Master and Commander: The Far Side of the World - crew, film crew
The entire team, the film crew of the film "Master and Commander: The Far Side of the World"
Master and Commander: The Far Side of the World (2003)
Timing:
2:18 (138 min)
7.187/10
3470
3470
7.637/10
88800
88800
7.5/10
254000
254000
Film crew
Director
Producer
Duncan Henderson
Producer
Samuel Goldwyn Jr.
Producer
Executive Producer
Alan B. Curtiss
Executive Producer
Casting
Fiona Weir
Casting
Editor
Art Direction
Marco Niro
Art Direction
Mark W. Mansbridge
Art Direction
Bruce Crone
Art Direction
Héctor Romero
Art Direction
Costume Design
Wendy Stites
Costume Design
Stunts
Joey Anaya
Stunts
Mark Norby
Stunts
Erik Rondell
Stunts
Joey Box
Stunts
Chris O'Hara
Stunts
Tom Morga
Stunts
Max Daniels
Stunts
Hugh Aodh O'Brien
Stunts
Production Design
William Sandell
Production Design
Stunt Coordinator
Daniel W. Barringer
Stunt Coordinator
Second Unit Director
Set Decoration
Robert Gould
Set Decoration
Makeup Artist
Robin Beauchesne
Makeup Artist
Erin Henriques
Makeup Artist
Key Makeup Artist
Kate Biscoe
Key Makeup Artist
Sound Re-Recording Mixer
Paul Massey
Sound Re-Recording Mixer
Doug Hemphill
Sound Re-Recording Mixer
Original Music Composer
Christopher Gordon
Original Music Composer
Richard Tognetti
Original Music Composer
Unit Production Manager
Todd Arnow
Unit Production Manager
Co-Producer
Todd Arnow
Co-Producer
Meyer Gottlieb
Co-Producer
Set Dresser
Giovanni Bianchini
Set Dresser
Second Assistant Director
David M. Bernstein
Second Assistant Director
Stunt Double
Stuart Clark
Stunt Double
Utility Stunts
Mitch Toles
Utility Stunts
Director of Photography
Pilot
Ivor Shier
Pilot
Musician
Camera Operator
Guillermo Rosas
Camera Operator
Jamie Barber
Camera Operator
George Billinger III
Camera Operator
Martha Susana Ramos
Camera Operator
Don Reddy
Camera Operator
Matthew J. Siegel
Camera Operator
Steadicam Operator
Harry K. Garvin
Steadicam Operator
Costumer
Anthony Almaraz
Costumer
Costume Supervisor
Dawn Y. Line
Costume Supervisor
Makeup Department Head
Edouard F. Henriques
Makeup Department Head
Key Costumer
Mary C. Lane
Key Costumer
Sound Effects Editor
Hamilton Sterling
Sound Effects Editor
Michael W. Mitchell
Sound Effects Editor
Assistant Art Director
Kevin Ishioka
Assistant Art Director
Property Master
Doug Harlocker
Property Master
Visual Effects Supervisor
Nathan McGuinness
Visual Effects Supervisor
Mitchell S. Drain
Visual Effects Supervisor
Pablo Helman
Visual Effects Supervisor
Nathan McGuinness
Visual Effects Supervisor
Script Supervisor
Wilma Garscadden-Gahret
Script Supervisor
Brenda Lopez
Script Supervisor
Hair Department Head
Yolanda Toussieng
Hair Department Head
Electrician
Willie E. Dawkins
Electrician
Set Costumer
Javier Arrieta
Set Costumer
Aerial Director of Photography
Phil Pastuhov
Aerial Director of Photography
Supervising ADR Editor
R.J. Kizer
Supervising ADR Editor
John A. Larsen
Supervising ADR Editor
Hairstylist
Edith I. Amezcua
Hairstylist
Special Effects Coordinator
Daniel Sudick
Special Effects Coordinator
Still Photographer
Stephen Vaughan
Still Photographer
Lead Animator
Michael Hemschoot
Lead Animator
Digital Effects Supervisor
David Ebner
Digital Effects Supervisor
Visual Effects Producer
Jeff Werner
Visual Effects Producer
Julia Frey
Visual Effects Producer
Stephanie Hornish
Visual Effects Producer
Helen Elswit
Visual Effects Producer
Jeff Werner
Visual Effects Producer
Armorer
Steve Auvenshine
Armorer
First Assistant Director
Alan B. Curtiss
First Assistant Director
Textile Artist
Sandra O'Toole
Textile Artist
Thanks
Christopher Terrill
Thanks
Driver
Tom Gilhooley
Driver
Boom Operator
Jeffrey A. Humphreys
Boom Operator
Graphic Designer
Jane Fitts
Graphic Designer
Screenplay
Novel
Patrick O'Brian
Novel
Set Designer
William Hiney
Set Designer
Nick Navarro
Set Designer
Mark Hitchler
Set Designer
Carlos Benassini
Set Designer
Manuel Martínez
Set Designer
First Assistant Editor
John Lee
First Assistant Editor
Foley Artist
Sound Designer
Richard King
Sound Designer
Propmaker
Bobby Mara
Propmaker
Construction Coordinator
Gary Deaton
Construction Coordinator
Art Department Coordinator
Gerald Lehtola
Art Department Coordinator
Dialogue Editor
