To Live and Die in L.A. - posters, covers, wallpapers

Lots of posters, covers and wallpapers for the movie "To Live and Die in L.A."
To Live and Die in L.A. (1985)
Timing: 1:56 (116 min)
To Live and Die in L.A. - TMDB rating
7.139/10
746
To Live and Die in L.A. - Kinopoisk rating
6.918/10
3135
To Live and Die in L.A. - IMDB rating
7.3/10
47000

Backdrops, wallpaper

Backdrop to the movie "To Live and Die in L.A." #2380622K 1440p
Backdrop to the movie "To Live and Die in L.A." #674927HD Ready 720p
Backdrop to the movie "To Live and Die in L.A." #238051Full HD 1080p
Backdrop to the movie "To Live and Die in L.A." #2380524K UHD 2160p
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Backdrop to the movie "To Live and Die in L.A." #2380542K 1440p
Backdrop to the movie "To Live and Die in L.A." #238055Full HD 1080p
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Backdrop to the movie "To Live and Die in L.A." #674918HD Ready 720p
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Backdrop to the movie "To Live and Die in L.A." #674931Full HD 1080p
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Backdrop to the movie "To Live and Die in L.A." #790232HD Ready 720p

Posters, covers

Poster to the movie "To Live and Die in L.A." #2380655K UHD 3000p
Poster to the movie "To Live and Die in L.A." #2380665K UHD 3000p
Poster to the movie "To Live and Die in L.A." #2380672K 1500p
Poster to the movie "To Live and Die in L.A." #238068Full HD 1426p
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Poster to the movie "To Live and Die in L.A." #238074Full HD 1367p
Poster to the movie "To Live and Die in L.A." #2380755K UHD 3000p
Poster to the movie "To Live and Die in L.A." #238077HD Ready 944p
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Poster to the movie "To Live and Die in L.A." #6749385K UHD 2891p
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Poster to the movie "To Live and Die in L.A." #7902345K UHD 3000p
Poster to the movie "To Live and Die in L.A." #7902392K 1440p
Poster to the movie "To Live and Die in L.A." #7902405K UHD 3000p
Poster to the movie "To Live and Die in L.A." #2380764K UHD 2633p
Poster to the movie "To Live and Die in L.A." #7902332K 1500p
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Poster to the movie "To Live and Die in L.A." #790236Full HD 1221p
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Poster to the movie "To Live and Die in L.A." #790238Full HD 1200p

What's left behind the scenes

  • At the beginning of the film, Willem Dafoe's character prints money. At that moment, counterfeit money was actually being printed there; a convicted counterfeiter, hired as a consultant, demonstrated how it was done. Every time a helicopter flew over the building, Willem Dafoe felt that it was the police and they would all be arrested any minute.
  • Director William Friedkin insisted that everything shown on screen be as realistic as possible. For the scenes involving the printing of dollars, two former convicted counterfeiters were hired as consultants, and FBI agents and police officers were also present on set.
  • Gary Sinise initially auditioned for the role of Chance, and it was he who suggested William Petersen to William Friedkin when he himself failed to pass the audition.
  • The car chase scene was filmed last. It took 6 weeks to shoot.
  • Film director William Friedkin recounted that the counterfeit money turned out to be of such high quality that when some bills were accidentally left unattended on the set one day, representatives from the Secret Service (which was under the jurisdiction of the US Department of the Treasury until 2003) and the Attorney General's Office contacted him.
  • Prison scenes were filmed at a correctional facility in San Luis Obispo County (west central California), and actual inmates incarcerated there played the roles of prisoners.
  • For the paintings of Masters, played by Willem Dafoe, the filmmakers used works by German artist Rainer Fetting. In one scene in the church, he even briefly appeared on screen as a priest.
  • Legendary cinematographer Robbie Müller refused to shoot the car chase scene; instead, it was filmed by second unit cinematographer Robert D. Yeoman.
  • Despite the film crew’s best efforts, some counterfeit bills were still taken from the set and put into circulation.
  • Friedkin decided not to include a scene filmed near the end of the film, in which Vukovich attempts to reconcile with his ex-wife. These scenes can be found on the DVD release of the film. The director later stated that he no longer remembered why he had filmed the scene, and said he regretted having done so.
  • In the final scene at the warehouse after the shootout, when the ammunition has run out, the hero John Pankow continues to pull the trigger. The audience hears clicks, but the revolver's cylinder does not rotate.
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