The Hills Have Eyes - crew, film crew
The entire team, the film crew of the film "The Hills Have Eyes"
The Hills Have Eyes (2006)
Timing:
1:47 (107 min)
6.455/10
3298
3298
6.57/10
88013
88013
6.4/10
195000
195000
Film crew
Director
Producer
Marianne Maddalena
Producer
Peter Locke
Producer
Samy Layani
Producer
Executive Producer
Frank Hildebrand
Executive Producer
Casting
Mark Bennett
Casting
Editor
Baxter
Editor
Special Effects Supervisor
Franco Ragusa
Special Effects Supervisor
Art Direction
Supervising Art Director
Costume Design
Danny Glicker
Costume Design
Stunts
Guiomar Alonso
Stunts
François Poirier
Stunts
Florian Robin
Stunts
Othman Ilyassa
Stunts
Philippe Losson
Stunts
Mustapha Touki
Stunts
Aissa Ouyous
Stunts
Production Design
Joseph C. Nemec III
Production Design
Stunt Coordinator
Cedric Proust
Stunt Coordinator
Second Unit Director
Set Decoration
Alessandra Querzola
Set Decoration
Makeup Artist
Karl Derrick
Makeup Artist
Matteo Silvi
Makeup Artist
Kevin Wasner
Makeup Artist
Mariam Lee Abounouom
Makeup Artist
Clare Mulroy
Makeup Artist
Key Makeup Artist
Matteo Silvi
Key Makeup Artist
Sound Re-Recording Mixer
Ezra Dweck
Sound Re-Recording Mixer
Original Music Composer
Andy Milburn
Original Music Composer
Tom Hajdu
Original Music Composer
Unit Production Manager
Frank Hildebrand
Unit Production Manager
Associate Producer
Cody Zwieg
Associate Producer
Orchestrator
Dwight Mikkelsen
Orchestrator
Second Assistant Director
Michael Gregory
Second Assistant Director
Jon-Luke Lourens
Second Assistant Director
Shamiel Soni
Second Assistant Director
Olivier Agostini
Second Assistant Director
Bertrand Gagey
Second Assistant Director
Dexter Locke
Second Assistant Director
Stunt Double
Florian Robin
Stunt Double
Director of Photography
Musician
Paulinho Da Costa
Musician
Paulinho da Costa
Musician
Costume Supervisor
Nancy Au
Costume Supervisor
Julie Glick
Costume Supervisor
Anna Lombardi
Costume Supervisor
Makeup Department Head
Mario Michisanti
Makeup Department Head
Sound Effects Editor
Carla Murray
Sound Effects Editor
Bryan O. Watkins
Sound Effects Editor
Bill R. Dean
Sound Effects Editor
Assistant Art Director
Harry Pain
Assistant Art Director
Property Master
Mark Fruin
Property Master
Visual Effects Supervisor
Jamison Scott Goei
Visual Effects Supervisor
Supervising Sound Editor
Mark Larry
Supervising Sound Editor
Script Supervisor
Cheryl Leigh
Script Supervisor
Hair Department Head
Massimiliano Duranti
Hair Department Head
Electrician
Eyoub Jallal
Electrician
Hairstylist
Salima Oulad Dahhou
Hairstylist
Special Effects Coordinator
Danilo Bollettini
Special Effects Coordinator
Still Photographer
Lacey Terrell
Still Photographer
Visual Effects Producer
Laura LeFaivre
Visual Effects Producer
First Assistant Director
Franklin A. Vallette
First Assistant Director
Chief Lighting Technician
Alessandro Cardelli
Chief Lighting Technician
Production Manager
Frank Hildebrand
Production Manager
Boom Operator
Dick Philip
Boom Operator
Screenplay
Foley Artist
Sean Rowe
Foley Artist
Ginger Geary
Foley Artist
Sound Designer
Dane A. Davis
Sound Designer
Richard Adrian
Sound Designer
Dialogue Editor
Kimberly R. McCord-Wilson
Dialogue Editor
Assistant Editor
Manuel De Sousa
Assistant Editor
Art Department Assistant
Jérôme Billa
Art Department Assistant
Foley Editor
Solange S. Schwalbe
Foley Editor
First Assistant "B" Camera
Ionut Lupulescu
First Assistant "B" Camera
First Assistant "A" Camera
Valerio Villalba
First Assistant "A" Camera
Key Grip
Nazzareno Savini
Key Grip
Ager/Dyer
Phyllis Thurber-Moffit
Ager/Dyer
Location Manager
Noureddine Aberdine
Location Manager
Grip
Hassan Chrij
Grip
Assistant Location Manager
Imad El Ghazi
Assistant Location Manager
Set Production Assistant
Mohamed Atbir
Set Production Assistant
Carpenter
Fabio Carussi
Carpenter
Painter
Cristina Cecili
Painter
Characters
Music Supervisor
David Franco
Music Supervisor
3D Artist
Shih-hao Jason Huang
3D Artist
Foley Mixer
Ryan Maguire
Foley Mixer
Third Assistant Director
Rachid Doha
Third Assistant Director
Special Effects Makeup Artist
Production Accountant
Ibtisame Semmar
Production Accountant
Music Editor
Sheri Ozeki
Music Editor
Production Sound Mixer
Albert Bailey
Production Sound Mixer
ADR Mixer
Eric Thompson
ADR Mixer
ADR Recordist
Chris Navarro
ADR Recordist
Storyboard Artist
Adrian Cancer
Storyboard Artist
Camera Trainee
Anas Batma
Camera Trainee
"B" Camera Operator
