Big Nothing - posters, covers, wallpapers
Lots of posters, covers and wallpapers for the movie "Big Nothing"
Big Nothing (2006)
Timing:
1:26 (86 min)
6.4/10
464
464
7.107/10
86526
86526
6.7/10
33000
33000
Posters, covers
2K 1500p
2K 1500p
3K 2100p
3K 2100p
Full HD 1200p
Full HD 1200p
5K UHD 3000pBackdrops, wallpaper
HD Ready 720p
Full HD 1080p
Full HD 1350pWhat's left behind the scenes
- Jean-Baptiste Andrea wanted the audience to feel slightly 'out of their minds' after watching his film. He achieved this effect by attaching cameras to the actors, dividing the screen into multiple parts, and using animation.
- After the release of his horror film 'High Tension' in 2003, Jean-Baptiste Andrea spent three years in fruitless negotiations about new projects with various studios. The film 'Inside' (2006) fully reflects the disappointment and sense of hopelessness that the director felt during this period.
- Director and screenwriter Jean-Baptiste Andrea wrote the screenplay in French. It had to be rewritten in English with the help of William Rosenfeld.
- Jean-Baptiste Andrea wanted viewers to feel slightly "out of their minds" after watching his film. He achieved this effect by attaching cameras to the actors, as well as dividing the screen into several parts and using animation.
- After the release of his horror film "Dead End" in 2003, Jean-Baptiste Andrea spent three years in fruitless negotiations with various studios regarding new projects. The film reflects the disappointment and sense of hopelessness that possessed the director during that period.
- Director and screenwriter Jean-Baptiste Andrea wrote the script in French. It had to be rewritten in English with the help of William Rosenfeld.
- Jean-Baptiste Andrea wanted the viewing of his film to slightly “blow people’s minds.” He achieved this effect by attaching cameras to the actors, as well as dividing the screen into several parts and using animation.
- After the release of his horror film “Dead End” in 2003, Jean-Baptiste Andrea spent three years in fruitless negotiations about new projects with various studios. The film reflects the disappointment and sense of hopelessness that the director felt during that period.
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