Hugo Weng
Dialogue Editor
Assistant Editor
Anna Josenhans
Assistant Editor
First Assistant Sound Editor
Linda Yeaney
First Assistant Sound Editor
Best Boy Grip
Michael James Fahey
Best Boy Grip
Lighting Technician
Derick Pritchard
Lighting Technician
Rigging Grip
Oscar Gomez
Rigging Grip
Transportation Coordinator
Russell McEntyre
Transportation Coordinator
Compositing Supervisor
Jeff Doran
Compositing Supervisor
Key Grip
Chris Centrella
Key Grip
Ager/Dyer
Julia Gombert
Ager/Dyer
Location Manager
Michael John Meehan
Location Manager
Grip
Raúl Cortés
Grip
Dolly Grip
James D. Wickman
Dolly Grip
Brian Rosso
Dolly Grip
Assistant Property Master
Richard F. Anderson
Assistant Property Master
Leadman
Christopher Neely
Leadman
Key Rigging Grip
Jeff Kluttz
Key Rigging Grip
Set Production Assistant
Heather Anderson
Set Production Assistant
Second Second Assistant Director
Steven F. Beaupre
Second Second Assistant Director
Seamstress
Marcelina Barraza
Seamstress
Construction Foreman
James Arrigo
Construction Foreman
Foley Supervisor
Christopher Flick
Foley Supervisor
Special Effects Technician
Robert Alidon
Special Effects Technician
Production Accountant
Jen Hutchinson
Production Accountant
Casting Associate
Nicole Hilliard-Forde
Casting Associate
Gaffer
David Lee
Gaffer
Assistant Director
Michelene Mundo
Assistant Director
Music Editor
Simon Leadley
Music Editor
Focus Puller
Andrew Stroud
Focus Puller
Production Sound Mixer
Art Rochester
Production Sound Mixer
ADR Mixer
Wendy Czajkowsky
ADR Mixer
Video Assist Operator
Adam Barth
Video Assist Operator
ADR Recordist
Robbie Ashhurst
ADR Recordist
Storyboard Artist
David Russell
Storyboard Artist
David Russell
Storyboard Artist
Camera Trainee
Sergio Berry
Camera Trainee
First Assistant Camera
Robert Hill
First Assistant Camera
Special Effects Assistant
Martha Susana Ramos
Special Effects Assistant
Digital Compositor
Sherry Hitch
Digital Compositor
Jeff Sutherland
Digital Compositor
Post Production Coordinator
Marisa Clayton
Post Production Coordinator
Standby Painter
Anthony Gaudio
Standby Painter
Conductor
Christopher Gordon
Conductor
Colorist
Kent Pritchett
Colorist
Post Production Supervisor
Jeffrey Harlacker
Post Production Supervisor
Researcher
Brice Criswell
Researcher
Mimi Munson
Researcher
Digital Intermediate Colorist
Michael Eaves
Digital Intermediate Colorist
Stand In
Production Assistant
Jessica Teach
Production Assistant
Unit Publicist
Sandy O'Neill
Unit Publicist
Production Coordinator
Andy Foster
Production Coordinator
Tailor
Rosa Isela Atondo
Tailor
Scoring Mixer
Robert Fernandez
Scoring Mixer
Robert Fernandez
Scoring Mixer
Loader
Sal Alvarez
Loader
Visual Effects Coordinator
Kimberly Adams
Visual Effects Coordinator
Visual Effects Editor
Kosta Saric
Visual Effects Editor
Tom Barrett
Visual Effects Editor
Additional Second Assistant Camera
Michaele Shapiro
Additional Second Assistant Camera
Line Producer
Bridget Bourke
Line Producer
Local Casting
Kazimierz Suwala
Local Casting
ADR Editor
Susan Dawes
ADR Editor
Laura Graham
ADR Editor
ADR Voice Casting
Louis Elman
ADR Voice Casting
CG Artist
Robert Bourgeault
CG Artist
Rigging Gaffer
Stephen Johnstone
Rigging Gaffer
Best Boy Electric
Rick Maddux
Best Boy Electric
Post Production Assistant
Sassica Francis-Bruce
Post Production Assistant
Assistant Accountant
Christopher Ciketic
Assistant Accountant
Assistant Production Coordinator
Daniel A. Mondschain
Assistant Production Coordinator
Second Assistant Accountant
Tom Chung
Second Assistant Accountant
Construction Buyer
Gabriel Pérez
Construction Buyer
Sound Recordist
Tim Gomillion
Sound Recordist
Second Assistant Camera
Paul Gonsoulin
Second Assistant Camera
Assistant Sound Editor
Andrew Bock
Assistant Sound Editor
Dialect Coach
Judy Dickerson
Dialect Coach
Sequence Supervisor
Unit Manager
Rafael Cuervo
Unit Manager
Lighting Artist
Michael Sean Foley
Lighting Artist
Matte Painter
Shannan Burkley
Matte Painter
Matchmove Supervisor
Talmage Watson
Matchmove Supervisor
Second Unit
Joaquin Cervera
Second Unit
Post-Production Manager
Patrick Esposito
Post-Production Manager
Rotoscoping Artist
Daniel Becerra
Rotoscoping Artist
Transportation Captain
Wayne Stone
Transportation Captain
