB rating
8.1/10
2363
Persona - Kinopoisk rating
7.938/10
38886
Persona - IMDB rating
8/10
140000

Actors and characters

Photo Liv Ullmann #83172Photo Liv Ullmann #83173Photo Liv Ullmann #83174Photo Liv Ullmann #83175

Liv Ullmann

Liv Ullmann
Character Elisabet Vogler
Photo Margaretha Krook #126397Photo Margaretha Krook #126398
Margaretha Krook
Character The Doctor
Photo Jörgen Lindström #126399

Jörgen Lindström

Jörgen Lindström
Character Elisabet's Son (uncredited)

What's left behind the scenes

  • In ancient theatre, the term "Persona" denoted a mask through whose mouth opening the actor declaims their role. The term "Persona" itself was borrowed by Ingmar Bergman from Carl Gustav Jung's philosophical theory concerning the connection between "Persona" and "Anima" in life, where "Persona" represents a mask portraying a specific role in society, while concealing the true "self." "Anima," or "Animus," is the collective image of a woman in a man's individual unconscious, and vice versa; it is an archetype, opposite to the perfect image of the "Persona."
  • Bergman initially planned to name the film "Cinema" (the film begins with a depiction of a cinema projector lamp lighting up, flashes of frames, somewhere in the middle the film breaks, and at the end of the film the lamp goes out). However, the producer prevented this.
  • In the spring of 1965, Ingmar Bergman (1918-2007) fell ill with pneumonia and was hospitalized, where he wrote the screenplay for "Persona."
  • In ancient theater, the term 'Persona' referred to a mask through which an actor declaims their role. The term 'Persona' itself was borrowed by Ingmar Bergman from Carl Jung's philosophical theory concerning the relationship between 'Persona' and 'Anima' in life, where 'Persona' represents a mask portraying a specific role in society, concealing the true self. 'Anima,' or 'Animus,' is the collective image of the woman in a man's individual unconscious, and vice versa – an archetype opposite to the perfect image of the 'Persona.'
  • Bergman originally planned to title the film "Cinema" (the picture begins with a demonstration of a film projector lamp lighting up, frames flashing, somewhere in the middle the film breaks, and at the end of the film the lamp goes out). However, the producer prevented this.
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