Persona - crew, film crew
The entire team, the film crew of the film "Persona"
Persona (1966)
Timing:
1:24 (84 min)
8.1/10
2363
2363
7.938/10
38886
38886
8/10
140000
140000
Film crew
Director
Producer
Editor
Ulla Ryghe
Editor
Costume Design
Production Design
Bibi Lindström
Production Design
Set Decoration
Karl-Arne Bergman
Set Decoration
Makeup Artist
Börje Lundh
Makeup Artist
Tina Johansson
Makeup Artist
Original Music Composer
Lars Johan Werle
Original Music Composer
Director of Photography
Camera Operator
Anders Bodin
Camera Operator
Script Supervisor
Kerstin Berg
Script Supervisor
Still Photographer
Lars Johnsson
Still Photographer
Sound Mixer
Olle Jacobsson
Sound Mixer
Production Manager
Lars-Owe Carlberg
Production Manager
Screenplay
Story
Assistant Director
Lenn Hjortzberg
Assistant Director
Sound Assistant
Lennart Engholm
Sound Assistant
Sound
Lennart Engholm
Sound
Per-Olof Pettersson
Sound
Sound Effects
Evald Andersson
Sound Effects
Assistant Camera
Lars Johnsson
Assistant Camera
What's left behind the scenes
- In ancient theatre, the term "Persona" denoted a mask through whose mouth opening the actor declaims their role. The term "Persona" itself was borrowed by Ingmar Bergman from Carl Gustav Jung's philosophical theory concerning the connection between "Persona" and "Anima" in life, where "Persona" represents a mask portraying a specific role in society, while concealing the true "self." "Anima," or "Animus," is the collective image of a woman in a man's individual unconscious, and vice versa; it is an archetype, opposite to the perfect image of the "Persona."
- Bergman initially planned to name the film "Cinema" (the film begins with a depiction of a cinema projector lamp lighting up, flashes of frames, somewhere in the middle the film breaks, and at the end of the film the lamp goes out). However, the producer prevented this.
- In the spring of 1965, Ingmar Bergman (1918-2007) fell ill with pneumonia and was hospitalized, where he wrote the screenplay for "Persona."
- In ancient theater, the term 'Persona' referred to a mask through which an actor declaims their role. The term 'Persona' itself was borrowed by Ingmar Bergman from Carl Jung's philosophical theory concerning the relationship between 'Persona' and 'Anima' in life, where 'Persona' represents a mask portraying a specific role in society, concealing the true self. 'Anima,' or 'Animus,' is the collective image of the woman in a man's individual unconscious, and vice versa – an archetype opposite to the perfect image of the 'Persona.'
- Bergman originally planned to title the film "Cinema" (the picture begins with a demonstration of a film projector lamp lighting up, frames flashing, somewhere in the middle the film breaks, and at the end of the film the lamp goes out). However, the producer prevented this.
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Auditions in India
Casting calls in USA
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Кастинги в Україні
