Oliver Tarney

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Oliver Tarney - Supervising Sound Editor, Sound Designer, Sound Effects Editor, Sound Editor, Foley Recordist known for his work in such projectsAdvice for working with the Map of emotions: «Napoleon» (2023), «Alien: Covenant» (2017), «1917» (2019), «Thirteen Lives» (2022), «The Martian» (2015),

Oliver Tarney is a British sound supervisor and sound designer known for his work with Ridley Scott and Paul Greengrass.

Oliver has been nominated for five Academy Awards to date. Tarney was first nominated in the Best Sound Editing category for the 2013 film Captain Phillips. He received his second Oscar nomination in 2016 for the film The Martian. Tarney's third nomination was for 1917 in 2020. The following year, he was nominated once again for News of the World, and in 2022, he received his fifth Oscar nomination for No Time to Die. Tarney has also been nominated for six BAFTAs, including in 2007 for United 93, along with Captain Phillips, The Martian, 1917, News of the World, and No Time to Die.

Description above from the Wikipedia article Oliver Tarney, licensed under CC-BY-SA, full list of contributors on Wikipedia.

The most significant works of Oliver Tarney

Doom
Doom (2005)

Position: Sound Effects Editor
Quantum of Solace
Quantum of Solace (2008)

Position: Sound Effects Editor
Shadow of the Vampire
Shadow of the Vampire (2000)

Position: Foley Recordist
Green Zone
Green Zone (2010)

Position: Supervising Sound Editor
Cracks (2009)

Position: Supervising Sound Editor
Casino Royale
Casino Royale (2006)

Position: Sound Effects Editor
Unknown
Unknown (2011)

Position: Supervising Sound Editor
Sherlock Holmes: A Game of Shadows
Sherlock Holmes: A Game of Shadows (2011)

Position: Sound Designer, Supervising Sound Editor
Frankenweenie
Frankenweenie (2012)

Position: Supervising Sound Editor
Big Eyes
Big Eyes (2014)

Position: Supervising Sound Editor


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