Sacha Melaranci
"B" Camera Operator
Special Effects Assistant
Mohamed Ali Aqermim
Special Effects Assistant
Conductor
Dwight Mikkelsen
Conductor
Post Production Supervisor
Tina Anderson
Post Production Supervisor
On Set Dresser
Jaouad Rehaoui
On Set Dresser
Production Assistant
Mustapha Amiri
Production Assistant
Sound Assistant
Jamal Quandil
Sound Assistant
Unit Publicist
Dan Maddalena
Unit Publicist
Production Coordinator
Katryna Samut-Tagliaferro
Production Coordinator
Scoring Mixer
John Kurlander
Scoring Mixer
Production Secretary
Latifa Chouih
Production Secretary
Line Producer
Inigo Lezzi
Line Producer
ADR Editor
Frank Smathers
ADR Editor
ADR Voice Casting
Assistant Accountant
Hanane El Amrani
Assistant Accountant
Assistant Production Coordinator
Kawtar Bellafquih
Assistant Production Coordinator
Legal Services
Michael Barnes
Legal Services
Assistant Sound Editor
Christopher Alba
Assistant Sound Editor
Nancy Barker
Assistant Sound Editor
Executive In Charge Of Production
Alix Taylor
Executive In Charge Of Production
Matte Painter
Laurent Ben-Mimoun
Matte Painter
Costume Assistant
Lahcen Abbana
Costume Assistant
Construction Manager
Luigi Sergianni
Construction Manager
Transportation Captain
Omar Driouche
Transportation Captain
First Assistant Accountant
Wannapa 'Gai' Sinthunawa
First Assistant Accountant
Set Medic
Hakima Hammoudi
Set Medic
Digital Colorist
Kathy Thomson
Digital Colorist
Color Timer
Michael Hatzer
Color Timer
Negative Cutter
Gary Burritt
Negative Cutter
Assistant Chief Lighting Technician
Lyamani Bouhmdi
Assistant Chief Lighting Technician
Dresser
Lahcen Ait Elhaj
Dresser
Animal Wrangler
Lmahjoub Boulmi
Animal Wrangler
Makeup Effects Designer
Howard Berger
Makeup Effects Designer
Original Film Writer
Catering
Youssef El Idrissi
Catering
Cableman
Jamal Kandil
Cableman
Set Dressing Buyer
Jaouad Rehaoui
Set Dressing Buyer
Elizabeth Ragagli
Set Dressing Buyer
What's left behind the scenes
- The opening credits are drawn against the background of photographs with a certain mutation. These are by no means nuclear cataclysms, but the consequences of Agent Orange—a chemical substance used by US troops in Vietnam to destroy crops, thickets, and forests.
- In order for the film to receive an R rating, it had to be cut by 2 minutes.
- The images of mutants were created using both CGI technology and makeup. The most disproportionate characters were sculpted from prosthetics.
- Filming took place in Morocco and involved people of 61 nationalities.
- A gas station was constructed on the filming location in Morocco. It looked so realistic that locals regularly drove up to it to refuel their cars.
- Almost all of Ted Levine’s lines and actions were improvised.
- Aleksandr Adja and art director Gregory Levasser had planned from the beginning to film in Morocco due to the similarity of the natural conditions to the New Mexico desert. However, the producers opposed this, fearing terrorist attacks. After Adja and Levasser were unable to find a suitable location in the US, the producers relented.
- During filming in the Moroccan desert, the temperature sometimes exceeded 48 degrees Celsius.
- Filming in a tiny trailer was very difficult, so they had to build separate sets representing the interior of the vehicle. The sets turned out to be 30% larger than the original.
- Ivanna Turchetto (who played Big Mama) agreed to shave her head for $1000.
- One of the producers, Peter Locke, played the role of a mutant in the original version of the film (1977).
- The nuclear crater that Doug finds is entirely computer-generated.
- The TV show that Big Mama watches is called 'Divorce Court'. Peter Locke is also the producer of that show.
- One of the most challenging scenes to stage was the trailer crash in the desert. It took 3 days to film.
- Wes Craven and Peter Lock intended to shoot in the same desert where the original 1977 film was made. But when they went there to scout locations, they discovered that the area had been developed.
- The new 'The Hills Have Eyes' is approximately 15 minutes longer than its predecessor.
- The opening credits are drawn against a backdrop of photographs with some kind of mutation. These are by no means nuclear cataclysms, but the consequences of Agent Orange – a chemical substance used by US troops in Vietnam to destroy crops, thickets, and forests.
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
