Moonage Daydream - actors, characters and roles
All actors and their roles in the film "Moonage Daydream"
Moonage Daydream (2022)
Timing:
2:14 (134 min)
7.585/10
189
189
7.898/10
642
642
7.6/10
16000
16000
Actors and characters
Russell Harty
Character Self (archive footage)
Ken Fordham
Character Self (archive footage)
Brian Wilshaw
Character Self (archive footage)
Geoffrey MacCormack
Character Self (archive footage)
What's left behind the scenes
- This documentary features a wealth of previously unpublished personal materials from David Bowie, including photographs, home videos, and some interviews. The film's author, Brett Morgen, personally spoke with Bowie's widow, supermodel Iman, asking for her permission to use these materials. Initially, she was against it, but then she thought about Morgen’s previous works – the films “Cobain: Montage of Heck” (2015, about Kurt Cobain) and “Jane” (2017, about scientist Jane Goodall), where he used similar materials genuinely in memory of his subjects, rather than to create banal biographical documentaries – and gave her permission.
- The documentary mentions Terry Burns, Bowie’s maternal half-brother. Burns was born on November 5, 1937, ten years before Bowie, and was, in many ways, a role model for him. He was the one who introduced Bowie to the work of poet William S. Burroughs, to Buddhism, to jazz, and to the occult. Unfortunately, Burns suffered from schizophrenia, and the illness worsened while he served in the Royal Air Force. In the late 1960s, Burns ended up in a mental hospital. After his release, he stopped taking medication by the mid-1970s and was re-hospitalized. Burns and Bowie last met in 1981, and on January 16, 1985, Burns committed suicide at the age of 47 after running away from the hospital.
- This documentary features a wealth of previously unpublished personal materials by David Bowie, including photographs, home videos, and some interviews. The film's author, Brett Morgen, spoke personally with Bowie's widow, supermodel Iman, asking for permission to use these materials. Initially, she was against it, but then she thought about Morgen's previous works – the films 'Cobain: Montage of Heck' (2015, about Kurt Cobain) and 'Jane' (2017, about scientist Jane Goodall), when he used similar materials truly in memory of his subjects, not for the sake of creating banal biographical documentaries – and gave permission.
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