Production Executive
Kimberly Cooper
Production Executive
Translator
Quincy Perkins
Translator
Property Buyer
Liza Rudolph
Property Buyer
First Assistant Accountant
Lucy Amador
First Assistant Accountant
Set Medic
Jeffrey D. Stevens
Set Medic
Digital Intermediate Producer
Hilda Saffari
Digital Intermediate Producer
Visual Effects Production Assistant
Jessica O'Keefe
Visual Effects Production Assistant
ADR Engineer
Derek Casari
ADR Engineer
Digital Colorist
Jack Lewars
Digital Colorist
Dolby Consultant
Andy Potvin
Dolby Consultant
Color Timer
Jim Passon
Color Timer
Craft Service
Orlando Chongo
Craft Service
Negative Cutter
Gary Burritt
Negative Cutter
Visual Effects Assistant Editor
Paul Vega
Visual Effects Assistant Editor
Production Driver
David Travis Grieb
Production Driver
Foley
Nancy Parker
Foley
3D Supervisor
Christopher Bonnstetter
3D Supervisor
Assistant Camera
Mike Cahoon
Assistant Camera
Extras Casting Assistant
Claudio Bautista
Extras Casting Assistant
Executive Visual Effects Producer
Blondel Aidoo
Executive Visual Effects Producer
Production Consultant
Anna Roth
Production Consultant
Visual Effects Designer
Robert Stromberg
Visual Effects Designer
Additional Casting
Judith Bouley
Additional Casting
Assistant Chief Lighting Technician
Chris Culliton
Assistant Chief Lighting Technician
Digital Intermediate Editor
Martha Pike
Digital Intermediate Editor
Layout
Dani Morrow
Layout
Additional Sound Re-Recording Mixer
James Bolt
Additional Sound Re-Recording Mixer
Makeup Effects
Gabriel De Cunto
Makeup Effects
Animal Wrangler
Jesus Chavez
Animal Wrangler
Marine Coordinator
Rick Hicks
Marine Coordinator
Technical Supervisor
Brian Gee
Technical Supervisor
Digital Compositors
Kathleen Beeler
Digital Compositors
CG Animator
Matthew Hackett
CG Animator
Yuichiro Yamashita
CG Animator
Projection
Larry Hoki
Projection
Studio Teachers
Maxine Arbarbara
Studio Teachers
Judith M. Brown
Studio Teachers
I/O Supervisor
Brian Cuscino
I/O Supervisor
Production Illustrator
Daren Dochterman
Production Illustrator
Digital Color Timer
Tommy Hooper
Digital Color Timer
Production Office Coordinator
Derek Jan Vermaas
Production Office Coordinator
Telecine Colorist
Eric Putz
Telecine Colorist
Set Dressing Supervisor
Jennifer Lewicki
Set Dressing Supervisor
Quality Control Supervisor
Timothy Michael Cairns
Quality Control Supervisor
Accounting Clerk Assistant
Matthew Humphreys
Accounting Clerk Assistant
What's left behind the scenes
- The film is based on Patrick O'Brian's series of novels about Captain Jack Aubrey and Doctor Stephen Maturin (1970-2004).
- To help the actors playing the ship's crew bond, Russell Crowe organized regular rugby games.
- Ralph Fiennes was considered for the role of Doctor Maturin.
- Approximately 2,000 costumes were used during the making of the film.
- Filming took around 100 days at the Baja Studios in Mexico, and only 10 days at sea.
- Russell Crowe performed most of the violin playing himself. He later admitted that learning the instrument was the most challenging thing he had ever done for a film.
- To research his role, Paul Bettany went to the Royal College of Surgeons in London to learn how to use surgical instruments from the 18th century.
- According to Aubrey’s letter to his beloved, the film’s action takes place in 1805.
- In the Russian translation of the book, Jack Aubrey's ship is called "Surprise." There are quite a few differences between the film and the books.
- Historical consultants were constantly present during the filming of "Master and Commander: The Far Side of the World," assisting the film crew and providing advice on important historical events.
- To participate in this project, Russell Crowe temporarily turned down a role in "Knockdown." He eventually returned to the project, but the director had already been replaced.
- The first film in history to be shot on the Galapagos Islands.
- Two ships were used for filming the movie, one of which – "Rose" – was an exact replica of the frigate "Surprise." The second ship was an exact copy of the "Rose" and stood on a set at a film studio in Mexico.
- Filming took place from June 17 to November 11, 2002.
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
