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The Wrath of Becky - posters, covers, wallpapers

Lots of posters, covers and wallpapers for the movie "The Wrath of Becky"
The Wrath of Becky (2023)
Timing: 1:23 (83 min)
The Wrath of Becky - TMDB rating
6.3/10
281
The Wrath of Becky - Kinopoisk rating
6.439/10
46220
The Wrath of Becky - IMDB rating
6.2/10
20000
All about film
Video 5
Photo 41
Actors and characters

Backdrops, wallpaper

Backdrop to the movie "The Wrath of Becky" #280094K UHD 2160p
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Posters, covers

Poster to the movie "The Wrath of Becky" #280185K UHD 2925p
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What's left behind the scenes

  • In December 2021, producer J.D. Lifshitz approached Matt Angel and Suzanne Coote with a request to write a script and direct a sequel to the 2020 action film “Becky,” directed by Jonathan Milott and Cary Murnion. Without any further instructions or guidance, and with only three weeks available, Angel revisited Quentin Tarantino’s 2003 thriller “Kill Bill” to analyze its atmosphere and characters. The lead actress, Lulu Wilson, actively collaborated with the film's writers to soften the image of her character. Considering that two years had passed between the original film and the sequel, Wilson wanted to show that this time had not gone unnoticed for her character and that she had matured.
  • Matt Angel with Suzanne Coote, as well as cinematographer Julia Swain, decided not to shoot handheld, as was done during the filming of the original 2020 film, but to demonstrate sliding camera movement and use a 'Steadicam' camera stabilization system.
  • Producer J.D. Lifshitz approached Matt Angel and Suzanne Coote in December 2021, requesting they write the screenplay and direct a sequel. Without specific instructions and with only three weeks, Angel revisited “Kill Bill” for the atmosphere and characters. The lead actress, Lulu Wilson, actively collaborated with the filmmakers to soften her character’s image. Wilson wanted to show that the two years separating the sequel and prequel had left their mark on her character and that she had matured.
  • Matt Angel, Suzanne Coote, and cinematographer Julia Swain decided not to shoot handheld, as they did in the first film, but to use a Steadicam.
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