Eugen Schüfftan

There should have been a photo of Eugen Schüfftan here, but we don't have it :(
Birthday
1893-07-21

Eugen Schüfftan - Visual Effects, Director of Photography, Special Effects, Visual Effects Supervisor, Production Supervisor, Production Design known for his work in such projectsAdvice for working with the Map of emotions: «Metropolis» (1927), «The Hustler» (1961), «Eyes Without a Face» (1960), «Ulysses» (1954), «Napoléon» (1927),

From Wikipedia, the free encyclopedia

Eugen Schüfftan (21 July 1893, Breslau, Silesia, Germany, now Wroclaw, Poland – 6 September 1977, New York City) was a German Jewish cinematographer.

He invented the Schüfftan process, a special effects technique that employed mirrors to insert actors into miniature sets. One of the first uses of the process was for Metropolis (1927), directed by Fritz Lang. The technique was widely used throughout the first half of the 20th century until it was supplanted by the travelling matte and bluescreen techniques.

Schüfftan won the 1962 Academy Award for Best Cinematography, Black-and-White for his work on the film The Hustler.

The most significant works of Eugen Schüfftan

Metropolis
Metropolis (1927)

Position: Visual Effects
The Hustler (1961)

Position: Director of Photography
Eyes Without a Face
Eyes Without a Face (1960)

Position: Director of Photography
Bluebeard (1944)

Position: Director of Photography, Production Design
Napoléon (1927)

Position: Special Effects, Visual Effects Supervisor
Ulysses (1954)

Position: Special Effects
The Dark Mirror (1946)

Position: Visual Effects
Port of Shadows (1938)

Position: Director of Photography
Lilith (1964)

Position: Director of Photography
A Scandal in Paris (1946)

Position: Director of Photography, Production Supervisor


Full filmography Eugen Schüfftan
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